By Camilla de Rossi; Maria Margarita Grimani. Edited by Barbara Jackson. Alto voice and orchestra / basso continuo. For Alto voice, orchestra and basso continuo. Arias. Arias And Sinfonias From Oratorios By Women Composers Of The 18th Century Volume 7. Arias with instruments. Baroque. Difficult. Sheet music. 97 pages

Choir; Orchestra; Early Music

SKU: UT.TME-1

Composed by Giovanni Battista Bassani. Edited by Elisabetta Pasquini. Hardback (Cloth Hard Cover). Tesori Musicali Emiliani (Emilian Musical Treasures). Classical. Ut Orpheus #TME 1. Published by Ut Orpheus (UT.TME-1).

ISBN 9790215316096. 9 x 12 inches.

P erformance Material on Hire

[S olo: SAATB - Str - Bc]

Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.
Accordi ng to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.

Opera buffa in 4 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch). By Wolfgang Amadeus Mozart. Edited by Finscher, Ludwig; Epplee, Eugen. For 5 Soprano solo, 2 Tenor solo, 4 Bass solo, Mixed Choir, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). KV 492. Published by Baerenreiter-Ausgaben (German import).

(Singspiel in einem Akt, Erstdruck). By Michael Haydn (1737-1806). Various Sacred. For 2 voices, strings, basso continuo. Violin 2 part

5 voices (SSATB), strings, bassoon and B.C. (Violine 1, Violine 2, Viola 1, Viola 2, Fagott, Violoncello/Orgel)

SKU: M7.DOHR-10211

Composed by Johann Rosenmuller. Edited by Michael Heinemann. Sheet music. Set of parts, Set of parts contains: 2/2/2/2/1, bassoon, organ, cello. MDS (Music Distribution Services) #DOHR 10211. Published by MDS (Music Distribution Services) (M7.DOHR-10211).

ISBN 9790202022115. Latin.

Die vorliegende Einzelausgabe für den praktischen Gebrauch basiert auf der wissenschaftlichen Gesamtausgabe, herausgegeben von Holger Eichhorn. Während die wissenschaftliche Ausgabe die originalen Schlüssel übernimmt, ist die praktische Ausgabe in modernen Schlüsseln ediert. Ein ausführliches Vorwort und der kritische Bericht finden sich im entsprechenden Band der wissenschaftlichen Gesamtausgabe.

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bass solo, mixed choir-SSATB, piccolo, alto recorder (f,g) (2), oboe (2), bassoon, horn (2), Violin Solo, Cello Solo, strings, basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 34. Duration 195'. Published by Baerenreiter-Ausgaben (German import). (BA4061 90)

Opera seria in 3 acts. Vocal Score (Italian/German) based on the Urtext of the New Mozart Edition. By Wolfgang Amadeus Mozart. Edited by Heartz, Daniel. Arranged by Kluge, Hans-Georg. For Soprano solo (2), Soprano/ Tenor solo, Tenor solo (3), Bass solo, Mixed Choir, Ball, Piccolo, Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (4), Trumpet (2), Trombone (3), Kettledrum, Strings, Basso continuo. Piano Reduction/Vocal Score; Urtext Edition (hard bound). KV 366. Duration 210`. Published by Baerenreiter-Ausgaben (German import). (BA4562 90)

By Camilla De Rossi; Catterina Benedetta Grazianini. Edited by Barbara Jackson. Text by: Camilla de Rossi; Cardinal Benedettoo Pamphili. Voices and basso continuo. Arias. Arias From Oratorios By Women Composers Of The 18th Century, Volume 3. Arias from oratorios. Baroque. Level: Adult. Sheet music. 73 pages. Published by ClarNan Editions.

Composed by Jan Dismas Zelenka (1679-1745). Edited by Paul Horn. Arranged by Matthias Grunert. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, mixed choir, 2 oboes, bassoon, strings, basso continuo. This edition: urtext. Piano reduction. 80 pages. Published by Breitkopf and Haertel

(Cantata for the 8th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr. For alto voice solo, tenor voice solo, bass voice solo, SATB choir, 2 flutes, 2 oboes, bassoon, strings, basso continuo (Solo Alto/Solo Tenor/Solo Bas Study Score / Miniature

(Easter Cantata). By Johann Pachelbel (1653-1706). Edited by Hans Heinrich Eggebrecht. For solo soprano voice/solo alto/solo tenor/solo bass/SATB choir (Solo Soprano/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SATB/Bassoon/Strings/Bass o continuo). Stapled Choral score

Opera seria in tre atti. Klavierauszug nach dem Urtext der Hallischen Handel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Terence Best. Arranged by Pacholke, Michael. For 4 Soprano solo, Mezzo-soprano solo, 2 Bass solo, 2 Flute, 2 Oboe, Bassoon, 2 Horn, 2 Trumpet, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 12b. Published by Baerenreiter-Ausgaben (German import).

(Easter Cantata). By Johann Pachelbel (1653-1706). Edited by Hans Heinrich Eggebrecht. For voice/mixed choir/orchestra (Solo Soprano/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SATB/Bassoon/Strings/Bass o continuo). Stapled. Level 3. Score. Language: Germa Score

(Cantata for Easter Tuesday). Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Durr. For solo voices, choir, orchestra (solo alto voice/solo tenor voice/SATB choir/2 oboes/bassoon/strings/bas so continuo). This edition: Urtext edition. Stapled. Third version. Level 3. Score. BWV 134. Published by Baerenreiter Verlag

(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Tobias Rimek. For SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Whitsun. Vocal score. Text language: German/English. Composed 1732. BWV 177. 36 pages. Duration 28 minutes. Published by Carus Verlag

(Opera in tre atti (italienisch/deutsch)). By George Frideric Handel (1685-1759). Edited by Bernd Baselt. Arranged by Hans Georg Kluge. For Soprano Solo (2), Mezzo-Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Oboe (2), Horn (2), Strings, Basso Continuo. Hallische Handel-Ausgabe. Serie II-Supplement/1. Oper (Opera). Piano Reduction/Vocal Score; Complete Edition; Urtext Edition (cloth bound). HWV A/11

Voice, flute, strings, basso continuo (Voice, Fl, Str, Continuo)

SKU: BA.BA08855

Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier and Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) III/1. Performing editions - BA 8946 and BA 8948. Complete edition, Score, anthology. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA08855_00. Published by Baerenreiter Verlag (BA.BA08855).

ISBN 9790006533435. 33.6 x 25.8 cm inches.

Ausgaben fur die Praxis hierzu siehe BA 8946 und BA 8948.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Singspiel in einem Akt, Erstdruck). By Michael Haydn (1737-1806). Various Sacred. For 2 voices, strings, basso continuo. Set of parts. 55 pages. Published by Doblinger Music Publishers

Kantate zum 27. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Horn, Paul. Arranged by Paul Horn. For Soli STB, SATB Choir, [Cor], 2 Oboes, Taille (English Horn), Vl pic, Strings, Bassoon, Organ. BWV 140. Full score available separately - see item CA.3114000. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death; Use during church year: Advent, End of the church year. Part: Basso continuo. Language: German/English. Composed 1731. 16 pages. Duration 31 min. Published by Carus Verlag (German import).

Solo alto voice, solo tenor voice, Mixed choir:SSATB, Instr (strings or winds) ad libitum, basso continuo (Alto solo, Tenor solo, Mixed choir:SSATB, Instrument (Strings or Wind instruments) ad libitum, Basso continuo) - Level 3

SKU: BA.BA06943

Geistliches Konzert. Musik der Thomaskantoren zu Leipzig. Composed by Johann Hermann Schein. Edited by Walter Werbeck. Stapled. Chor-Archiv. Aus Opella nova (1626). Score. Baerenreiter Verlag #BA06943_00. Published by Baerenreiter Verlag (BA.BA06943).

ISBN 9790006498666. 27 x 19 cm inches.

Johann Hermann Schein was born in the town of Grünhain in the Erz Mountains in 1586. He studied law and liberal arts in Leipzig before becoming musical director at Weissenfels and Leipzig. From 1616 until his early death in 1630 he was cantor at St Thomas's in Leipzig and took an active part in the city's musical life as „Director musici chori“.

This setting of the Lord's Prayer has solo „concerto“ sections with continuo accompaniment set against full-voiced ritornelli from a „ripienochorus†œ. ln this way the five-part vocal tutti can be doubled ad libitum by strings and winds, creating an effective climax for festive church occasions.

(Opera seria in two acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Giegling. For 4 soprano voice solos, tenor voice solo, bass voice solo, mixed choir, 2 flutes, 2 oboes, 2 clarinets, bass clarinet, basset horn, 2 bassoons, 2 horns, 2 trumpets, timpani, strings, basso continuo. This edition: Complete edition, Urtext edition. Linen. New Mozart Edition. Series II, Section 5/20. Score. Language: Italian. KV 621. Duration 2 hours. Published by Baerenreiter Verlag

Composed by Christoph Graupner (1683-1760). For tenor voice solo, strings, basso continuo. Score. Language: German. Published by Edition Musica Rinata

By Giuseppe Tartini (1692-1770). For Recorder f1, 2 Violins, Basso continuo. This edition: paperbound. Full score available separately - see item CA.1121300. Piano/Vocal score with parts. Language: all languages. 12 pages. Duration 8 min

(German singspiel in three acts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Gerhard Croll. For 2 soprano voice solos, 2 tenor voice solos, bass voice solo, 2 speakers, choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 2 horns, 2 trumpets, timpani, percussion, strings, basso continuo. This edition: Complete edition, Urtext edition. Linen. New Mozart Edition. Series II, Section 5/12. Score. Language: German. KV 384. Duration 2 hours, 30 seconds. Published by Baerenreiter Verlag

(for Soprano, Alto, Strings and Basso Continuo). By Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Caroline Ritchie. Arranged by Malcolm Bruno. For soprano voice, alto voice, violin (2), viola, basso continuo (cello, double bass, organ). Reduction.