9 Variations and Finale, Op. 90. By Christian Heinrich Rinck. (Organ). Schott. Size 9x12 inches. 21 pages. Published by Schott.

Organ

SKU: FG.042-08698-8

Edited by Heikki Uusitalo. Published by Fennica Gehrman (FG.042-08698-8).

ISBN 979-0-042-08698-8.

14 wedding marches for organ including the most beautiful Finnish and foreign marches in a handsome collection (Bach * Purcell * Clarke * Mendelssohn * Wagner * Elgar * Kuula * Melartin * Kokkonen * Rautavaara * Hongisto * Kopisto * Almila).

12 Kompositionen des 16. Bis 20. Jahrhunderts. Edited by Rudolf Walter. For Organ. Collection; Playing Score. Published by Soeddeutscher Musikverlag (German import).

By C. H. Trevor. For Organ. Classical. Sheet Music. Published by Novello and Co Ltd.

TTBB vocal soli/choir, organ

SKU: CA.4083300

Composed by Johann Christian Heinrich Rinck. Edited by Johannes Tusch. This edition: Paperbound. Requiem Fur Mannerchor. Sacred vocal music, Requiem, Mourning, death. Full score. 40 pages. Duration 25 minutes. Carus Verlag #CV 40.833/00. Published by Carus Verlag (CA.4083300).

ISBN 9790007135522. Language: Latin.

Among the numerous Requiem settings of the 19th century, only very few are scored for male voices. Although several compositions (by, amongst others, Max Reger and Peter Cornelius) are designated 'Requiem', these are usually only single-movement works, not settings of the entire text of the ordinary. To date, only four complete settings for male choir - by Luigi Cherubini, Franz Liszt, Hugo Kaun and Lorenzo Perosare - are known. With the first edition of the Requiem by Johann Christian Heinrich Rinck for solo voices, male choir and organ, a further work is being made available for performance. Rinck, celebrated as the Rhenish Bach and as a worldwide famous composer, wrote it in 1836.

Organ

SKU: KU.GM-664A

Composed by Justin Heinrich Knecht. Edited by Andreas Maisch. Bach format (230 x 302). Staple Bound. Organ score. 30 pages. Edition Kunzelmann #GM-664a. Published by Edition Kunzelmann (KU.GM-664A).

Cheerful and pleasant organ pieces in an elegant style, through the most common major keys.

Organ

SKU: KU.GM-664B

Composed by Justin Heinrich Knecht. Edited by Andreas Maisch. Bach format (230 x 302). Staple Bound. Organ score. 26 pages. Edition Kunzelmann #GM-664b. Published by Edition Kunzelmann (KU.GM-664B).

Organ pieces in elegant style, through the most common minor keys.

Organ

SKU: FZ.50529

Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

(86 ausgewahlte Choralvorspiele des 17. bis 20. Jahrhunderts zum Evangelischen Gesangbuch (EG)). Edited by Christoph Albrecht. For organ. This edition: Paperback. Level 3. Performance score, Anthology. Published by Baerenreiter Verlag