| Katraterra Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
By Jim Casella. Percussion Ensemble. For glockenspiel, xylophone, vibraphone, ma...(+)
By Jim Casella.
Percussion Ensemble. For
glockenspiel, xylophone,
vibraphone, marimba (4
octave), marimba (4.3
octave), 4 timpani,
chimes, 4 cowbells, log
drum, 2 china cymbals, 5
suspended cymbals, 2
brake drums, 3
woodblocks, 2 triangles,
splash cymbal, hi hat, 4
toms, chinese opera gong,
kick drum, tambourine,
low conga, bongos. (9
players). Level:
Advanced. Full score and
CD-Rom (containing
printable parts).
Duration 5:00. Published
by Tapspace Publications.
$48.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Novum (Organ & Percussion Version) Chorale SATB SATB, Orgue - Intermédiaire Walton Music
SATB choir, organ accompaniment, organ, percussion, tubular bells, chime tree, t...(+)
SATB choir, organ
accompaniment, organ,
percussion, tubular
bells, chime tree,
triangle - Intermediate
SKU: GI.WW1941B
Composed by Marten
Jansson. Classical. 104
pages. Walton Music
#WW1941B. Published by
Walton Music
(GI.WW1941B). UPC:
785147047360. Latin,
English. Text Source:
Traditional Latin
Requiem. Text by Charles
Anthony
Silvestri. Requiem
Novum, an evocative
musical work from
Swedish composer
MÃ¥rten Jansson,
weaves drama, emotion,
and exquisite
compositional technique
info a masterpiece for
our time. The choir
(singing the traditional
Latin texts) represents
the mourning and
God-fearing congregation,
while the soloist
(singing new English
texts by Charles Anthony
Silvestri)Â answers as
one beyond the veil,
sending back words of
comfort and hope. Highly
melodic and incredibly
moving, Jansson's new
setting of the
Latin Requiem offer
s a new perspective on
grief and loss. Available
here for choir, organ,
percussion, and soloist,
but also available for
choir and full orchestra
(WW1941A). $15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soul-ar Eclipse Ensemble de Percussions [Conducteur et Parties séparées] C. Alan Publications
Composed by Tom Morgan. Percussion Ensemble. For Percussion Ensemble (bells, xyl...(+)
Composed by Tom Morgan.
Percussion Ensemble. For
Percussion Ensemble
(bells, xylophone,
vibraphone, marimba 1*,
marimba 2*, timpani,
electric bass (optional
marimba 3), drum set,
*marimba 1 and 2, may be
performed on the same
4-1/3 octave instrument).
Percussion Music. Edge
Series. Medium. Score and
parts. Duration 4:30.
Published by C. Alan
Publications
$36.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Rock N Roll It! Ensemble de Percussions [Conducteur et Parties séparées] Row-Loff Publications
Composed by Michael Reineking. For concert percussion ensemble (9 players: Bells...(+)
Composed by Michael
Reineking. For concert
percussion ensemble (9
players: Bells,
Xylophone, Vibes, (2)
Marimbas, Drum-Set,
Tambourine, Cowbell, Bass
Guitar, (Optional
Synthesizer Organ or
B3)). Grade 1. Score and
parts. Duration 2:39.
Published by Row-Loff
Publications
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wisdom Is Calling - Instrumental Set GIA Publications
By Jan Michael Joncas. For 2 Trumpets, 2 Trombones, Horn in F, Timpani, Orchestr...(+)
By Jan Michael Joncas.
For 2 Trumpets, 2
Trombones, Horn in F,
Timpani, Orchestral
Bells, Organ.
Instrumental Part.
Sacred. 28 pages
$40.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ring Out, Wild Bells Chorale SATB SATB, Piano [Octavo] Schirmer
By Gwyneth W. Walker (1947-). For SATB choir, piano [or brass quintet, percussio...(+)
By Gwyneth W. Walker
(1947-). For SATB choir,
piano [or brass quintet,
percussion, organ].
Sacred, Christian.
Octavo. Composed 2006. 16
pages. Duration 4
minutes. Published by
E.C. Schirmer Publishing
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lumen Christi Chorale SATB Subito Music
SATB Chorus, Flute, Percussion, Organ & hand bells SKU: SU.90880130 Fo...(+)
SATB Chorus, Flute,
Percussion, Organ & hand
bells SKU:
SU.90880130 For
SATB Chorus, Flute,
Percussion, Organ & hand
bells. Composed by
Nancy Galbraith.
Vocal/Choral, Sacred
Large Choral Works.
Score. Subito Music
Corporation #90880130.
Published by Subito Music
Corporation
(SU.90880130).
SATB Chorus,
Flute, Percussion, Organ,
Hand Bells Duration: 30'
Text: compiled by
composer I. The Light of
Christ; II. Psalm 98;
III. O Born Light; IV.
The Good Zeal; V. Holy,
Holy, Holy; VI. Bread of
Angels; VII. Lord Now Let
Full Score & Parts:
available on rental
Composed: 2010 Published
by: Subito Music
Publishing
Commissioned by and
Dedicated to the
Benedictine Monks of St.
Procopius Abbey, Lisle,
Illinois on the occasion
of the 125th anniversary
of their founding. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Soundscape for Organ & Percussion Ensemble [Conducteur] C. Alan Publications
Composed by Robert W. Rumbelow. Solo with Percussion Ensemble. For Solo with Per...(+)
Composed by Robert W.
Rumbelow. Solo with
Percussion Ensemble. For
Solo with Percussion
Ensemble (Concert Organ,
Percussion 1 (taiko drum,
orchestra bells, 2 medium
tams, 3 low Noa bells [or
temple bowls], bowed
crotales), Percussion 2
(taiko drum, vibraphone,
3 high tams, nipple gong,
small temple chimes,
bow), Percussion 3 (taiko
drum, 4.3-octave Ma).
Medium. Score only.
Duration 9:30. Published
by C. Alan Publications
$12.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Soundscape for Organ & Percussion Ensemble C. Alan Publications
By Robert W. Rumbelow. For Solo with Percussion Ensemble (Concert Organ, Percuss...(+)
By Robert W. Rumbelow.
For Solo with Percussion
Ensemble (Concert Organ,
Percussion 1 (taiko drum,
orchestra bells, 2 medium
tams, 3 low Noa bells [or
temple bowls], bowed
crotales), Percussion 2
(taiko drum, vibraphone,
3 high tams, nipple gong,
small temple chimes,
bow), Percussion 3 (taiko
drum, 4.3-octave Ma).
Medium. Duration 9:30.
Published by C. Alan
Publications
$36.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ring Out Our Joy Chorale SATB SATB, Orgue - Débutant GIA Publications
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone 1, trombone
2, percussion - Beginning
SKU: GI.G-6950
A Festive
Processional.
Composed by Howard
Hughes. Choral. Choral.
Sacred. Octavo. 12 pages.
GIA Publications #6950.
Published by GIA
Publications (GI.G-6950).
UPC: 785147695004.
English. Text Source:
Psalm 95:1a, 2a,
6–7,
100:3–5, The Grail
, alt. Scripture: Psalm
95:1a, 2a, 6–7,
Psalm
100:3–5. Usi
ng an amalgam of Psalms
95 and 100, Howard Hughes
has created an
extraordinary festive
processional. In addition
to the optional brass
quartet and glockenspiel,
tubular bells (preferred)
or handbells are called
for! If you use this
piece for your
processional, there will
be no doubt that the
celebration is going to
be festive! Optional
Brass Quartet and
Percussion Percussion
part is for Glockenspiel
and Tubular Bells or
Handbells. $2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Organ with Percussion Peermusic Classical
(Score). By Lou Harrison (1937-2002). Score. Peermusic Classical. Softcover. 68 ...(+)
(Score). By Lou Harrison
(1937-2002). Score.
Peermusic Classical.
Softcover. 68 pages.
Peermusic #61951-527.
Published by Peermusic
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Gift to be Simple [Octavo] Carl Fischer
Unison, Two-Part, SSA, or SAB and Organ (with Optional C Instrument and English ...(+)
Unison, Two-Part, SSA, or
SAB and Organ (with
Optional C Instrument and
English Handbells or
Orff-Type Bells). By
Anonymous. Arranged by
Dale Wood. Text: Dale
Wood; Linda Wood. Mixed
choir. For Unison Chorus,
2-Pt Chorus, SSA Chorus,
SAB Chorus, Organ, C
Instrument, Handbells,
Keyboard, Orff-Type
Bells. Dale Wood Choral
Series. Choral.
Piano/Vocal Score. 7
pages. Published by Carl
Fischer.
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lord, Lift My Soul Chorale SATB SATB, Orgue Subito Music
SATB, Organ, Brass Quintet & Percussion SKU: SU.80200314 For SATB, Org...(+)
SATB, Organ, Brass
Quintet & Percussion
SKU: SU.80200314
For SATB, Organ, Brass
Quintet & Percussion.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. Choral
Score. Subito Music
Corporation #80200314.
Published by Subito Music
Corporation
(SU.80200314).
2 trumpets,
horn, trombone, Tuba,
timpani, cymbals, bells
Text: Jane Griner Set of
instrumental parts:
available for sale
(#80200315) Published by:
Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com
b> (Please include the
organization name with
your request). To order
quantities less than
8. $3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lord, Lift My Soul Chorale SATB SATB, Orgue Subito Music
SATB, Organ, Brass Quintet & Percussion SKU: SU.80200315 For SATB, Org...(+)
SATB, Organ, Brass
Quintet & Percussion
SKU: SU.80200315
For SATB, Organ, Brass
Quintet & Percussion.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. Set of
Parts. Subito Music
Corporation #80200315.
Published by Subito Music
Corporation
(SU.80200315).
2 trumpets,
horn, trombone, Tuba,
timpani, cymbals, bells
Text: Jane Griner Choral
score: available for sale
(#80200314) Published by:
Dunstan House. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat Carus Verlag
Soprano voice solo, flute, oboe, percussion, viola, cello, contrabass (soprano v...(+)
Soprano voice solo,
flute, oboe, percussion,
viola, cello, contrabass
(soprano voice solo,
percussion, organ)
SKU: CA.1029209
Composed by Karl-Michael
Komma. 1x 10.292/21
flute, 1x 10.292/22 oboe,
1x 10.292/41 percussion,
1x 10.292/42 chime bells.
German title: Magnificat
(1965) (Dt.). Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Set of Orchestra
Parts. Composed 1965. 12
pages. Carus Verlag #CV
10.292/09. Published by
Carus Verlag
(CA.1029209). ISBN
9790007023867. Language:
German. Score
available separately -
see item CA.1029200. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Music of the Spheres - Intermédiaire/avancé Beckenhorst Press
3-6 octave hhandbells and organ with optional brass quintet and percussion - Gra...(+)
3-6 octave hhandbells and
organ with optional brass
quintet and percussion -
Grade 4 SKU:
BP.HB168 Arranged by
Kevin McChesney. Handbell
choir music. Sacred. Full
score. Beckenhorst Press
#HB168. Published by
Beckenhorst Press
(BP.HB168).
Arranged for 3
to 6 octave handbell
choir, organ and optional
brass quintet and
percussion. Level 4. Uses
TERRA BEATA, ELLACOMBE,
HYMN TO JOY. $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas is coming Chorale SATB SATB, Piano [Octavo] Oxford University Press
Composed by Mack Wilberg (1955-). For SATB choir and piano, 4-hands (3 flutes (3...(+)
Composed by Mack Wilberg
(1955-). For SATB choir
and piano, 4-hands (3
flutes (3rd doubles
piccolo), 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 3 trumpets, 3
trombones, tuba, timpani,
percussion (suspended
cymbal, sleigh bells,
xylophone, glockenspiel)
harp, piano, organ
(opt.), strings). Mixed
Voices. Christmas Carols.
Level B (easy). Octavo.
20 pages. Duration 3'.
Published by Oxford
University Press
$4.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Finlandia - Brass and Percussion Score and Parts Lorenz Publishing Company
2 trumpets, 2 trombones, tuba, timpani - Level 3+ SKU: LO.30-2066L Compos...(+)
2 trumpets, 2 trombones,
tuba, timpani - Level 3+
SKU: LO.30-2066L
Composed by Jean
Sibelius. Arranged by
Dale Wood. Conductor's
score. Concert, General.
Score and parts. Lorenz
Publishing Company
#30/2066L. Published by
Lorenz Publishing Company
(LO.30-2066L). UPC:
000308105889. Wheth
er performed with
handbells alone or with
the organ/brass
additions, the overall
effect is absolutely
stunning. Dale Wood's
choral classic (performed
by the Mormon Tabernacle
Choir) is now available
in an equally thrilling
transcription for
bells. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Wilhelm Hansen
Organ; Percussion SKU: HL.14042161 Organ Reduction with Percussion...(+)
Organ; Percussion SKU:
HL.14042161 Organ
Reduction with
Percussion. Composed
by John Frandsen. Music
Sales America. Classical,
Contemporary. Softcover.
Composed 2012. Edition
Wilhelm Hansen #WH31253C.
Published by Edition
Wilhelm Hansen
(HL.14042161). ISBN
9788759876244.
International (more than
one language). John
Frandsen:
REQUIEMStrumenti2 fl.
grande1 fl. picc.2 oboi1
c. ingl.2 cl. in Bb1 cl.
basso in Bb2 fagotti1
contrafag.4 corni in F3
trombe3 tromboni1
tubaarpapercussione (4
musici)Tubular bells4
chinese temple
bellsTamtamCrotalesTuned
gongsMarimbaGran
cassaGlockenspielSnare
drumLarge church bell in
AThunder plateCymbals -
2Suspended cymbal2 x 5
tom-toms (in left & right
side of the
stage)CelestaXylophoneTri
ngletimpaniarchiorgano.
p>
$180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 3 SKU:
CF.CPS251 Composed by
Patrick Glenn Harper. Set
of Score and Parts.
28+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+4+8+1+4
+2+2+12+2+8 pages.
Duration 4 minutes, 27
seconds. Carl Fischer
Music #CPS251. Published
by Carl Fischer Music
(CF.CPS251). ISBN
9781491159873. UPC:
680160918461. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS251F Composed
by Patrick Glenn Harper.
Full score. 25 pages.
Carl Fischer Music
#CPS251F. Published by
Carl Fischer Music
(CF.CPS251F). ISBN
9781491159880. UPC:
680160918478. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto Piano seul Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202. What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gallery Music, Vol. 1 Zimbel Press
Handbells & Organ SKU: SU.80101306 For handbells & Organ. Composed...(+)
Handbells & Organ SKU:
SU.80101306 For
handbells & Organ.
Composed by Cooman,
Frahm, and Walters.
Keyboard, Organ,
Percussion,
Miscellaneous, Handbells.
Handbells. Score & Parts.
Zimbel Press #80101306.
Published by Zimbel Press
(SU.80101306).
Four evocative
compositions for small
handbell ensembles and
organ. Contents:
Frederick Frahm's
Celestial Fire (6 bells)
and At the cry of the
first bird (8 bells);
Carson Cooman's All
Things Came to Be (8
bells); and Eric
Walters's Jubilation (10
bells). The book contains
a part which may be
duplicated for use by the
handbell ringers. Zimbel
Press. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Herr, Herr, Lehre Uns! Variation On Psalm 150 Ssatb Choral Score Schott
Mixed choir (SAATB), organ, percussion (2 tom toms, triangles, tubular bells) an...(+)
Mixed choir (SAATB),
organ, percussion (2 tom
toms, triangles, tubular
bells) and timpani
SKU: HL.49044686
Variation on Psalm
150. Composed by
Albrecht Haaf. This
edition: Saddle
stitching. Sheet music.
Choral. Octavo. 16 pages.
Schott Music #ED21915-01.
Published by Schott Music
(HL.49044686). ISBN
9790001199711.
German. Albrecht
Haaf ging bereits
mehrfach als Preistrager
aus verschiedensten
Kompositionswettbewerben
hervor. So auch mit
seinem geistlichen
Chorwerk Herr, Herr,
lehre uns! fur gemischten
Chor (SSATB), Orgel und
zwei Schlagzeuger, fur
das er 2012 mit dem Carl
von
Ossietzky-Kompositionspre
is der Universitat
Oldenburg ausgezeichnet
wurde. Der Untertitel
lautet 'Variation uber
Psalm 150'. Variation
deshalb, weil im
Anschluss an den wortlich
dem Bibeltext entnommenen
Lobpreis Gottes die
'Unloblichkeit des
Menschen Werk' in ihrer
unterschiedlichsten
Auspragung auf
musikalisch und textlich
drastische Weise
angeprangert wird.Haaf,
der dieses aufruttelnde
Textarrangement selbst
verfasste, bedient sich
dafur kompositorisch
zahlreicher Taktwechsel
und Clustertechniken und
nutzt meisterhaft das
Spiel mit verschiedenen
Klangfarben. Dieses Werk
stellt nicht nur an den
Organisten und die beiden
Schlagzeuger, die u.a.
vier Rohrenglocken, drei
Tomtoms, Pauken und
Triangel zu bedienen
haben, hohe
Anforderungen. Auch die
funfstimmige Chorpartie
dieses unter die Haut
gehenden Stucks ist als
'schwer bis mittelschwer'
einzuordnen. Doch der
Aufwand lohnt sich
versprochen! $6.99 - Voir plus => Acheter | | |
| Herr, Herr, Lehre Uns! Variation On Psalm 150 Ssatb/org/perc/timp Score Schott
Mixed choir (SAATB), organ, percussion (2 tom toms, triangles, tubular bells) an...(+)
Mixed choir (SAATB),
organ, percussion (2 tom
toms, triangles, tubular
bells) and timpani
SKU: HL.49044685
Variation on Psalm
150. Composed by
Albrecht Haaf. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 28
pages. Schott Music
#ED21915. Published by
Schott Music
(HL.49044685). ISBN
9790001199704.
German. Albrecht
Haaf ging bereits
mehrfach als Preistrager
aus verschiedensten
Kompositionswettbewerben
hervor. So auch mit
seinem geistlichen
Chorwerk Herr, Herr,
lehre uns! fur gemischten
Chor (SSATB), Orgel und
zwei Schlagzeuger, fur
das er 2012 mit dem Carl
von
Ossietzky-Kompositionspre
is der Universitat
Oldenburg ausgezeichnet
wurde. Der Untertitel
lautet 'Variation uber
Psalm 150'.Variation
deshalb, weil im
Anschluss an den wortlich
dem Bibeltext entnommenen
Lobpreis Gottes die
'Unloblichkeit des
Menschen Werk' in ihrer
unterschiedlichsten
Auspragung auf
musikalisch und textlich
drastische Weise
angeprangert wird.Haaf,
der dieses aufruttelnde
Textarrangement selbst
verfasste, bedient sich
dafur kompositorisch
zahlreicher Taktwechsel
und Clustertechniken und
nutzt meisterhaft das
Spiel mit verschiedenen
Klangfarben. Dieses Werk
stellt nicht nur an den
Organisten und die beiden
Schlagzeuger, die u.a.
vier Rohrenglocken, drei
Tomtoms, Pauken und
Triangel zu bedienen
haben, hohe
Anforderungen. Auch die
funfstimmige Chorpartie
dieses unter die Haut
gehenden Stucks ist als
'schwer bis mittelschwer'
einzuordnen. Doch der
Aufwand lohnt sich
versprochen! $26.99 - Voir plus => Acheter | | |
| Herr, Herr, Lehre Uns! Variation On Psalm 150 Set Of Parts Schott
Mixed choir (SAATB), organ, percussion (2 tom toms, triangles, tubular bells) an...(+)
Mixed choir (SAATB),
organ, percussion (2 tom
toms, triangles, tubular
bells) and timpani
SKU: HL.49044687
Variation on Psalm
150. Composed by
Albrecht Haaf. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 32
pages. Schott Music
#ED21915-02. Published by
Schott Music
(HL.49044687). ISBN
9790001199728.
German. Albrecht
Haaf ging bereits
mehrfach als Preistrager
aus verschiedensten
Kompositionswettbewerben
hervor. So auch mit
seinem geistlichen
Chorwerk Herr, Herr,
lehre uns! fur gemischten
Chor (SSATB), Orgel und
zwei Schlagzeuger, fur
das er 2012 mit dem Carl
von
Ossietzky-Kompositionspre
is der Universitat
Oldenburg ausgezeichnet
wurde. Der Untertitel
lautet 'Variation uber
Psalm 150'. Variation
deshalb, weil im
Anschluss an den wortlich
dem Bibeltext entnommenen
Lobpreis Gottes die
'Unloblichkeit des
Menschen Werk' in ihrer
unterschiedlichsten
Auspragung auf
musikalisch und textlich
drastische Weise
angeprangert wird.Haaf,
der dieses aufruttelnde
Textarrangement selbst
verfasste, bedient sich
dafur kompositorisch
zahlreicher Taktwechsel
und Clustertechniken und
nutzt meisterhaft das
Spiel mit verschiedenen
Klangfarben. Dieses Werk
stellt nicht nur an den
Organisten und die beiden
Schlagzeuger, die u.a.
vier Rohrenglocken, drei
Tomtoms, Pauken und
Triangel zu bedienen
haben, hohe
Anforderungen. Auch die
funfstimmige Chorpartie
dieses unter die Haut
gehenden Stucks ist als
'schwer bis mittelschwer'
einzuordnen. Doch der
Aufwand lohnt sich
versprochen! $19.99 - Voir plus => Acheter | | |
| Happy Camper Blues, The (score and parts) Vibraphone [Conducteur et Parties séparées] C. Alan Publications
(Solo Vibraphone Feature). By Tom Morgan. Soloist(s) with Percussion Ensemble. F...(+)
(Solo Vibraphone
Feature). By Tom Morgan.
Soloist(s) with
Percussion Ensemble. For
soloist(s) with
percussion ensemble (Solo
Vibraphone Bells
Xylophone Vibraphone
Marimba 1 (4-octave)
Marimba 2 (5-octave) Drum
Set Auxiliary Percussion
(Congas, Cowbell)).
$29.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Under a Winter Sky - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion, Suspended
Cymbal, Timpani,
Triangle, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS242 Composed by
Yukiko Nishimura. Set of
Score and Parts.
8+8+2+4+4+2+2+5+2+2+4+4+4
+6+2+3+3+1+1+2 pages.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #YPS242. Published
by Carl Fischer Music
(CF.YPS242). ISBN
9781491159675. UPC:
680160918263. I
love the winter season,
perhaps because I was
born in February. My
hometown is known for its
cold weather in winter.
In fact, my first name
Yukiko means snow girl.
My parents gave me this
name because it was
snowing on the day I was
born. Before I started to
write the piece, various
images depicting the
scenery of a snowy
morning developed in my
mind. Imagine that there
is no wind, no sound, and
it is a very clear
morning. I heard the
sound of an organ playing
a traditional chorale
somewhere from a
distance. This is the
scenery of my imagination
for this piece. You will
find many inner melodies,
dialogues and
conversations between the
instruments throughout
the piece. Listen
carefully to the other
instruments and stay in
tune while you play. I
love the winter season,
perhaps because I was
born in February. My
hometown is known for its
cold weather in winter.
In fact, my first name
“Yukikoâ€
means snow girl. My
parents gave me this name
because it was snowing on
the day I was born.Before
I started to write the
piece, various images
depicting the scenery of
a snowy morning developed
in my mind. Imagine that
there is no wind, no
sound, and it is a very
clear morning. I
heard the sound of an
organ playing a
traditional chorale
somewhere from a
distance. This is the
scenery of my imagination
for this
piece.  You will
find many inner melodies,
dialogues and
conversations between the
instruments throughout
the piece. Listen
carefully to the other
instruments and stay in
tune while you play. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cantus Chorale 2 parties SA - Facile GIA Publications
SA choir, organ accompaniment, violin 1, violin 2, viola, cello, bass, percussio...(+)
SA choir, organ
accompaniment, violin 1,
violin 2, viola, cello,
bass, percussion - Early
intermediate SKU:
GI.G-2057 Laudate
Dominum / Sinfonia /
Omnes Gentes.
Composed by John Russell.
Choral. Choral. Sacred.
Octavo. 12 pages. GIA
Publications #2057.
Published by GIA
Publications (GI.G-2057).
Scripture: Psalm 47,
Psalm
150. Percussion is
for Orff bells and finger
cymbals. Organ or
strings. $0.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Page suivante 1 31 |