By Wolfgang Amadeus Mozart. For flute, guitar. This edition: attached. Edition Breitkopf. 16 pages. Published by Breitkopf and Haertel (German import).

Edited by Han Jonkers. For guitar. Collection. 80 pages. Published by Breitkopf and Haertel

By Jose Maria Sanchez-Verdu. For guitar. Edition Breitkopf. 20 pages. Published by Breitkopf and Haertel

By Jean Sibelius (1865-1957). Edited by Fabian Payr. For 2 Guitar. Paperback. Edition Breitkopf. 12 pages. Published by Breitkopf and Haertel

By Fernando Carulli. For flute, guitar. This edition: paperback. Edition Breitkopf. 20 pages. Published by Breitkopf and Haertel (German import).

By Johann Sebastian Bach. For guitar. This edition: paperback. Edition Breitkopf. 20 pages. Published by Breitkopf and Haertel (German import).

By Ernst Gottlieb Baron. Edited by Philippe Meunier. For Flute, Guitar. This edition: paperback. Edition Breitkopf. 12 pages. Published by Breitkopf and Haertel

(Flute, Guitar). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Stephan Schafer. For Flute, Guitar. Attached. Edition Breitkopf. 28 pages. Published by Breitkopf and Haertel

By Johann Sebastian Bach. For flute, guitar. This edition: paperback. Edition Breitkopf. 28 pages. Published by Breitkopf and Haertel (German import).

By Felix Mendelssohn. For Voice, Guitar. This edition: paperback. Edition Breitkopf. 40 pages. Published by Breitkopf and Haertel (German import).

Guitar and voice(s)

SKU: BR.EB-9063

Composed by Theo Brandmuller. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Mainz, February 25, 1996

Music post-1945; New music (post-2000). Score. Composed 1995. 16 pages. Duration 13'. Breitkopf and Haertel #EB 9063. Published by Breitkopf and Haertel (BR.EB-9063).

ISBN 9790004181997. 9 x 12 inches.

CD: Christina Ascher (mezzo-soprano/percussion ), Volker Hohe (guitar) CD Signum SIG X 74-00

World premiere: Mainz, February 25, 1996.

High voice, guitar

SKU: BR.BG-1082

Composed by Heimo Erbse. Softcover. Edition Gerig. Song; Music post-1945. Score. Composed 1973. 24 pages. Duration 10'. Breitkopf and Haertel #BG 1082. Published by Breitkopf and Haertel (BR.BG-1082).

ISBN 9790004121702. 0 x 0 inches.

Guitars solo

SKU: BR.EB-9468

Composed by Jose Maria Sanchez-Verdu. Solo instruments; stapled. Edition Breitkopf. New music (post-2000). Sheet Music. Composed 2022. 28 pages. Duration 12'. Breitkopf and Haertel #EB 9468. Published by Breitkopf and Haertel (BR.EB-9468).

ISBN 9790004189481. 9 x 12 inches.

His triptych for guitar quartet takes as inspiration the trilogy of gods of Memphis in ancient Egypt. The work is a poetic journey through the mythological landscapes of their world around 3000 BC. Sakkara is a plateau south of Cairo, where an ideal space for a culture of the afterlife developed, through tombs and the construction of the first pyramids. To this contributed the fundamental role of Imhotep, the great architect in the III Dynasty from the Sakkara area, who was almost a god in his time and most likely responsible for the stepped pyramid of Djoser. The trilogy is formed by the couple Ptah and Sekhmet, and Nefertem, their son. Ptah is the patron of artists, and at the same time the god for measuring time. Sekhmet was the wife and sister of Ptah, goddess of war -- related to the Sun god and associated with the color red. Nefertem, son of both, was the god of fragrance, of perfume and linked to the lotus flower, the symbol of rebirth. The three movements of this composition are musical spaces created on poetic associations around this mythical world and in an area that has always fascinated me: Sakkara. The work is commissioned by the Aleph-Gitarrenquartett, which is also its dedicatee. (Jose M. Sanchez-Verdu, 2022)

World premiere: Karlsruhe, ZKM, January 14, 2023 Commissioned by the Aleph-Gitarrenquartett.

Guitars solo

SKU: BR.MN-9147

Composed by Ernst Widmer. Edited by Han Jonkers. Solo instruments; Softcover. Musikverlag Nepomuk. Music post-1945. Score. Composed 1989. 16 pages. Duration 14'. Breitkopf and Haertel #MN 9147. Published by Breitkopf and Haertel (BR.MN-9147).

ISBN 9790004790335. 9 x 12 inches.

Ernst Widmer konnte die Arbeit an diesen Stucken nicht mehr abschliessen. Nur die Stucke ,,Rondo und ,,Con Brio hat der Komponist selbst vollendet. Der Herausgeber, Han Jonkers, brachte in Zusammenarbeit mit der Pianistin Emmy Henz-Diemand die Skizzen in eine definitive Fassung. Die originalen Noten sind immer unterhalb der Spielfassung eingetragen. Die ,,Funf Stucke fur Gitarre sind sehr frei zu spielen. Ein wichtiges kompositorisches Element ist das zufallige Klingen von leeren Saiten, welches hier nicht abgedampft werden soll.

Guitars solo

SKU: BR.EB-9108

Composed by Klaus Ospald. Solo instruments; Softbound. Edition Breitkopf.

World premiere: Darmstadt, August 9, 1996

Music post-1945. Performance score. Composed 1996. 82 pages. Duration 15'. Breitkopf and Haertel #EB 9108. Published by Breitkopf and Haertel (BR.EB-9108).

ISBN 9790004181393. 16 x 12 inches.

Schon vor uber einem Jahr bat mich Jurgen Ruck, doch ein Gitarrenduo zu komponieren. Ja, so dachte ich, warum nicht, warum nicht. Je langer ich jedoch daruber nachdachte, desto unangenehmer wurde diese Vorstellung: 2 Gitarren - was wollen sie mir denn sagen? Mein Ausdrucksbedurfnis und diese 2 Gitarren ...?! Und so komponierte ich andere Stucke, aber seltsamerweise ging mir das Gitarrenduo nicht aus dem Kopf, verpasste keine Gelegenheit, bei anderen zu nolen und knupfte dennoch standig neue und dichtere Faden zu diesem Instrument, das in seiner klanglichen Beschaffenheit, seinem historischen und vor allem soziologischen Bezug (wer hatte nicht schon alles dieses Instrument in der Hand? Ob Pfadfinder oder Genossen, ob Flamenco oder Bossa Nova, scheinbar ein Instrument fur Alle ...) eine grosse Spannung birgt. Zugrunde liegt ein Text von Miguel Hernandez, jenem Dichter, der in der Zeit des spanischen Burgerkriegs so wunderbare Gedichte schrieb und so tragisch starb. Der Inhalt des Gedichts: Das Kind als Zugtier (El nino yuntero); ein Gedicht fur all die Kinder, die ,,geboren als Werkzeug - verdammt zu Schlagen jeden Tag ,,mehr Wurzel, weniger ,,Mensch langsam ,,ins Erdreich versinken. (Klaus Ospald, 1996) Bibliography : Wiener , Oliver: Gesten und simulierte Form. Zu Klaus Ospalds ,,Klavierquintett (1994) und ,,El sol no nos recuerde (1996) fur zwei Gitarren, Saarbrucken: Pfau 1998 (= Fragmen, Heft 24)

World premiere: Darmstadt, August 9, 1996.

Guitars solo

SKU: BR.EB-8208

Composed by Theo Brandmuller. Solo instruments. Edition Breitkopf.

World premiere: Dusseldorf, June 20, 1979

Music post-1945; New music (post-2000). Score. Composed 1978. 24 pages. Duration 10'. Breitkopf and Haertel #EB 8208. Published by Breitkopf and Haertel (BR.EB-8208).

ISBN 9790004175484. 9 x 12 inches.

Arranged and provided with fingerings by Reinbert Evers. World premiere: Dusseldorf, June 20, 1979.

Guitar solo

SKU: BR.EB-9467

Composed by Jose Maria Sanchez-Verdu. Solo instruments. Edition Breitkopf. New music (post-2000). Sheet Music. Duration 8'. Breitkopf and Haertel #EB 9467. Published by Breitkopf and Haertel (BR.EB-9467).

ISBN 9790004189474. 0 x 0 inches.

World premiere: Tokyo/Japan, 1998.

Guitars solo

SKU: BR.KM-2491

Composed by Nicolaus A. Huber. Solo instruments; Folder. Kammermusik-Bibliothek (Chamber Music Library).

World premiere: Stuttgart (Festival eclat), February 3, 2002

Music post-1945; New music (post-2000). Performance score. Composed 2001. 36 pages. Duration 14'. Breitkopf and Haertel #KM 2491. Published by Breitkopf and Haertel (BR.KM-2491).

ISBN 9790004502945. 11.5 x 16.5 inches.

For many years, I have been repeatedly asked by solo guitarists and guitar duos to write pieces for them. The Aleph Guitar Quartet and I have finally brought it off! The piece is called Der entkommene Orpheus (The Escaped Orpheus).In the old equal rights movement everything was treated as equally as possible, right from the beginning. The tones felt democratically happy. Only discontent found cause to complain. It ultimately hated this complex explicitness. The meaning, also in cases of definite tendencies in the piece, should never be able to lead a definite life. This piece, naturally, is just a tiny contribution!In the myth, Orpheus even enchanted stones and trees, turned around too soon to look at his beloved Eurydice (just think of the punctuality fanatic Schonberg - at least according to Richard Buhlig), refused the service of Dionysus - and he, who had plucked the strings of the lyre his whole life long, was now himself torn up by the Thracian Maenads as a punishment. But his head and his lyre floated over the sea and landed on Lesbos. A string is a string is a side!!!Like a coded word, this text is placed at the service of the varied role of the organiser of New Music. Like an equation. Shouldn't an organiser ever actually turn around towards a lover, so that the Furies of present-day responsibility do not drive him into a state of inner conflict?Nicolaus A. HuberTranslation: David Babcock (CD NEOS, 2017)

World premiere: Stuttgart (Festival eclat), February 3, 2002.

Music for Two Guitarists - Revised New Edition 2020. Composed by Helmut Lachenmann. World premiere: Baden-Baden, December 3, 1977. Breitkopf and Haertel #EB 9389. Published by Breitkopf and Haertel

Composed by Michel Blavet (1700-1768). Edited by Ferdinand Uhlmann. This edition: paperback. Edition Breitkopf. Baroque. 16 pages. Published by Breitkopf and Haertel (BR.EB-8337).

Composed by Johann Sebastian Bach (1685-1750). Edited by Ansgar Krause. This edition: paperback. Edition Breitkopf. Baroque. 20 pages. Published by Breitkopf and Haertel (BR.EB-8217).

Composed by Johann Sebastian Bach (1685-1750). Edited by Ansgar Krause. For guitar. This edition: paperback. Edition Breitkopf. 12 pages. Published by Breitkopf and Haertel

Composed by Klaus Huber (1924-). Edited by Cornelius Schwehr. For guitar. This edition: paperback. Edition Breitkopf. 8 pages. Published by Breitkopf and Haertel

Composed by Johann Sebastian Bach (1685-1750). Edited by Ansgar Krause. For guitar. Monuments of German Music. 16 pages. Published by Breitkopf and Haertel

Edited by Ursula Peter. For guitar. This edition: paperback. Deutscher Verlag fur Musik. Collection. 168 pages. Published by Breitkopf and Haertel

Edited by Martin Ratz. For guitar. This edition: paperback. Deutscher Verlag fur Musik. Collection. 148 pages. Published by Breitkopf and Haertel

By Johann Sebastian Bach (1685-1750). Edited by Ansgar Krause. For guitar. Monuments of German Music. 20 pages. Published by Breitkopf and Haertel

Edited by Ursula Peter. For guitar. This edition: paperback. Deutscher Verlag fur Musik. Collection. 132 pages. Published by Breitkopf and Haertel