Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Score) -
difficult
SKU:
HL.49006187
(The
Raft of the Medusa).
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1968/1990. 168 pages.
Duration 70'. Schott
Music #ED6326. Published
by Schott Music
(HL.49006187).
ISBN
9790001067270. UPC:
884088099282.
8.25x11.75x0.41 inches.
German - English.
Orchestra SKU: CA.200719 Composed by Various. Edited by Diethard Hellmann...(+)
Orchestra
SKU:
CA.200719
Composed by
Various. Edited by
Diethard Hellmann. Choral
collections for women's
choir. Gesange Zum
Kirchenjahr Fur
Frauenchor Sa. Sacred
vocal music, Advent,
Special days, End of the
church year, Epiphany,
Lent and Passiontide, New
year, Holy Week, Easter
and Eastertide, Whitsun,
Trinity, Christmas, Daily
hours. Set of Orchestra
Parts. Carus Verlag #CV
02.007/19. Published by
Carus Verlag (CA.200719).
ISBN
9790007193614.
Scor
e and parts available
separately - see item
CA.200700.
Composed
by Thomas Gabriel. This
edition: Ring/Spiral
binding. Sheet music.
Ensemble. Ein
Messordinarium, das
stilistisch vielfaltig
das gemeinsame Musizieren
von gemischtem Chor und
Jugendchor ermoglicht,
begleitet von einem
Kammerensemble mit
farbenreicher Percussion.
Der Solosopran steuert
elegische Teile und
Klangkronen hinzu und
tritt. Softcover.
Composed 2012. 184 pages.
Schott Music #ED21791.
Published by Schott Music
(HL.49043991).
ISBN
9790001196802.
9.5x12.0x0.667 inches.
Latin - German.
Die
Missa juvenalis entstand
als Auftragskompostion
der Chore an St. Georg in
Bensheim. Sie ist eine
moderne Orchestermesse
fur zweistimmigen
Jugendchor und
vierstimmigen
Erwachsenenchor,
Orchester, Sopransolo und
zwei Perkussionisten. Die
ca. 30minutige Messe
vereint den klassischen,
lateinischen Messtext mit
deutschen Erganzungen von
Dag Hammarskjold und
Meister Eckhart. In Kyrie
und Agnus Dei
eingeschoben, geben Sie
dem zeitlosen Messtext
eine beruckende
Aktualitat. Die Messe
bewegt sich stilistisch
zwischen klassischen
Modellen, Musical und
Jazz. Entsprechend uppig
ist die notwendige
Ausstattung an
Schlagwerk, das zu den
Streichern und
Holzblasern
hinzutritt.
Composed
by Thomas Gabriel. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover.
Composed 2012. 104 pages.
Schott Music #ED21791-01.
Published by Schott Music
(HL.49044055).
ISBN
9790001196819. Latin -
German.
Die 'Missa
juvenalis' entstand als
Auftragskompostion der
Chore an St. Georg in
Bensheim. Sie ist eine
moderne Orchestermesse
fur zweistimmigen
Jugendchor und
vierstimmigen
Erwachsenenchor,
Orchester, Sopransolo und
zwei Perkussionisten. Die
ca. 30minutige Messe
vereint den klassischen,
lateinischen Messtext mit
deutschen Erganzungen von
Dag Hammarskjold und
Meister Eckhart. In
'Kyrie' und 'Agnus De'i
eingeschoben, geben Sie
dem zeitlosen Messtext
eine beruckende
Aktualitat. Die Messe
bewegt sich stilistisch
zwischen klassischen
Modellen, Musical und
Jazz. Entsprechend uppig
ist die notwendige
Ausstattung an
Schlagwerk, das zu den
Streichern und
Holzblasern
hinzutritt.
Choir Sacred Children's
choir, SATB choir, and
Orchestra
SKU:
PE.EP72565B
For
Children's Choir, SATB
Choir, and Orchestra
(2014). Composed by
Jonathan Dove. Choral
Works (inc. Oratorios).
Edition Peters. Modern.
Book. 72 pages. Duration
00:15:00. Edition Peters
#98-EP72565B. Published
by Edition Peters
(PE.EP72565B).
ISBN
9790577008219.
English.
Commiss
ioned by The Bach Choir
in memory of Leopold de
Rothschild (1927-2012), a
singing member of the
Choir for 50 years and
Chairman for 23 years.
Following his resignation
as a singer Leo became
the Choir's President, a
position he held until
his death; over this
extraordinary period of
devotion to the Choir he
became a friend to vast
numbers of his fellow
singers, and gave
unstintingly of his time
and wisdom
First
performance 10 June 2014
in the Royal Festival
Hall, London, by The Bach
Choir, the Philharmonia
Orchestra, and The Young
Singers, a choir formed
by The Bach Choir in
partnership with the
Tri-borough Music Hub,
conducted by David
Hill.
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra
SKU:
HL.49045487
For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487).
ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German.
Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1.
Score. Composed by
Joaquí and n
Rodrigo. This edition:
Saddle stitching. Sheet
music. Ediciones Joaquin
Rodrigo. Classical.
Score. Composed 1952. 88
pages. Duration 22'.
Schott Music #ED 9477.
Published by Schott Music
(HL.49008427).
ISBN
9790001132145. UPC:
073999352535.
8.25x11.75x0.272
inches.
The story
of the Nativity is
musically retold in eight
short seasonal pieces.
The varied forces
employed provide each
section with its own
inimitable Christmas
flavour. For soloists
(mezzo, baritone),
children's choir, mixed
choir (SATB) and small
orchestra.
Orchestra (solo: T - choir: SATB - picc.2.2.2.2 - 6(davon 2 hinter der Buhne ad ...(+)
Orchestra (solo: T -
choir: SATB -
picc.2.2.2.2 - 6(davon 2
hinter der Buhne ad
lib).2.3.0 - timp - str)
SKU: BR.PB-5092-07
Fragment of an
Opera. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Softcover.
Partitur-Bibliothek
(Score Library). Opera;
Music theatre; Romantic.
Study Score. 40 pages.
Duration 7'. Breitkopf
and Haertel #PB 5092-07.
Published by Breitkopf
and Haertel
(BR.PB-5092-07).
ISBN
9790004208434. 5.5 x 7.5
inches.
Die
Aufzahlung von Schumanns
Opernplanen gleicht einem
abenteuerlichen Streifzug
quer durch die
Literaturgeschichte.
Seinem ,,Haushaltbuch II,
einer Art Tagebuch,
konnen wir entnehmen,
dass er sich am 28.Juni
1844 plotzlichmit dem
,,Corsar von Byron
befasste. Schumann war
zunachst von dem Stoff so
begeistert, dass er
sofort mit der
Komposition begann, noch
ehe der Plan wirklich
ausgereift war, aber
schon einen Monat spater
wandte er sich einer
anderen Arbeit zu,
namlich den Faust-Szenen,
die ihn bis 1853
beschaftigen sollten.Von
einer Ouverture ist
nichts bekannt, ein
einleitender ,,Chor der
Corsaren, in dem diese -
mit ihren Frauen, denn es
ist ein gemischter Chor!
- in enger textlicher
Anlehnung an den Anfang
des Byronschen Versepos
ihr wildes, ungebundenes
Leben auf dem Meer
besingen, wurde in
vollstandiger Partitur
niedergeschrieben. Ihm
schliesst sich, ebenfalls
vollstandig
instrumentiert, ein
Nachspiel an, das durch
seine zauberhafte
romantische Stimmung
gefangennimmt. Ein
c-uroll Akkord schlagt
die harmonische Brucke
zur Nr. 2 (Arie des
Conrad), die in B-dur
steht und mit den fur
Schumann so typischen
punktierten Figuren den
Titelhelden als
Kampfernatur zu
charakterisieren sucht.
Doch schon nach 5 Takten
bricht die Partitur ab,
von der Singstimme sind
noch weitere 6 Takte, am
Schluss ohne Text,
niedergeschrieben.Die
Urauffuhrung fand am 25.
April 1981 im Rahmen
eines konzertanten
Opernabends mit dem Titel
,,Opernfragmente der
Romantik im Badischen
Staatstheater Karlsruhe
statt.
By Tomas Svoboda. Orchestra. For Choir (SATB)/222(+2Sax.A)2/4331 /Tp/5 Pc/Xyl/St...(+)
By Tomas Svoboda.
Orchestra. For Choir
(SATB)/222(+2Sax.A)2/4331
/Tp/5 Pc/Xyl/Strings..
Full score. Composed
1987. 58 pages. Duration
24 minutes. Published by
Thomas C. Stangland Co.
Orchestra - Grade 3 SKU: HL.14042546 Composed by Anders Koppel. Choral. H...(+)
Orchestra - Grade 3
SKU: HL.14042546
Composed by Anders
Koppel. Choral. Hymns &
Chorals. Octavo. Composed
2014. Edition Wilhelm
Hansen #WH31772.
Published by Edition
Wilhelm Hansen
(HL.14042546).
ISBN
9788759827444.
Chor
al score for Gemmer Hvert
Et Ord - Cantata for
Choir SATB, Regiment
Orchestra and Organ by
Anders Koppel (1999).Text
in Danish by Ulla
Koppel.KP01775 = Score.
KP01776 = Piano
score.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: JK.20034 Composed by K. Newell Dayley. Arranged by Sam Car...(+)
Orchestra
SKU:
JK.20034
Composed by
K. Newell Dayley.
Arranged by Sam Cardon.
Difficulty Medium,
Orchestral
Orchestrations, Jesus
Christ - Savior, Love.
Christian, Inspirational.
Duration 3:40. Jackman
Music Corporation #20034.
Published by Jackman
Music Corporation
(JK.20034).
John
15:10-12.
Score and
parts to accompany the
full-choir arrangement of
I Feel My Savior's Love,
recorded by the Mormon
Tabernacle Choir
(#00402). Orchestratio
n includes: Full
Score Flute
Oboe Clarinet in B
Flat Harp Piano
Percussion I (Light
Triangle, Finger Cymbals)
Percussion II (B.D.,
Sus. Cymbal) Violin I
(4) Violin II (4)
Viola (4)
Violoncello (3)
Doublebass
(2) Composer: K.
Newell Dayley
Arranger: Sam Cardon
Lyricist: Ralph G.
Rogers, K. Newell Dayley
and Laurie Huffman
Difficulty: Medium
Performance time:
3:40 Reference: John
15:10-12.
Full orchestra SKU: LO.30-3765MD Composed by Aaron Shust. Arranged by Jay...(+)
Full orchestra
SKU:
LO.30-3765MD
Composed
by Aaron Shust. Arranged
by Jay Rouse. Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3765MD. Published by
Medallion Music
(LO.30-3765MD).
UPC:
000308156331.
Orche
stral Score and Parts for
My Savior, My God
(10/5420MD) - This
popular worship song by
Aaron Shust rejoices in
the knowledge that God is
the same yesterday,
today, and forever.
Though full of mystery
beyond human
comprehension, His love
is sure and constant.
Arranged by Jay Rouse for
choir, this setting is a
wonderful opportunity for
choir and congregation to
worship together.
Choral; Orchestra (Study Score) SKU: HL.49017950 Eulenburg Study Score...(+)
Choral; Orchestra (Study
Score)
SKU:
HL.49017950
Eulenburg Study
Score. Composed by
Robert Schumann. Edited
by Bernhard R. Appel.
This edition:
Paperback/Soft Cover.
Sheet music. Choral Large
Works. Classical.
Softcover. Op. 147. 176
pages. Eulenburg Edition
#ETP1602. Published by
Eulenburg Edition
(HL.49017950).
ISBN
9783795771867. UPC:
841886014534.
6.25x8.75x0.397 inches.
Latin.
Whoever
attempted to compose a
Latin mass in the middle
of the 19th century had
to compete with great
models and traditional
composition techniques.
Bach's Mass in B minor
and Beethoven's Missa
solemnis, but even his
earlier Mass in C major
(performed by Schumann)
are among the key works
of a great mass tradition
in the reception of High
Romanticism. Not unlike
Schubert and later
Bruckner before,
Schumann's Mass in C
minor too is bound by
tradition, yet finds its
very own formulation of
the 'Ordinarium Missae',
the characteristic
features of which point
to the late style of the
composer.
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and
parts. Lorenz Publishing
Company #30/3180L.
Published by Lorenz
Publishing Company
Mixed choir (SSATBB) with orchestra (Score) - intermediate SKU: HL.49005480(+)
Mixed choir (SSATBB) with
orchestra (Score) -
intermediate
SKU:
HL.49005480
Composed
by Harald Genzmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score.
Composed 1960. 40 pages.
Duration 10'. Schott
Music #ED 5168. Published
by Schott Music
(HL.49005480).
Orchestra - Grade 2 SKU: AP.34001S Featuring: The Apollo Suite / Quint...(+)
Orchestra - Grade 2
SKU: AP.34001S
Featuring: The Apollo
Suite / Quinto-Quinto
Suite / Belvedere
Suite. Composed by
Merle J. Isaac.
Performance Music
Ensemble; Single Titles;
String Orchestra. Alfred
Signature Performance
Series for Orchestra.
Score. 68 pages. Alfred
Music #00-34001S.
Published by Alfred Music
(AP.34001S).
UPC:
038081376226.
English.
Stretch
your performance music
budget further with a
collection of pieces for
the price of one! The
Alfred and Belwin
Signature Performance
Series combine several
best-selling pieces by
our popular composers and
arrangers into one set of
score and parts. Made for
young bands and
orchestras, each set
contains full-length
pieces that can be used
together in one concert
or separately, with
themes such as classic
popular Christmas,
movies, international,
pop, and Classics
appropriate for Contest.
Also available for choir
and handbell choir. Enjoy
quality music at a great
value price! This title
features classics from
Merle Isaac, perfect for
festivals, concerts, and
contests. Titles: The
Apollo Suite *
Quinto-Quinto Suite *
Belvedere Suite.
Soloists [SATBar], Mixed Choir [SATB] and Large Orchestra SKU: BT.BH6400595(+)
Soloists [SATBar], Mixed
Choir [SATB] and Large
Orchestra
SKU:
BT.BH6400595
Worte
aus Also sprach
Zarathustra. Composed
by Frederick Delius.
Score Only. 204 pages.
Boosey & Hawkes
#BH6400595. Published by
Boosey & Hawkes
(BT.BH6400595).
English-German.
For SATB soloists, Mixed
Chorus and Large
Orchestra.
Soloists [SATBar], Mixed Choir [SATB] and Large Orchestra SKU: BT.BH6500860(+)
Soloists [SATBar], Mixed
Choir [SATB] and Large
Orchestra
SKU:
BT.BH6500860
Worte
aus Also sprach
Zarathustra. By Sir
Thomas Beecham. By
Frederick Delius. Study
Score. 204 pages. Boosey
& Hawkes #BH6500860.
Published by Boosey &
Hawkes (BT.BH6500860).
2003. Composed by
Rowland Lee. Choral Works
(inc. Oratorios). Edition
Peters. Book. Composed
2003; First Performance:
December 3rd, 2003, at
Saint Martin in the
Fields. 148 pages.
Duration 01:10:00.
Edition Peters
#98-EP72184. Published by
Edition Peters
(PE.EP72184).
ISBN
9790577000282.
English.
Text
selected from the Requiem
Mass, D.H. Lawrence,
Percy Bysshe Shelley and
the Old
Testament
First
performance 3rd December
2003 at St.
Martin-in-the-Fields
<
p>Subsequent revisions
have been small, mainly
consisting of a brand new
Benedictus (to replace
one which, in the
original performance, had
beeen borrowed from a
liturgical setting of the
Mass), the expansion of
the Dies Irae and the
creation of a bigger
orchestration, as an
alternative to the
chamber scoring, to make
the most of the forces
available at the second
performance, in St.
Petersburg.
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing