By George Frideric Handel (1685-1759). Arranged by Robert Frost. For standard string orchestra (88555) with opt. 3rd violin/viola TC (3). Concert String Orchestra Series. Grade 4. Score and set of parts. Duration 2 minutes, 45 seconds. Published by Kendo

From Lute Concerto RV 93. Composed by Antonio Vivaldi (1678-1741). Arranged by Brendan Mcbrien. Masterworks; Part(s); Score; String Orchestra. Highland/Etling String Orchestra. Form: Concerto; Transcription. Baroque; Masterwork Arrangement. 84 pages. Published by Highland/Etling (AP.45881).

Orchestra String Orchestra - Grade 2

SKU: FJ.ST6377S

Score Only. Composed by Bernardo Pasquini. Arranged by Deborah Baker Monday. Series; String Orchestra. FJH Developing Strings. Masterwork Arrangement. Score. Duration 2:45. The FJH Music Company Inc #98-ST6377S. Published by The FJH Music Company Inc (FJ.ST6377S).

English.

These two lively dances come from a collection of keyboard pieces by Italian composer Pasquini. The music is very rich and all instruments have melodically interesting roles. An excellent choice for concert or festival, and also ideal as a change of pace in your program.

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

By Doug Spata. By Doug Spata. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 2.5 (grade 2.5). Conductor Score & Parts. Published by Alfred Publishing.

For String Orchestra. Composed by Domenico Scarlatti (1685-1757). Arranged by Yukiko Nishimura. Southern Music. Classical. Softcover. Southern Music Company #SO129C. Published by Southern Music Company

Composed by Girolamo Frescobaldi (1583-1643). Edited by J. Cameron Law. Arranged by John Beeman. For string orchestra. Grade 2. Score and set of parts. Duration 2 minutes. Published by Grand Mesa Music

(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldemar Woehl. Opus 6, #8. For violin concertato I, II, cello solo, violin di ripieno I, II, viola, contra bass and keyboard. Urtext. Format: full score (parts not included). With introductory text. Baroque. G Minor. 19 pages. 9x12 inches. Published by C.F. Peters.

Orchestra String Orchestra - Grade 1.5

SKU: FJ.ST6428S

Score Only. Composed by Traditional. Arranged by Deborah Baker Monday. Series; String Orchestra. FJH Beginning Strings. A fun new piece to help ring in the holiday season! An original theme based on the sound of chimes in D major recurs (and includes a very simple vocal part if you choose to add choir!) throughout the work. In between refrains are melodies from Ding Dong. Christmas; Holiday Pops. Score. Duration 2:00. The FJH Music Company Inc #98-ST6428S. Published by The FJH Music Company Inc (FJ.ST6428S).

English.

A fun new piece to help ring in the holiday season! An original theme based on the sound of chimes in D major recurs (and includes a very simple vocal part if you choose to add choir!) throughout the work. In between refrains are melodies from Ding Dong Merrily on High and Jingle Bells. Optional keyboard and simple percussion adds a great deal of holiday spirit. This one will be easy for your beginners, and they will surely enjoy the sleigh riding spirit!

About FJH Beginning Strings

Ap propriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5

Orchestra strings - beginner

SKU: KJ.93F

Composed by Albert L. Stoutamire and Doris Gazda. String method. Spotlight on Strings Series. Score. Neil A. Kjos Music Company #93F. Published by Neil A. Kjos Music Company (KJ.93F).

ISBN 9780849733451.

Leve l 2 builds on the concepts introduced in level 1 by opening with a review of the major and minor fingering patterns on all four strings. Attention throughout the method is given to presenting material that makes use of the entire tonal range of the instrument in the first position for the upper strings, and the first three positions for the lower strings. Five ensembles and two duets round out Level 2. Suitable for concerts, the ensembles include America; We Shall Overcome; Amaryllis; Surprise Symphony Theme; and Military March. Suitable for any class size or instrumentation, all string parts have the melody and one harmony part. The Teacher Score/Keyboard books for Levels 1 and 2 include piano accompaniments for much of the program music and ensembles. Especially composed for educators with modest piano-playing skills, the accompaniments can also be played by piano students who wish to become involved in the ensemble experience.

Orchestra String Orchestra - Grade 1.5

SKU: FJ.ST6428

Composed by Traditional. Arranged by Deborah Baker Monday. Series; String Orchestra. FJH Beginning Strings. A fun new piece to help ring in the holiday season! An original theme based on the sound of chimes in D major recurs (and includes a very simple vocal part if you choose to add choir!) throughout the work. In between refrains are melodies from Ding Dong. Christmas; Holiday Pops. Score and Part(s). Duration 2:00. The FJH Music Company Inc #98-ST6428. Published by The FJH Music Company Inc (FJ.ST6428).

UPC: 241444375846. English.

A fun new piece to help ring in the holiday season! An original theme based on the sound of chimes in D major recurs (and includes a very simple vocal part if you choose to add choir!) throughout the work. In between refrains are melodies from Ding Dong Merrily on High and Jingle Bells. Optional keyboard and simple percussion adds a great deal of holiday spirit. This one will be easy for your beginners, and they will surely enjoy the sleigh riding spirit!

About FJH Beginning Strings

Ap propriate for first year string students. All instruments stay in first position, and optional third violin (viola) parts and piano are included to aid in rehearsal and performance situations. Grade 1 - 1.5

Orchestra string orchestra - Grade 3

SKU: KJ.SO223F

Composed by Mark Hellem. String Tracks. Score. Neil A. Kjos Music Company #SO223F. Published by Neil A. Kjos Music Company (KJ.SO223F).

UPC: 8402703787.

From the Sonata in A Major for Two Violins and Keyboard, this arrangement is set in the key of G Major. All parts are in 1st position with exception of some limited position work in the string bass part.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Antonio Vivaldi (1678-1741). Arranged by Janet Galvan. String Orchestra. For string orchestra and keyboard (conductor's score). Janet Galvan Roots & Wings Series. Concert. Score & Parts. Published by Roger Dean Publishing

By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for Strings Method. Level: Elementary. Music Book. Published by Neil A. Kjos Music Company.

As Recorded by Paramore. By Hayley Williams; Taylor York [Paramore]. By Hayley Williams; Taylor York [Paramore]. Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Pop Beginning String Orchestra. Rock. Score. 8 pages. Duration 2:10. Alfred Music #00-43757S. Published by Alfred Music (AP.43757S).