Cello SKU: HL.14026464 Composed by Henry Purcell. Music Sales America. Cl...(+)
Cello
SKU:
HL.14026464
Composed
by Henry Purcell. Music
Sales America. Classical.
Book [Softcover]. 12
pages. Music Sales
#NOV12044503. Published
by Music Sales
(HL.14026464).
1 Solo Cello - Grade 2 SKU: FL.FX073321 Composed by Henry Purcell. Arrang...(+)
1 Solo Cello - Grade 2
SKU: FL.FX073321
Composed by Henry
Purcell. Arranged by Eric
Vireton. Arrangement,
Republished Master Piece.
Classical, Educational.
Solo Part. FLEX Editions
#FX073321. Published by
FLEX Editions
(FL.FX073321).
Instruments: 1
Solo Cello; Difficuly
Level: Grade 2; Duration:
2 mn 35 s; Musical Style:
Classical, Educational;
Category: Arrangement,
Republished Master Piece;
Composer: Henry PURCELL;
Arranger: Eric
VIRETON.
1 Solo Cello - Grade 3 SKU: FL.FX073334 Composed by Henry Purcell. Arrang...(+)
1 Solo Cello - Grade 3
SKU: FL.FX073334
Composed by Henry
Purcell. Arranged by Eric
Vireton. Arrangement,
Republished Master Piece.
Classical, Educational.
Solo Part. FLEX Editions
#FX073334. Published by
FLEX Editions
(FL.FX073334).
Instruments: 1
Solo Cello; Difficuly
Level: Grade 3; Duration:
2 mn 20 s; Musical Style:
Classical, Educational;
Category: Arrangement,
Republished Master Piece;
Composer: Henry PURCELL;
Arranger: Eric
VIRETON.
(Cello Part). Composed by Dr. Shinichi Suzuki, Performed by Tsuyoshi Tsutsumi. F...(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki,
Performed by Tsuyoshi
Tsutsumi. For Cello. This
edition: Revised. Book;
CD; Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 24 pages.
Published by Alfred Music
Cello - Intermediate to Late Intermediate SKU: FH.VCS2 Cello Series, 2...(+)
Cello - Intermediate to
Late Intermediate
SKU:
FH.VCS2
Cello
Series, 2013 Edition.
Composed by The Royal
Conservatory. Cello
Series, 2013 Edition.
Book. The Frederick
Harris Music Company
#VCS2. Published by The
Frederick Harris Music
Company (FH.VCS2).
ISBN
978-1-55440-546-6.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello. An
extensive offering of
Etudes ranging from
traditional to
contemporary literature
is organized into two
progressively-leveled
volumes (Preparatory-4
and 5-8). These musical
selections present an
inspiring approach to the
reinforcement and
development of
technique. Pieces in a
Slower Tempo: Viola
d'amore - Jones, Edward
Huws On Tiptoe -
Archer,
Violet Berceuse -
Blachford, Frank The
Old Woman and the Peddler
- English folk song arr.
Akiko Kinney All Alone
- Duke, David Poeme -
Keyser, Paul
de Buffalo Gals -
American folk song arr.
Forrest Kinney In
Ancient Times - Birston,
Harold March - Rose,
Michael Pieces in a
Faster Tempo: When
Stella Smiles - RT,
Zav Rigadoon, Z 653 -
Purcell, Henry arr. Jason
Noble Pop Goes the
Weasel - Traditional
English arr. Katharine
Rapoport Tap Dance -
Jones, Edward
Huws Pony Trot -
Krasev, A. The Pirate
- Donkin,
Christine The Ash
Grove (Llynn Onn) - Welsh
folk song arr. Forrest
Kinney That Sounds So
Glorious (Das klinget so
herrlich), from The Magic
Flute - Mozard, Wolfgang
Amadeus arr. Christine
Donkin Saint Paul's
Steeple - English folk
song arr. Jason Gray.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC2. Published
by The Frederick Harris
Music Company (FH.VC2).
ISBN
978-1-55440-538-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter Heilbut Un
ballo (A Ball) -
Steibelt, Daniel arr.
Eugen Rapp Schwedisch
(Swedish) - Romberg,
Bernhard arr. Percy
Such When I Am Laid in
Earth (from Dido and
Aeneas) - Purcell,
Henry Concertino No. 4
in C Major, op. 22 -
Breval, Jean-Baptiste
arr. L.-R.
Feuillard Ombra mai fu
(Never Was a Shade)
Handel, George Frideric
arr. Gaston
Borch Traditional and
Romantic
Repertoire: The Joker,
op. 126b, no. 3 -
Grechaninov,
Alexandr Anitra's
Dance - Grieg, Edvard
arr. Ann Lindsay She's
Like the Swallow -
Canadian folk song arr.
Forrest Kinney Joyeuse
(Joyful) - Squire,
William Henry After
the Bass Is Over -
Harris, Charles K. arr.
Pat Legg and Alan
Gout Repertoire
Composed after ca
1930: Hen and Rooster
- Konicek,
Zdenek Latin Nights -
Blackwell, David and
Kathy
Blackwell Running of
the Bulls - Cheney,
Elliott W. Wrist Watch
- Birston,
Harold Sunday Drag -
Perry, Anita
D. Soft-Shoe Dance -
Reubart, Dale For a
Blue Note - Allerme,
Jean-Marc.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC1. Published
by The Frederick Harris
Music Company (FH.VC1).
ISBN
978-1-55440-537-4.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Menuet and
Trio, W.O 10, no. 3 -
Beethoven, Ludwig van
arr. Watson
Forbes Rondeau (from
The Fairy Queen) -
Purcell, Henry arr.
Watson
Forbes Sarabande -
Handel, George Frideric
arr. Jason
Noble Andante grazioso
- Mozart, Wolfgang
Amadeus arr. Jason
Gray Hornpipe a
l'Inglese - Galliard,
John Ernest arr.
Christine
Donkin Vittoria, mio
core! - Carissimi,
Giacomo arr. Christine
Donkin Traditional and
Romantic
Repertoire: Tambourin
- Rameau, Jean-Philippe
arr. Christine
Donkin All the Pretty
Little Horses - American
lullaby arr. Jason
Gray Barbara Allen -
British folk song arr.
Forrest Kinney Simple
Gifts - Brackett, Joseph
Jr. arr. Forrest
Kinney March (from The
Nutcracker) -
Tchaikovsky, Pyotr
Il'yich arr. Jason
Noble Londonderry Air
- Irish folk song arr.
Forrest
Kinney Repertoire
Composed After ca
1930: A Little Child's
Dance - Konicek,
Zdenek ...I Say
Ca-rib-'be-an - Birston,
Harold Sonata da
camera - Matz,
Rudolf - First
Movement: Adagio -
Fourth Movement: Allegro
vivace Grab the
Slippery Toad! - Lumsden,
Caroline and Ben
Attwood Hungarian
Stomp - Wedgwood,
Pam Budapesto -
Cheney, Carey Wild
West - Blackwell, David
and Kathy
Blackwell Livi's Blues
- Cheney, Elliott W.
(From the Baroque to the 20th Century). Arranged by William Ryden. For Cello/Bas...(+)
(From the Baroque to the
20th Century). Arranged
by William Ryden. For
Cello/Bass. Mixed
Instruments - Flexible
Instrumentation.
Classical Instrumental
Ensembles for All.
Masterwork. 24 pages.
Published by Alfred
Publishing.
