(Piano Solo) Composed by Johann Sebastian Bach (1685-1750), arranged by Ferrucci...(+)
(Piano Solo) Composed by
Johann Sebastian Bach
(1685-1750), arranged by
Ferruccio Busoni
(1866-1924). Single piece
for solo piano. C Major.
8 pages. Published by G.
Schirmer, Inc.
Concert-Paraphrase about the quartet by Franz Liszt. Composed by Franz Liszt (18...(+)
Concert-Paraphrase about
the quartet by Franz
Liszt. Composed by Franz
Liszt (1811-1886) and
Giuseppe Fortunino
Francesco Verdi. Arranged
by Franz Liszt. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 16
pages. Duration 6'.
Schott Music #ED9474.
Published by Schott Music
Piano duets (solo: pno - 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.EB-5470 ...(+)
Piano duets (solo: pno -
2.2.2.2 - 4.2.3.0 - timp
- str)
SKU:
BR.EB-5470
Introduzione e Allegro
= Concertino Part I.
Composed by Ferruccio
Busoni. Solo instruments;
stapled. Edition
Breitkopf.
additional
piano part inserted
Solo concerto; Early
modern; Late-romantic.
Piano reduction. 44
pages. Duration 21'.
Breitkopf and Haertel #EB
5470. Published by
Breitkopf and Haertel
(BR.EB-5470).
Piano SKU: SU.12800018 For Piano. Composed by Johann Sebastian Bac...(+)
Piano
SKU:
SU.12800018
For
Piano. Composed by
Johann Sebastian Bach.
Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800018. Published by
Subito Music Corporation
(SU.12800018).
BachScholar
Edition Vol. 18 –
Toccata & Fugue in D
Minor, BWV 565 (10 pages)
presents Bach’s
famous organ work in a
highly idiomatic piano
transcription. More of a
literal transcription
than an arrangement, this
version remains true to
Bach’s original
organ score, which makes
it accessible to the
average pianist. (In
contrast, the Busoni and
Tausig arrangements are
too difficult for most
pianists.) Ideal for
pianists from the
late-intermediate levels
and higher as well as
concert artists and
teachers who seek an
exciting and authentic
transcription of Bach for
the concert hall or
teaching studio. Includes
tempo indications and
fingering. Published by:
BachScholar Publishing,
LLC.
Composed by Ferruccio Busoni (1866-1924). This edition: paperback. Edition Breit...(+)
Composed by Ferruccio
Busoni (1866-1924). This
edition: paperback.
Edition Breitkopf. Early
20th Century. 24 pages.
Published by Breitkopf
and Haertel (BR.EB-8113).
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Norbert
Gertsch. This edition:
violin 2 part. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10766 is
printed in score form;
two copies are needed for
performance. Our edition
EB 8578 contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C major
K. 467. Solo concerto;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
15106-16. Published by
Breitkopf and Haertel
(BR.OB-15106-16).
ISBN
9790004339190. 10 x 12.5
inches.
The
editorial quality of the
new edition is guaranteed
not only by Schiff's
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Norbert Gertsch
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozart's handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozart's own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.Die
Editionen werden den
Intentionen des
Komponisten so weit wie
moglich gerecht. Gemass
Mozarts Anweisungen in
den Autographen ist
beispielsweise im unteren
Klaviersolosystem sowohl
der Partituren als auch
der Klavierauszuge
durchgangig die
Bassstimme des Orchesters
wiedergegeben. (Andreas
Friesenhagen,
FonoForum)L'interet
particulier de cette
nouvelle edition reside
dans les notations
complementaires des
parties de violon ayant
pour source la premiere
execution de l'oeuvre par
Joseph Joachim et Robert
Hausmann avec, tres
probablement,
l'autorisation du
compositeur, ces notes de
jeu refletant les
pratiques de l'epoque.
(Crescendo).
Piano/harpsichord and orchestra (Solo: pno- 1.2.0.2 - 2.2.0.0 - timp - str) S...(+)
Piano/harpsichord and
orchestra (Solo: pno-
1.2.0.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-15123
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
VerlagEB
10825 is printed in score
form; two copies are
needed for performance.
Our ed
ition EB 8579
contains a Ferrucci
Busoni cadenza for the
Piano. Solo concerto;
Classical. Full score. 88
pages. Duration 33'.
Breitkopf and Haertel #PB
15123. Published by
Breitkopf and Haertel
(BR.PB-15123).
ISBN
9790004212738. 10 x 12.5
inches.
The C major
Concerto K. 503 was held
in particularly high
esteem by Mozart, who,
for example, put it on
the program of his
subscription concert at
Leipzigs Gewandhaus in
1789, three years after
it was written. This new
edition is based on the
autograph and also takes
into account the first
edition published by
Constanze Mozart at her
own cost in 1797.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst Herttrich
to whom Henle has
entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Composed by Ferruccio Busoni (1866-1924). This edition: paperback. Edition Breit...(+)
Composed by Ferruccio
Busoni (1866-1924). This
edition: paperback.
Edition Breitkopf. Early
20th Century. 12 pages.
Published by Breitkopf
and Haertel (BR.EB-4945).
By Johann Sebastian Bach (1685-1750). Arranged by Ferruccio Busoni. For Piano, O...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Ferruccio Busoni. For
Piano, Orchestra (2
pianos). Edition
Breitkopf. Piano
reduction. 44 pages.
Published by Breitkopf
and Haertel
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library). You
will find Mozart's
original cadenzas under
36 Cadenzas for his own
Piano Concertos. Busoni's
Cadenzas for W. A.
Mozart's Piano Concertos
also contain cadenzas for
the Piano Concerto in F
major K. 459. EB 4056 is
printed in score form;
two copies will. Solo
concerto; Classical.
Part. 8 pages. Duration
24'. Breitkopf and
Haertel #OB 4429-15.
Published by Breitkopf
and Haertel
(BR.OB-4429-15).
SKU: SU.00220083 Composed by Claude Debussy. Woodwinds, Oboe/English Horn...(+)
SKU: SU.00220083
Composed by Claude
Debussy. Woodwinds,
Oboe/English Horn. CD
(PDF Scores). CD Sheet
Music #00220083.
Published by CD Sheet
Music (SU.00220083).
The complete
Oboe and English Horn
parts [CD-ROM] for the 61
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume 2:
Debussy, Mahler and more.
If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
BIZET Carmen Suites 1-2,
L'Arlesienne Suites 1-2,
Symphony No. l; BRUCH
Violin Concerto No.1, Kol
Nidrei, Scottish Fantasy;
BRUCKNER Symphonies 1-9,
Te Deum; BUSONI Turandot
Suite; DEBUSSY Images
1-3, Jeux, La Mer,
Nocturnes, Petite Suite,
Prelude to the Afternoon
of a Faun, Printemps,
Sacred and Profane
Dances, Clarinet
Rhapsody; FAURÉ
Pavane, Pelleas and
Melisande, Requiem; GRIEG
Piano Concerto in A
Minor, Peer Gynt Suites
1-2, Symphonic Dances,
Holberg Suite; MAHLER
Symphonies 1-9,
Kindertotenlieder, Das
klagende Lied, Das Lied
von der Erde, Lieder;
REGER Variations and Fuge
on a Theme by Mozart;
SAINT-SAËNS Carnival
of the Animals, Danse
Macabre, Symphony No. 3,
Cello Concerto No. 1,
Piano Concerto No. 2,
Christmas Oratorio,
Introduction and Rondo
Capriccioso Visit for
more
information
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Jenamy Concerto
(formerly known as
Jeunhomme Concerto) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Robert Cliff u.
Levin Eisen. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Robert
Levin's brilliant and
inspired recording (with
Christopher Hogwood and
the Academy of Ancient
Music) and Breitkopf's
new edition have two
things in common: their
historically well-founded
approach and the
editorial team consisting
of Robert Levin and Cliff
Eisen. Here, Urtext
signifies an eschewal of
a final version that
never existed and that
Mozart himself had never
even envisaged. On the
contrary, Levin and Eisen
pursue an editorial
philosophy tailored to
Mozart and his music:
Standardization is the
greatest aesthetic threat
in the performance of
Mozarts concertos. To
prepare the score of the
new edition, the editors
were able to consult the
autograph, located in
Krakow, for the very
first time. The new
edition clearly
incorporates a much
broader base of findings
than any previous
edition, including the
NMA. At the same time,
the score and piano
reduction offer a wealth
of additional information
on performance practice
gleaned from further
authentic sources,
including observations on
continuo practice,
instruments, size and
disposition of the
orchestra, ornaments,
tempo and character,
cadenzas and
flourishes.