Edited by Gilbert M. Martin. Arranged by Gilbert M. Martin. For Organ solo. Gilb...(+)
Edited by Gilbert M.
Martin. Arranged by
Gilbert M. Martin. For
Organ solo. Gilbert M.
Martin an Organ Series.
Organ and Sacred. Level:
Medium Adult. 74 pages.
Duration 41 min, 40 sec.
Published by Hinshaw
Music Inc.
Organ - intermediate SKU: HL.14007173 Composed by Arthur Wills, Desmond R...(+)
Organ - intermediate
SKU: HL.14007173
Composed by Arthur Wills,
Desmond Ratcliffe,
Francis Jackson,
Heathcote Statham, and
Leo Sowerby. Music Sales
America. Post-1900. Book
[Softcover]. 52 pages.
Music Sales #NOV010092.
Published by Music Sales
(HL.14007173).
8.25x11.75x0.17
inches.
In this
collection, the composers
have attempted to provide
pieces that display the
individual tone-colours
of the modern organ.
Works of this nature are
scarce, but their value,
particularly for the
recital, is considerable.
This contrasted set could
well be played as a group
in one programme.
Organ SKU: SU.80101403 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101403
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101403.
Published by Zimbel Press
(SU.80101403).
Symphony for
Organ (2013) is cast as a
dramatic progression from
darkness into light. The
first movement, Masque,
is extremely violent and
bleak. The title is used
with a touch of
irony--for this is not a
masque of courtly
diversion, but rather a
furious struggle against
the darkness, played out
in a series of dramatic
episodes following a
Tudor-era formal design.
The ending builds to a
dramatic peak, and leaves
us in shell-shocked
silence. The second
movement, Sarabande,
begins quietly and
mournfully, and gradually
gains in fervency. A
faster middle section is
a spinning dance before
the return of the opening
music. In the coda, the
light gradually
approaches. The third
movement, Chorale, evokes
the colors of a new dawn.
The music of the first
movement's struggle
gradually becomes washed
in the blaze of morning.
Instrumentation: Organ
Duration: 21' Composed:
2013 Published by: Zimbel
Press.
Organ SKU: BT.DHP-0981241-401 Kurze Interludien, Fanfaren und Modulati...(+)
Organ
SKU:
BT.DHP-0981241-401
Kurze Interludien,
Fanfaren und
Modulationen.
Educational Tool. Book
Only. Composed 1998. 32
pages. De Haske
Publications #DHP
0981241-401. Published by
De Haske Publications
(BT.DHP-0981241-401).
ISBN 9789043101370.
German.
Questa
raccolta racchiude un
gran numero di interludi
corti e fanfare di
diversi compositori, (tra
cui Mozart e Bach),
scritti in diverse
tonalit . Una lista di
modulazioni in rapporto a
qualche tonalit vi
permetter di migliorare
le vostre
improvvisazioni.
By Various. Edited by Meuser, Michael / Berning, Thomas / Kohlmann, Mathias / De...(+)
By Various. Edited by
Meuser, Michael /
Berning, Thomas /
Kohlmann, Mathias /
Degott, Matthias / Kolle,
Martin / Walter, Meinrad
/ Geismann, Wilm.
Occasions: Eucharist,
Communion, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Mourning,
Death; Use during church
year: Advent, Lent and
Passiontide, Easter and
Eastertide, Christmas.
Collection. 224 pages.
Published by Carus Verlag
(German import).
Organ SKU: CA.3810249 Organ part. Composed by Johann Christian Bac...(+)
Organ
SKU:
CA.3810249
Organ
part. Composed by
Johann Christian Bach.
Edited by Gunter
Graulich. Stuttgart
Urtext Edition: Bach
vocal. German title:
Magnificat A 4 E 22 - for
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc.
Sacred vocal music.
Individual Part. Warb E
22. 8 pages. Duration 12
minutes. Carus Verlag #CV
38.102/49. Published by
Carus Verlag
(CA.3810249).
ISBN
M-007-21504-0.
Latin.
At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns.
Organ solo SKU: FZ.1278 Composed by Girolamo Frescobaldi. Edited by Phili...(+)
Organ solo
SKU:
FZ.1278
Composed by
Girolamo Frescobaldi.
Edited by Philippe
Lescat. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.1278).
ISBN
9790230612784. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Girolamo Frescobaldi
is part of our Dominantes
collection. Editions :
Venetia, Vicenti,
1635Presentation by
Philippe Lescat : the
liturgical role of the
organ in seventheenth
century Italy the organ
of Frescobaldi -
Frescobaldi's preface (Al
lettore). Annexes:
translation of
Frescobaldi's preface -
note figures used in the
Fiori Musicali -
interpretation of the
score - restoration of
the score. The preface
gives the liturgical
context and the
alternation of organ
pieces and plainchant.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the Civico
Museo Bibliografico
Musicale of Bologna
(Italy). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Composed by Flor Peeters. Masterworks; Organ - Method or Collection. Belwin Edit...(+)
Composed by Flor Peeters.
Masterworks; Organ -
Method or Collection.
Belwin Edition (H. W.
Gray). 20th Century;
Masterwork. Book. 84
pages. Belwin Music
#00-GB00287. Published by
Belwin Music
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019815 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019815
Composed
by Heinrich von
Herzogenberg. Double
bass. Sacred vocal music,
Oratorios, Special days.
Single Part, Double Bass.
Op. 104. 36 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/15. Published by
Carus Verlag
(CA.4019815).
ISBN
9790007218003. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Organ SKU: BR.EB-8574 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8574
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Ludwig/ Gardonyi/
Schweizer. Solo
instruments; Softbound.
Edition Breitkopf.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Music pedagogy. Score.
152 pages. Breitkopf and
Haertel #EB 8574.
Published by Breitkopf
and Haertel (BR.EB-8574).
ISBN 9790004178614. 9
x 12 inches.
The
four-volume collection
consists of new
compositions, important
rediscoveries of
out-of-print-pieces, and
some well-known chorale
preludes which have been
transposed into the
Hymnbook's new keys. By
providing two or three
preludes for each of the
particularly well-loved
and frequently used
hymns, in Ewigkeit dich
loben offers a rewarding,
multifaceted treasury of
pieces from the
Renaissance to our day.
In addition to its
usefulness in the church
service, the collection
also gives the organ
teacher a chance to
explore a colourful
diversity of styles with
his students. Volume 1
has been awarded the
German Music Edition
Prize 1993. ... One has
to give the editors
credit for their
comprehensive knowledge
of the organ literature
of all periods and
nations! It makes you
want to play the
collection right through
from beginning to end. It
should not be missing
from any organist's
library! Happy is the
hymnal which is
introduced by these organ
preludes.
(Wurttembergische Blatter
fur
Kirchenmusik)
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG).
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019849 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019849
Composed
by Heinrich von
Herzogenberg. Organ.
Sacred vocal music,
Oratorios, Special days.
Single Part, Organ. Op.
104. Duration 150
minutes. Carus Verlag #CV
40.198/49. Published by
Carus Verlag
(CA.4019849).
ISBN
9790007218010. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019803 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019803
Composed
by Heinrich von
Herzogenberg. This
edition: Paperbound.
Sacred vocal music,
Oratorios, Special days.
Vocal score. Op. 104. 208
pages. Duration 150
minutes. Carus Verlag #CV
40.198/03. Published by
Carus Verlag
(CA.4019803).
ISBN
9790007088903. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score available
separately - see item
CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019812 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019812
Composed
by Heinrich von
Herzogenberg. Violin 2.
Sacred vocal music,
Oratorios, Special days.
Single Part, Violin 2.
Op. 104. 40 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/12. Published by
Carus Verlag
(CA.4019812).
ISBN
9790007217976. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019800 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019800
Composed
by Heinrich von
Herzogenberg. This
edition: Paperbound.
German title: Erntefeier.
Sacred vocal music,
Oratorios, Special days.
Full score. Op. 104. 372
pages. Duration 150
minutes. Carus Verlag #CV
40.198/00. Published by
Carus Verlag
(CA.4019800).
ISBN
9790007104160. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019811 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019811
Composed
by Heinrich von
Herzogenberg. Violin 1.
Sacred vocal music,
Oratorios, Special days.
Single Part, Violin 1.
Op. 104. 40 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/11. Published by
Carus Verlag
(CA.4019811).
ISBN
9790007217969. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.