Missa Sancti Gabrielis Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2...(+)
By Michael Haydn
(1737-1806). Edited by
Biba, Otto. For SATB
Soli, SATB Choir, 2
Violin, 2 Trumpet,
[Timpani], Basso
Continuo. Full score
available separately -
see item CA.9100900.
Church music of the
Viennese Classical.
Choral score. Language:
Latin. Composed
1760/1768. 16 pages
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SATB, SATB Choi...(+)
By Gioachino Rossini
(1792-1868). Edited by
Klaus Doge. For Soli
SATB, SATB Choir, 2
Pianos, Armo. This
edition: paperbound.
Score available
separately - see item
CA.4065000. Latin Masses.
Level 3. Study score.
Language: Latin. Composed
1863. 184 pages. Duration
90 min. Published by
Carus Verlag
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Fellerer, Karl
Gustav;Schroeder, Felix.
Arranged by Focke,
Martin. For Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed
Choir-SATB, Trumpet (2),
Trombone (3), Strings,
Organ. Piano
Reduction/Vocal Score. KV
321. Duration 24'.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006459674. (BA4893 90)
Stabat Mater, Op. 58 / B. 71 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Serenissima
By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay....(+)
By Antonin Dvorak
(1841-1904). Edited by
Otakar Sourek. Arranged
by Josef Zubay. Choir and
piano. For Soprano voice,
Alto voice, Tenor voice,
and Bass voice (Soli),
SATB Choir, Piano. This
edition: Paperback.
Choral, Transcriptions,
Original Works,
Liturgical. Romantic
Period; Sacred/Hymns,
Czech. Vocal Score. 166
pages. Published by
Serenissima
Stabat Mater (Srnka, Kachlik) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Reduction] Barenreiter
Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edite...(+)
Piano reduction by
Antonin Dvorak. Composed
by Antonin Dvorak
(1841-1904). Edited by
Jan Kachlik / Miroslav
Srnka. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Version in 10
movements. Classical.
Vocal score. With
Language: Latin, Text
Language:
Czech/English/German.
Opus 58. Duration 1 hour,
27 minutes. Editio
Baerenreiter Praha
#H07920. Published by
Editio Baerenreiter Praha
(Passionskantate). By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Ja...(+)
(Passionskantate). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Mathias Siedel. For
Soli SB, SATB Choir, 2
Oboes, 2 Horns, 2
Violins, 2 Violas, Basso
continuo. This edition:
paperbound. KV 42 (35a).
Full score available
separately - see item
CA.5104200. Cantatas; Use
during church year: Holy
Week. Piano/Vocal score.
Language: German.
Composed 1767. 36 pages.
Duration 12 min.
Published by Carus Verlag
Composed
by Gioachino Rossini.
Edited by Klaus Doge.
Carus sheet music series:
Vocal scores XL. Petite
Messe Solennelle Kart.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1863. Duration 90
minutes. Carus Verlag #CV
40.650/19. Published by
Carus Verlag
(CA.4065019).
ISBN
9790007096984. Language:
Latin.
Next to the
Stabat Mater, the Petite
Messe solennelle of 1863
is Rossini's second
extensive sacred
composition. Ostensibly,
the work was an
occasional piece, written
for the dedication of a
private chapel for the
once well-to-do Parisian
nobility. This explains
the reduced instrumental
accompaniment for two
pianos and harmonium. Of
course this instrumental
garb, reminiscent of
decent, elevated salon
music, produces an
unmistakable timbre which
through its typical
Rossini rhythm obtains an
additional flair. Score
and parts available
separately - see item
CA.4065000.
Kantate zum Sonntag Septuagesimae. By Johann Sebastian Bach. Edited by Reinhold ...(+)
Kantate zum Sonntag
Septuagesimae. By Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
Soli, SATB Choir, 2 Oboe
d'amore, 2 Violin, Viola,
Basso Continuo, Org. BWV
92. Full score available
separately - see item
CA.3109200. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Piano/Vocal score.
Language: German/English.
Composed 1725. 56 pages.
Duration 33 min.
Published by Carus Verlag
(German import).
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-SaÃ
ƒÂ«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Stabat Mater Soli, choeur mixte et accompagnement [Vocal Score] Oxford University Press
By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or ...(+)
By Cecilia Mcdowall. For
baritone voice solo, SATB
chorus, children's choir
(or semi-chorus), and
small orchestra (or
piano/organ) (flute,
clarinet, bassoon, 2
horns, harp, strings).
Contemporary. Vocal
score. Duration 30
minutes. Published by
Oxford Uni
Mass No.3 in f minor WAB 28 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Peters
By Anton Bruckner (1824-1896). Edited by Rudiger Bornhoft. For SATB Soli, SATB C...(+)
By Anton Bruckner
(1824-1896). Edited by
Rudiger Bornhoft. For
SATB Soli, SATB Chorus,
Piano. This edition:
Urtext. Choral.
Piano/Vocal Score. Text
Language: Latin.
Published by Edition
Peters
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition.
Composed by
Johannes Brahms
(1833-1897).
Edited by Michael
Musgrave
and Michael Struck.
Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf
and
Haertel
Kantate zum 2. Ostertag - Cantata for Easter Monday. By Johann Sebastian Bach. E...(+)
Kantate zum 2. Ostertag -
Cantata for Easter
Monday. By Johann
Sebastian Bach. Edited by
Alfred Durr. Arranged by
Hugo Ruf. For Soprano
Solo, Alto Solo, Tenor
Solo, Bass Solo,
Gem-Ch-SATB, Oboe (2),
Oboe-Picc, Strings, Basso
Continuo. Piano
Reduction/Vocal Score;
Urtext Edition. BWV 6.
Published by
Baerenreiter-Ausgaben
(German import). (BA10006
90)
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Magnificat in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Franz Schubert. Edited by Reiser, Salome. For Soli SATB, SATB Choir, 2 Oboes,...(+)
By Franz Schubert. Edited
by Reiser, Salome. For
Soli SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, Organ.
D 486. Full score
available separately -
see item CA.7005300.
Magnificat; Stuttgart
Urtext editions; Use
during church year:
Advent, Christmas.
Piano/Vocal score.
Language: Latin. Composed
1815. 24 pages. Duration
9 min. Published by Carus
Verlag (German import).
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/93. Published by
Carus Verlag
(CA.2380193).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/94. Published by
Carus Verlag
(CA.2380194).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/91. Published by
Carus Verlag
(CA.2380191).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Die erste Walpurgisnacht Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Reduction] Barenreiter
(Ballade von Johann Wolfgang von Goethe). By Felix Bartholdy Mendelssohn (1809-1...(+)
(Ballade von Johann
Wolfgang von Goethe). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by John Michael
Cooper. Arranged by Felix
Bartholdy Mendelssohn.
For alto voice solo/tenor
voice solo/baritone voice
solo/bass voice solo/SATB
choir/2 flutes/piccolo/2
oboes/2 clarinets/2
bassoons/2 horns/2
trumpets/3
trombones/timpani/concert
drum/cymbal/2
violins/viola/cello/contr
abass. This edition:
Urtext edition. Level 3.
Piano reduction
(paperbound). Language:
German/English, Text
language: German/English.
Opus 60. Published by
Baerenreiter Verlag
Te Deum Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
Soli SATB, Coro SATB, 2 Pfte, Timp ad lib SKU: CA.2719046 Arrangement ...(+)
Soli SATB, Coro SATB, 2
Pfte, Timp ad lib
SKU:
CA.2719046
Arrangement for soli,
choir, 2 pianos and
timpani ad lib (arr. S.
Bartmann). Composed
by Anton Bruckner.
Arranged by Sebastian
Bartmann. Set of
Orchestra Parts. WAB 45.
Duration 25 minutes.
Carus Verlag #2719046.
Published by Carus Verlag
(CA.2719046).
ISBN
9790007310875.
Latin.
In the 19th
and early 20th centuries,
transcriptions of large
(choral) symphonic works
for two pianos were
extremely popular: They
enabled a large audience
to get to know classical
compositions in an age
before recorded music. In
many cases, world-famous
works were first
performed in such a
version â?? including
Brucknerâ??s Te Deum.
Unfortunately, only a few
bars of this
transcription have
survived.The
Stuttgart composer,
pianist and experienced
piano-duo performer
Sebastian Bartmann was
commissioned by the
Landesakademie für die
musizierende Jugend in
Baden-Württemberg
Ochsenhausen to newly
arrange Brucknerâ??s Te
Deum and the Mass in D
minor for soloists, choir
and two pianos. A timpani
part (ad libitum)
provides additional
color. The arrangements
are based on the original
Carus editions. The vocal
scores and choral scores
of the original version
can also be
used.Today the Te
Deum is Brucknerâ??s
most frequently performed
vocal work. The greatest
challenges for any choir
are the high register and
the enormous
orchestration of this
extremely effective
piece: The singers are
often required to declaim
against a large orchestra
performing forte
fortissimo! This problem
is resolved in the
arrangement for two
pianos; moreover, the
scaling back of the sonic
forces helps reveal
compositional structures
that otherwise can all
too easily get lost in
the intoxicating
orchestral sound..
Score and parts available
separately - see item
CA.2719000.