(Double Bass with Piano Reduction). Composed by Johann Baptist Vanhal (1739-1813). Edited by Tobias Gl�¶ckler. For Double Bass, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN979. Published by G. Henle

By Johann Baptist Vanhal (1739-1813). Edited by Rudolf Walter. This edition: paperbound. South German organ masters of the Baroque. Collection. 40 pages

Violin 2 (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-16

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-16. Published by Breitkopf and Haertel (BR.OB-15143-16).

ISBN 9790004342015. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Viola (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-19

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 4 pages. Duration 20'. Breitkopf and Haertel #OB 15143-19. Published by Breitkopf and Haertel (BR.OB-15143-19).

ISBN 9790004342022. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Woodwinds (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-30

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Set of parts. 16 pages. Duration 20'. Breitkopf and Haertel #OB 15143-30. Published by Breitkopf and Haertel (BR.OB-15143-30).

ISBN 9790004342046. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Basso (cello/double bass) (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-26

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-26. Published by Breitkopf and Haertel (BR.OB-15143-26).

ISBN 9790004342039. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.PB-15144-07

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Early classical; Classical. Study Score. 28 pages. Duration 20'. Breitkopf and Haertel #PB 15144-07. Published by Breitkopf and Haertel (BR.PB-15144-07).

ISBN 9790004215968. 6.5 x 9 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.PB-15144

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library). Solo concerto; Early classical; Classical. Study Score. Duration 20'. Breitkopf and Haertel #PB 15144. Published by Breitkopf and Haertel (BR.PB-15144).

ISBN 9790004215968. 6.5 x 9 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Violin 1 (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-15

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 15143-15. Published by Breitkopf and Haertel (BR.OB-15143-15).

ISBN 9790004342008. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Continuo realization (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str)

SKU: BR.OB-15143-12

Urtext. Composed by Johann Baptist Vanhal. Edited by Tobias Glockler. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Early classical; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15143-12. Published by Breitkopf and Haertel (BR.OB-15143-12).

ISBN 9790004342169. 10 x 12.5 inches.

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glockler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glockler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well.I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition. (Marian Heckenburg, Stringendo).

Violin and Contra Bass

SKU: BT.YE0067

Composed by Johann Baptist Vanhal. Book Only. Yorke Edition #YE0067. Published by Yorke Edition (BT.YE0067).

Violin, viola and bass. Anamazing piece of musical research enabled this work to be assembled from autographs surviving in Prague, Bologna, Vienna and Paris. Vintage Vanhal, published here for the first time; five short movementsin best late 18th century style. Score and parts.

Grade: Moderate.

Flute - Advanced Beginner

SKU: FH.FLR04

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book and online audio. The Frederick Harris Music Company #FLR04. Published by The Frederick Harris Music Company (FH.FLR04).

ISBN 978-1-55440-292-2.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Online Audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivaled volume essential for examination or audition preparation.
Sonata in E flat Major, BWV 1031, Second movement: Siciliana attr. Johann Sebastian Bach
Sonata in A Minor, op. 1, no. 1, First Movement and Second Movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen Wood
Tambourin Jean-Philippe Rameau, arr. Stephen Chatman
Suite in A Minor, TWV 55:a2, Menuet I and Menuet II Georg Philipp Telemann, ed. Lionel Salter
Sonata No. 2 in A Major: Cadenza and First Movement; Second Movement Johann Baptist Vanhal
Sonata in F Major, RV 52, First Movement: Siciliano, Second Movement: Allemanda Antonio Vivaldi, arr. Stephen Chatman
Tanzlied, op. 52, book 2, no. 2 Karl Joachim Andersen
Humoresque Arno Babadjanyan, transc. Marianne Gedigian and Rick Rowley
Habanera, from Carmen Georges Bizet, arr. Stephen Chatman
Spring Song Frank Bridge, transc. Marianne Gedigian and Rick Rowley
Rumbustious Rumba Richard Kershaw
Grand Solo in F Major, op. 57, no. 1, Second movement (excerpt) Friedrich Kuhlau
Agra Paul Horn
Classical Escapade Leslie Uyeda.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

2 flutes, 2 violas, cello

SKU: CA.1606421

Composed by Johann Baptist Vanhal. Edited by Andreas Kohn. Church year: Christmas. German title: Notturno In G Fur 2 Fl, 2 Va, Vc. Single Part, Flute 1. 4 pages. Carus Verlag #CV 16.064/21. Published by Carus Verlag (CA.1606421).

Language: all languages.

Score available separately - see item CA.1606400.

SATB vocal soli, SATB choir, 2 trumpet, timpani, 2 oboe, 2 violin, basso continuo

SKU: CA.9105705

Composed by Johann Baptist Vanhal. Edited by Otto Biba. Coppenrath Series. German title: Christus Natus Est Nobis 1201001. Sacred vocal music, Christmas. Choral Score. 8 pages. Carus Verlag #CV 91.057/05. Published by Carus Verlag (CA.9105705).

ISBN 9790007114855. Language: Latin.

Score available separately - see item CA.9105700.

2 flutes, 2 violas, cello

SKU: CA.1606412

Composed by Johann Baptist Vanhal. Edited by Andreas Kohn. Church year: Christmas. German title: Notturno In G Fur 2 Fl, 2 Va, Vc. Single Part, Viola 2. 4 pages. Carus Verlag #CV 16.064/12. Published by Carus Verlag (CA.1606412).

Language: all languages.

Score available separately - see item CA.1606400.

Composed by Johann Baptist Vanhal (1739-1813). Edited by Tobias Glockler. Arranged by Christoph Sobanski (piano reduction). This edition: urtext. Edition Breitkopf. Piano reduction. 100 pages. Published by Breitkopf and Haertel (BR.EB-10979).

By Johann Baptist Vanhal. Schott. Size 9x12 inches. 30 pages. Published by Schott.

Violin, Viola & Double Bass

SKU: ST.YE0067

Composed by Johann Baptist Vanhal. String music. Yorke Edition #YE0067. Published by Yorke Edition (ST.YE0067).

ISBN 9790570590674.

2 flutes, 2 violas, cello

SKU: CA.1606422

Composed by Johann Baptist Vanhal. Edited by Andreas Kohn. Church year: Christmas. German title: Notturno In G Fur 2 Fl, 2 Va, Vc. Single Part, Flute 2. 4 pages. Carus Verlag #CV 16.064/22. Published by Carus Verlag (CA.1606422).

Language: all languages.

Score available separately - see item CA.1606400.

Clarinet and Piano

SKU: HL.50510456

Clarinet. Composed by Johann Baptist Vanhal. Edited by Balassa, Berlasz, and Karolyi. Arranged by Balassa, Berlász, Károlyi. Classic. EMB. Book [Softcover]. 36 pages. Editio Musica Budapest #Z6879. Published by Editio Musica Budapest (HL.50510456).

ISBN 9790080068793. UPC: 073999023848. 8.25x11.75x0.135 inches. Gyorgy Balassa; Melinda Berlasz; Pal Karolyi.

Piano, chamber orchestra (Pf Solo-2.2.0.1-2.0.0.0-Str)

SKU: KU.OCT-10046

Composed by Johann Baptist Vanhal. Edited by Hanspeter Gmür. Letter format (190 x 270). Staple Bound. Full score. Op. 14. 74 pages. Duration 23 minutes. Edition Kunzelmann #OCT-10046. Published by Edition Kunzelmann (KU.OCT-10046).

Key: D major.

For the version for piano with piano reduction accompaniment see GM69

Full score - performance material is available on a rental basis.

By Ignaz Josef Pleyel (1757-1831). For flute, violin, viola and cello. Winds and Strings. Enjoyable, fun for the flute. Classical. Set of parts

By Johann Baptist Vanhal (1739-1813). Edited by Georgina Dobree. For clarinet, piano. This edition: paperback. 32 pages. Published by Musica Rara

(Concerto for Cello in C Major). Composed by Johann Baptist Vanhal (1739-1813). Published by Ries and Erler Musikverlag

By Johann Baptist Vanhal. For oboe, violin, viola, cello. Paperback. 32 pages. Published by Breitkopf and Haertel (German import).