Composed by Ludwig van Beethoven (1770-1827), edited by Blake Neely, Richard Wal...(+)
Composed by Ludwig van
Beethoven (1770-1827),
edited by Blake Neely,
Richard Walters. For solo
piano. Format: piano solo
book. With standard
notation and introductory
text. Classical period
and romantic period. 221
pages. 9x12 inches.
Published by Hal Leonard.
Performed by Ludwig van Beethoven (1770-1827), edited by Blake Neely, Richard Wa...(+)
Performed by Ludwig van
Beethoven (1770-1827),
edited by Blake Neely,
Richard Walters. For solo
piano. Format: piano solo
book. With standard
notation and introductory
text. Classical period
and romantic period. 224
pages. 9x12 inches.
Published by Hal Leonard.
Study Score. Composed by Ludwig van Beethoven (1770- 1827). Edited by Helga Lu...(+)
Study Score. Composed by
Ludwig van Beethoven
(1770-
1827). Edited by Helga
Luhning. Henle Study
Scores.
Classical, Opera.
Softcover.
58 pages. G. Henle
#HN9046.
Published by G. Henle
(1807) Study Score. Composed by Ludwig van Beethoven (1770-1827). Edited by He...(+)
(1807) Study Score.
Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Helga
Luhning. Henle Study
Scores.
Classical. Softcover. 36
pages. G. Henle #HN9044.
Published by G. Henle
Beethoven for Guitar Guitare Guitare classique - Intermédiaire Edward B. Marks Music Company
Composed by Ludwig van Beethoven (1770-1827), arranged by Leon Block. Guitar sol...(+)
Composed by Ludwig van
Beethoven (1770-1827),
arranged by Leon Block.
Guitar solo book (no
tablature) for guitar.
With standard guitar
notation. 16 pages.
Published by Marks.
Overture No. 3 to the
Opera - Urtext.
Composed by Ludwig van
Beethoven. Edited by
Christian Rudolf Riedel.
This edition: violin 2.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
For his new edition of
the Leonore
Overture, which is
still wrongly labeled as
No. 3 to this day,
Christian Rudolf Riedel
based himself for the
first time on the Prague
copy of the score that
was rediscovered in
1977.
Overture;
Classical. Part. 12
pages. Duration 12'.
Breitkopf and Haertel #OB
5512-16. Published by
Breitkopf and Haertel
(BR.OB-5512-16).
ISBN
9790004339015. 10 x 12.5
inches.
Urtext
virgin territory: the
overture Leonore No. 3 To
this day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings. For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
This score was most
likely used by the
conductor in 1806, and it
helps clear up the
previously unresolved
textual problems of the
work, such as, for
example, the famous
Presto passage in m.
514.
For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
Overture No. 3 to the
Opera - Urtext.
Composed by Ludwig van
Beethoven. Edited by
Christian Rudolf Riedel.
This edition: double
bass. Stapled.
Orchester-Bibliothek
(Orchestral Library).
For his new edition of
the Leonore
Overture, which is
still wrongly labeled as
No. 3 to this day,
Christian Rudolf Riedel
based himself for the
first time on the Prague
copy of the score that
was rediscovered in
1977.
Overture;
Classical. Part. 8 pages.
Duration 12'. Breitkopf
and Haertel #OB 5512-27.
Published by Breitkopf
and Haertel
(BR.OB-5512-27).
ISBN
9790004339046. 10 x 12.5
inches.
Urtext
virgin territory: the
overture Leonore No. 3 To
this day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings. For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
This score was most
likely used by the
conductor in 1806, and it
helps clear up the
previously unresolved
textual problems of the
work, such as, for
example, the famous
Presto passage in m.
514.
For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
Overture No. 3 to the
Opera - Urtext.
Composed by Ludwig van
Beethoven. Edited by
Christian Rudolf Riedel.
This edition: violin 1.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
For his new edition of
the Leonore
Overture, which is
still wrongly labeled as
No. 3 to this day,
Christian Rudolf Riedel
based himself for the
first time on the Prague
copy of the score that
was rediscovered in
1977.
Overture;
Classical. Part. 12
pages. Duration 12'.
Breitkopf and Haertel #OB
5512-15. Published by
Breitkopf and Haertel
(BR.OB-5512-15).
ISBN
9790004339008. 10 x 12.5
inches.
Urtext
virgin territory: the
overture Leonore No. 3 To
this day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings. For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
This score was most
likely used by the
conductor in 1806, and it
helps clear up the
previously unresolved
textual problems of the
work, such as, for
example, the famous
Presto passage in m.
514.
For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
Overture No. 3 to the
Opera - Urtext.
Composed by Ludwig van
Beethoven. Edited by
Christian Rudolf Riedel.
This edition: viola.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
For his new edition of
the Leonore
Overture, which is
still wrongly labeled as
No. 3 to this day,
Christian Rudolf Riedel
based himself for the
first time on the Prague
copy of the score that
was rediscovered in
1977.
Overture;
Classical. Part. 12
pages. Duration 12'.
Breitkopf and Haertel #OB
5512-19. Published by
Breitkopf and Haertel
(BR.OB-5512-19).
ISBN
9790004339022. 10 x 12.5
inches.
Urtext
virgin territory: the
overture Leonore No. 3 To
this day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings. For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
This score was most
likely used by the
conductor in 1806, and it
helps clear up the
previously unresolved
textual problems of the
work, such as, for
example, the famous
Presto passage in m.
514.
For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
Overture No. 3 to the
Opera - Urtext.
Composed by Ludwig van
Beethoven. Edited by
Christian Rudolf Riedel.
This edition: wind parts.
Folder.
Orchester-Bibliothek
(Orchestral Library).
For his new edition of
the Leonore
Overture, which is
still wrongly labeled as
No. 3 to this day,
Christian Rudolf Riedel
based himself for the
first time on the Prague
copy of the score that
was rediscovered in
1977.
Overture;
Classical. Set of parts.
90 pages. Duration 12'.
Breitkopf and Haertel #OB
5512-30. Published by
Breitkopf and Haertel
(BR.OB-5512-30).
ISBN
9790004339053. 10 x 12.5
inches.
Urtext
virgin territory: the
overture Leonore No. 3 To
this day, the two major
Fidelio overtures are
still performed from
music texts that go back
to the imprecise and
corrupted first editions
of the parts. In the
meantime, however, the
state of the sources for
both works has
significantly improved
through many new
findings. For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
This score was most
likely used by the
conductor in 1806, and it
helps clear up the
previously unresolved
textual problems of the
work, such as, for
example, the famous
Presto passage in m.
514.
For his new
edition of the Leonore
Overture, which is still
wrongly labeled as No. 3
to this day, Christian
Rudolf Riedel based
himself for the first
time on the Prague copy
of the score that was
rediscovered in 1977.
2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book. The
Frederick Harris Music
Company #FLE01. Published
by The Frederick Harris
Music Company (FH.FLE01).
ISBN
978-1-55440-300-4.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation.
Slavo
nic Dances, op. 46, no. 1
Antonin Dvorak
Symphony No. 100 in G
Major (Military): II
Franz Joseph Haydn Le
carnaval des animaux:
Aquarium Camille
Saint-Saens HMS
Pinafore: I'm Called
Little Buttercup Arthur
Sullivan La forza del
destino: Overture
Giuseppe Verdi Serse
(Xerxes), HWV 40: Va
godendo vezzoso e bello
George Frideric Handel
Symphony No. 100 in G
Major (Military): III
Franz Joseph Haydn Ma
Vlast: II Bedrich Smetana
HMS Pinafore: When I
Was a Lad Arthur Sullivan
Nutcracker Suite:
Overture Pyotr Il'yich
Tchaikovsky Symphony
No. 6 (Pastoral): III
Ludwig van Beethoven
Symphony No. 9 in E
Minor, op. 95 (New
World): I Antonin Dvorak
Faust: Soldier's
Chorus Charles Gounod
Peer Gynt Suite No.
1, op. 46: I Edvard Grieg
Symphony No. 102 in B
flat Major: I Franz
Joseph Haydn
Brandenburg Concerto
No. 4, BWV 1049: III
Johann Sebastian Bach
Carmen: La garde
montante Georges Bizet
Petite suite: Ballet
IV Claude Debussy
Symphony No. 100 in G
Major (Military): IV
Franz Joseph Haydn
Symphony No. 40 in G
Minor, K 550: III
Wolfgang Amadeus Mozart
Symphony No. 5: IV
Ludwig van Beethoven
Carmen: Act 1,
Prelude Georges Bizet
Faust Ballet Music:
Danse antique Charles
Gounod Symphony No.
102 in B flat Major: IV
Franz Joseph Haydn
Scheherazade, op. 35:
IV Nicolai
Rimsky-Korsakov
Symphony No. 6
(Pastoral): I, II Ludwig
van Beethoven
Symphonie
fantastique: V Hector
Berlioz Die
Zauberfloete: Wie stark
ist nicht dein Zauberton
Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35:
I Nicolai Rimsky-Korsakov
Brandenburg Concerto
No. 4, BWV 1049: I Johann
Sebastian Bach
Symphonie
fantastique: I Hector
Berlioz Carmen:
Entr'acte (Prelude)
Georges Bizet
Symphony No. 1 in C
Minor: IV Johannes Brahms
Die Zauberfloete:
Overture Wolfgang Amadeus
Mozart Symphony No. 8
in G Major: IV Antonin
Dvorak Leonore
Overture No. 3, op. 72a
Ludwig van
Beethoven Symphony No.
4 in E Minor: IV Johannes
Brahms La mer: I, II,
III Claude
Debussy Symphony No. 4
(Italian): IV Felix
Mendelssohn Symphony
No. 1 (Classical): II
Sergei Prokofiev
Symphony No. 3 in E
flat Major (Eroica): IV
Ludwig van Beethoven
Prelude a
l'apres-midi d'un faune
Claude Debussy
Sinfonie Mathis der
Maler: I, II Paul
Hindemith Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo Felix Mendelssohn
Petroushka (1947
revision): Part 1 Igor
Stravinsky Symphony
No. 4 in F Minor: III
Pyotr Il'yich Tchaikovsky
Capriccio espagnol,
op. 34: IV Nicolai
Rimsky-Korsakov Sympho
ny No. 1 (Classical): IV
Sergei Prokofiev
Concerto for
Orchestra: I, II, III,
IV, V Bela Bartok
Symphonic
Metamorphosis after
Themes by Carl Maria von
Weber: II, III Paul
Hindemith Das Lied
von der Erde: VI Gustav
Mahler Peter and the
Wolf, op. 67 Sergei
Prokofiev Le carnaval
des animaux: 10. Voliere
Camille Saint-Saens
Daphnis et Chloe:
Troisieme partie Maurice
Ravel Guillaume Tell:
Overture Gioachino
Rossini Till
Eulenspiegel's Merry
Pranks Richard Strauss
Firebird Suite (1919
version) Igor Stravinsky
Symphony No. 9: IV
Ludwig van Beethoven
Concerto for
Orchestra: III Bela
Bartok Scheherezade,
op. 35: IV Nicolai
Rimsky-Korsakov
Semiramide: Overture
Gioachino Rossini
Symphony No. 5, op.
47: I, II Dmitri
Shostakovich.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-16.
Published by Breitkopf
and Haertel
(BR.OB-5142-16).
ISBN
9790004329528. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-27.
Published by Breitkopf
and Haertel
(BR.OB-5142-27).
ISBN
9790004329559. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 68 pages. Duration
13'. Breitkopf and
Haertel #PB 5142.
Published by Breitkopf
and Haertel (BR.PB-5142).
ISBN 9790004208878. 10
x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 10 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-19.
Published by Breitkopf
and Haertel
(BR.OB-5142-19).
ISBN
9790004329535. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical. Set
of parts. 100 pages.
Duration 13'. Breitkopf
and Haertel #OB 5142-30.
Published by Breitkopf
and Haertel
(BR.OB-5142-30).
ISBN
9790004329566. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 10 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-15.
Published by Breitkopf
and Haertel
(BR.OB-5142-15).
ISBN
9790004329511. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 16 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-23.
Published by Breitkopf
and Haertel
(BR.OB-5142-23).
ISBN
9790004329542. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by
Ludwig van Beethoven.
Arranged by Todd Parrish.
Sws. Cas. Full score. 20
pages. Carl Fischer Music
#SAS1F. Published by Carl
Fischer Music (CF.SAS1F).
ISBN 9781491157510.
UPC: 680160916092. 9 x 12
inches.
Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 - 3), it
served its purpose as an
opening statement without
overshadowing the music
to come. This string
arrangement transposes
the original key of E
Major into the much more
playable key of D Major.
It retains the original
opening which alternates
between powerful majestic
bursts and lyrical
harmonic progressions
while finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven's writing. The
optional timpani gives
this arrangement a
symphonic quality that
closely resembles the
original. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 – 3),
it served its purpose as
an opening statement
without overshadowing the
music to come. This
string arrangement
transposes the original
key of E Major into the
much more playable key of
D Major. It retains the
original opening which
alternates between
powerful majestic bursts
and lyrical harmonic
progressions while
finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven’s
writing. The optional
timpani gives this
arrangement a symphonic
quality that closely
resembles the
original.
Composed by
Ludwig van Beethoven.
Arranged by Todd Parrish.
Folio. Cas. Set of Score
and Parts.
15+32+24+15+15+2+20
pages. Duration 4
minutes, 35 seconds. Carl
Fischer Music #SAS1.
Published by Carl Fischer
Music (CF.SAS1).
ISBN
9781491157718. UPC:
680160916290. 9 x 12
inches.
Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 - 3), it
served its purpose as an
opening statement without
overshadowing the music
to come. This string
arrangement transposes
the original key of E
Major into the much more
playable key of D Major.
It retains the original
opening which alternates
between powerful majestic
bursts and lyrical
harmonic progressions
while finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven's writing. The
optional timpani gives
this arrangement a
symphonic quality that
closely resembles the
original. Written in
1814, the Fidelio
Overture was the fourth
and final version chosen
to open Beethoven's only
opera by the same name.
Though not as lengthy or
grand as its three
predecessors (the Leonore
Overtures 1 – 3),
it served its purpose as
an opening statement
without overshadowing the
music to come. This
string arrangement
transposes the original
key of E Major into the
much more playable key of
D Major. It retains the
original opening which
alternates between
powerful majestic bursts
and lyrical harmonic
progressions while
finishing with the
energetic presto to the
end. Rhythms have been
simplified but are very
much in the spirit of
Beethoven’s
writing. The optional
timpani gives this
arrangement a symphonic
quality that closely
resembles the
original.