Invocation Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
By Gustav Holst (1874-1934). Edited by Julian Lloyd Webber. For Cello and Piano....(+)
By Gustav Holst
(1874-1934). Edited by
Julian Lloyd Webber. For
Cello and Piano.
Masterworks; Part(s);
Score; Solo; String -
Cello and Piano. Faber
Edition. 20th Century;
Masterwork; Romantic.
Published by Faber Music
By Camille Saint-SaÌÇns. For Cello and Piano. Masterworks; Part(s); Score; Sol...(+)
By Camille
Saint-SaÌÇns. For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition.
Masterwork; Romantic.
Published by Faber Music
By Ludwig van Beethoven (1770-1827). For Cello and Piano. Masterworks; Part(s); ...(+)
By Ludwig van Beethoven
(1770-1827). For Cello
and Piano. Masterworks;
Part(s); Solo; String -
Cello and Piano. Faber
Edition. Classical;
Masterwork; Romantic.
Published by Faber Music
Piece, Op. 39 Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
By Ernest Chausson (1855-1899). For Cello and Piano. Masterworks; Part(s); Score...(+)
By Ernest Chausson
(1855-1899). For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition.
Impressionistic;
Masterwork; Romantic. 12
pages. Published by Faber
Music
Cello and piano SKU: BR.EB-5566 Original and Arrangements. Compose...(+)
Cello and piano
SKU:
BR.EB-5566
Original and
Arrangements.
Composed by Othmar
Schoeck. Edited by Franz
Hindermann. Arranged by
Franz Hindermann. Solo
instruments; stapled.
Edition Breitkopf.
Arrangements for
violoncello (EB 5566) and
bassoon (EB 5567) are
also available. Sonata;
Romantic; Late-romantic.
Score. 36 pages. Duration
15'. Breitkopf and
Haertel #EB 5566.
Published by Breitkopf
and Haertel (BR.EB-5566).
ISBN 9790004164433. 9
x 12 inches.
It is
considered a milestone in
the repertoire for bass
clarinet: Othmar
Schoeck's Sonata op. 41,
composed in 1927/28 for
the Swiss music patron
and amateur clarinetist
Werner Reinhart. In the
tension area between late
Romanticism and currents
of New Music of the
1920s, Schoeck created a
work of fascinating
colorfulness, which even
has jazz elements
flashing up in the
finale. This classic work
is one of the most
exciting, boldest
instrumental works by the
important song and opera
composer. CD: Renate
Rusche (bass clarinet),
Werner Hagen (piano) Sc
63072.
By Louise Farrenc (1804-1875). Edited by Bella and Semjon Kalinowsky. For viola ...(+)
By Louise Farrenc
(1804-1875). Edited by
Bella and Semjon
Kalinowsky. For viola and
piano. Viola.
Instrumental Music.
Intermediate. Score and
parts. Composed 1861.
Published by Furore
Verlag
Cello and piano SKU: BR.EB-32078 Composed by Friedrich Schneider. Edited ...(+)
Cello and piano
SKU:
BR.EB-32078
Composed
by Friedrich Schneider.
Edited by Nick
Pfefferkorn. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
76 pages. Breitkopf and
Haertel #EB 32078.
Published by Breitkopf
and Haertel
(BR.EB-32078).
ISBN
9790004186633. 9 x 12
inches.
Friedrich
Schneider is known today
above all for his
extensive oeuvre in the
area of the oratorio. No
less important, however,
in addition to his
symphonic work, is his
group of works for piano
and/or chamber music. His
cello sonata in F major,
with all four movements
large in scale, was
probably composed in 1831
for the daughter of the
Cologne music patron, Dr.
Erich Heinrich Verkenius.
With its expressiveness,
monumental structure, and
post-Beethovenian
sensuality, this sonata
already seriously
anticipates Romanticism.
Our edition offers two
solo parts: an unmarked
original text as well as
a version with fingerings
and bowings by the
Leipzig based cellist
Jurnjakob Timm.
This is a
continuation of the very
successful series,
'Classical Piano Trios'.
As in the earlier
volumes, here too the
range of notes for the
stringed instruments does
not extend beyond the
first position, but the
pieces vary in difficulty
and in length, the
easiest are playable
after two years of
serious study. The varied
material includes works
by not only German,
Russian and French
composers, but also some
representatives of
national romanticism.
Consecutive works by the
same composer can be
performed as a suite.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
Cello and piano SKU: BR.EB-32072 Urtext. Composed by Eduard Franck...(+)
Cello and piano
SKU:
BR.EB-32072
Urtext. Composed
by Eduard Franck. Solo
instruments; stapled.
Edition Breitkopf.
For Sonata No.
1 in D major Op. 6 please
click he
re.
Sonata;
Romantic. Score. 60
pages. Breitkopf and
Haertel #EB 32072.
Published by Breitkopf
and Haertel
(BR.EB-32072).
ISBN
9790004186619. 9 x 12
inches.
Eduard
Franck's two Violoncello
Sonatas opp. 6 and 42
were published in 1843
and 1882, respectively,
thus, almost 40 years
apart. Although no
authentic manuscripts
sources are extant, the
sonatas were likely
composed fairly close to
the years of their
publication. That for
decades Eduard Franck was
reluctant to publish some
of his works is well
known; this then led him,
only a few years before
his death, to pour out a
cornucopia of new
compositions, some of
them composed decades
earlier. With this new
edition of the two
sonatas we are offering
an important addition to
the field of romantic
cello sonatas.
Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano ...(+)
Composed by Gabriel Faure
(1845-1924), edited by
Roy Howat. For cello and
piano accompaniment.
Format: set of
performance parts
(includes separate
pull-out cello part).
With solo part, piano
accompaniment,
performance notes and
introductory text.
Romantic period. 47
pages. 9x12 inches.
Published by C.F. Peters.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025019 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025019
For
Cello and Piano.
Composed by Leokadiya
Kashperova. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 72
pages. Boosey & Hawkes
#M060135040. Published by
Boosey & Hawkes
(HL.48025019).
ISBN
9781784544331.
Leok
adiya Kashperova
(1872-1940), hitherto
consigned to a footnote
in musical history as
Stravinsky's piano
teacher, is undergoing
rediscovery. A double
graduate of the St
Petersburg Conservatoire,
she emerged as a virtuoso
pianist and composer in
the romantic tradition.
She was associated with
some of the great
musicians of her day,
including Mily
Alexayevich Balakirev and
Leopold von Auer. She
performed in both Germany
and the UK in the 1900s,
but her career petered
out after 1920. These new
editions of the Cello
Sonatas 1 & 2 have
been broadcast and
recorded, whilst new
editions of her Symphony
and hitherto unpublished
Piano Concerto have
recently been issued.
Cello and piano (Cello Part And Piano Score) - intermediate to advanced SKU: ...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate to advanced
SKU: HL.49043959
For cello and
piano. Composed by
Zoe Martlew. This
edition: Saddle
stitching. Sheet music.
String. Berceuse is a
beautiful melodic encore
piece in the romantic
cello tradition, with
simple piano part.
Softcover. Composed 2011.
6 pages. Duration 2'.
Schott Music #ED13548.
Published by Schott Music
(HL.49043959).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025018 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025018
Composed
by Leokadiya Kashperova.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 84 pages.
Boosey & Hawkes
#M060135033. Published by
Boosey & Hawkes
(HL.48025018).
ISBN
9781784544324.
Leok
adiya Kashperova
(1872-1940), hitherto
consigned to a footnote
in musical history as
Stravinsky's piano
teacher, is undergoing
rediscovery. A double
graduate of the St
Petersburg Conservatoire,
she emerged as a virtuoso
pianist and composer in
the romantic tradition.
She was associated with
some of the great
musicians of her day,
including Mily
Alexayevich Balakirev and
Leopold von Auer. She
performed in both Germany
and the UK in the 1900s,
but her career petered
out after 1920. These new
editions of the Cello
Sonatas 1 & 2 have
been broadcast and
recorded, whilst new
editions of her Symphony
and hitherto unpublished
Piano Concerto have
recently been issued.
By Johannes Brahms (1833-1897). Arranged by Carl Burchard. For violin, cello and...(+)
By Johannes Brahms
(1833-1897). Arranged by
Carl Burchard. For
violin, cello and piano
duet. Facsimile Editions
- Strings and Piano.
Quartets. Romantic.
Published by Rosewood
Publications
Cello and piano SKU: BR.EB-9406 Urtext. Composed by Joachim Raff. ...(+)
Cello and piano
SKU:
BR.EB-9406
Urtext. Composed
by Joachim Raff. Edited
by Claus Kanngiesser.
Solo instruments;
stapled. Edition
Breitkopf. Sonata;
Romantic. Score. 80
pages. Duration 27'.
Breitkopf and Haertel #EB
9406. Published by
Breitkopf and Haertel
(BR.EB-9406).
ISBN
9790004188804. 9 x 12
inches.
Raff's
Cello Sonata op. 183
appeared in print in late
1873; at a time when
Raff's success was at its
zenith with Symphonies
Nos. 3 and 5 as well as
many chamber works.
Little is known about the
circumstances of its
genesis and possible
performances. Since Raff
did not dedicate this
sonata to any
distinguished artist,
unlike most of his other
chamber works, it
apparently lacked a
drawing card for
distribution. While Raff
composed several
well-known works for
violin and piano, the
present cello sonata is
one of his few
outstanding works for
cello and piano.
Incidentally, in the
first edition, the score
is headed for piano and
cello, as was quite often
the case in the 19th
century, for instance
also with Brahms's
sonatas. This is also
evident in the music:
Cello and piano are equal
partners that develop the
musical material and are
challenged both
technically and
artistically. This
current edition contains
an Urtext cello part as
well as a part with
markings by Claus
Kanngiesser. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
With a
preface by Severin Kolb.
Contains 2 cello
parts.
Cello & Piano SKU: SU.28170150 For Cello & Piano. Composed by Bria...(+)
Cello & Piano
SKU:
SU.28170150
For
Cello & Piano.
Composed by Brian Nabors.
Strings, Cello.
Accompanied by piano.
Score & Parts. Raphael
Press #28170150.
Published by Raphael
Press (SU.28170150).
Exploring the
extremes of cello and
piano respectively, this
work is a deep journey,
from its contemporary,
thorny outer movements,
to its very romantic
middle movement. There is
a spectrum of harmonic
and rhythmic complexity
throughout the
work’s venturesome
landscape.Cello, Piano
Duration: 21’
Composed: 2017 Published
by: Raphael Press.
Cello & Piano SKU: SU.28060070 For Cello & Piano. Composed by Jess...(+)
Cello & Piano
SKU:
SU.28060070
For
Cello & Piano.
Composed by Jesse Jones.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#28060070. Published by
Subito Music Corporation
(SU.28060070).
A lyrical and
large-arcing piece that
vacillates between
romantic pathos,
impressionist sound
painting, and tumultuous
virtuosity. cello & piano
Duration: 11' Composed:
2012 Published by:
Distributed Composer.
Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.4802...(+)
Volume 1 Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024686
Tarantelle - Trois
Andante - Marche
chinoise. Composed by
Jacques Offenbach. Edited
by Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 48 pages. Bote
& Bock #M202535332.
Published by Bote & Bock
(HL.48024686).
ISBN
9781540058768. UPC:
888680952938.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-10802<...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.EB-10802
Urtext. Composed
by Edouard Lalo. Edited
by Peter Jost. Arranged
by J. Schiff and J.
Umbreit. Solo
instruments; Softbound.
Edition Breitkopf.
The first
definitive author's
version - In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Piano
reduction. 92 pages.
Breitkopf and Haertel #EB
10802. Published by
Breitkopf and Haertel
(BR.EB-10802).
ISBN
9790201808024. 9.5 x 12
inches.
In the past
years, French music has
become a focal point of
Breitkopf's orchestral
library. With Edouard
Lalo's popular
violoncello concerto,
these new editions of
French music now bring
publishers Breitkopf and
G. Henle together once
again in another example
of their proven
cooperation. Peter Jost,
an expert on French music
who established his claim
to expertise through his
Debussy, Franck and
Saint-Saens editions,
ensures a flawless Urtext
edition which is based
for the first time on the
autograph piano
reduction. This
piano-cello score shows
traces of several layers
of arrangements, the last
two of which were
obviously not taken into
account in the first
edition. The new edition
thus offers a wealth of
new, authentic readings.A
carefully researched text
with clear and spacious
printing highlights this
sympathetic collaboration
of two esteemed
publishing houses,
Breitkopf & Hartel and
Henle. (Mary Nemet,
Strings).