(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Daniel Francois Van Goens. Edited by Richard Hughey, Larry Clark. For Cello, Cello and Piano. 104 pages. Published by Carl Fischer

Composed by Jean-Louis Duport, edited by Martin Rummel. for violoncello. Fold out pages where you need them. Ad libitum cello part included with fingerings and bowings for today's cellists. German / English brochure with playing tips and references to where the techniques can be found in the standard cello literature. Published by Baerenreiter-Ausgaben (German import).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Violoncello

SKU: BA.BA05277

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: facsimile. Paperback. Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05277_00. Published by Baerenreiter Verlag (BA.BA05277).

ISBN 9790006569618. 32.5 x 25.5 cm inches.

The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.

Violoncello

SKU: BA.BA05278

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: Facsimile, Urtext edition. Paperback. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology, Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05278_00. Published by Baerenreiter Verlag (BA.BA05278).

ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.

When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.

Andr ew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding