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1276
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.23 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Set Free to go Home - grade 3 concert band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
37.19 €
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Concert band
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Gregory Fritze
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Set Free to go Home - grade 3 concert band
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Musica Nova USA
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.76 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.84 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.21 €
#
Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.84 €
#
Chamber Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Away in a Manger (Gloria, Gloria All Be Blessed!) for Soloist, SATB Choir and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,Contemporary,Sacred. Score and parts. 42 pages. James Nathaniel Holland #3886465. Published by James Nathaniel Holland (A0.730472). One of the most iconic hymns of Christmas arranged by American composer James Nathaniel Holland and expanded with an original new chorus with new text. This arrangement/new work contains both traditional melodies (Flow Gently and Away in a Manger). Here presented for soloist (or solo treble instrument in C) SATB choir and full orchestra. A meandering string counter-melody accompanies close choir harmonies and a simple beautiful traditional melody. Sentimental, quiet perfect for choir boy soloist or perhaps children's choir. Intermediate level. Full score in concert pitch and individual parts including vocal parts included. Versatile enough to be used with the other arrangements in this key.Instr: fl12, ob, eh, cl12, bsn12, hrn12, tpt12, trom 12, timp, perc. (glk, tri., hand cym.) harp and strings. Duration: 6 minutes and 49 seconds.Composers website: https://www.facebook.com/jamesnathanielholland/
$23.50
21.85 €
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Orchestra
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Traditional and James Nathaniel Holland
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Away in a Manger
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James Nathaniel Holland
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SheetMusicPlus
The Hero and Damned, An Opera In Four Acts, Individual Instruments 2 of 2 (Strings, Harp, and Percus
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730484 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730484 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 232 pages. James Nathaniel Holland #4332749. Published by James Nathaniel Holland (A0.730484). SECOND SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Strings, Harp, Timpani and Percussion). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$48.95
45.51 €
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Orchestra
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James Nathaniel Holland
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The Hero and Damned, An Opera In Four Acts, Individual Instruments 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nat…
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String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
22.92 €
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String Orchestra
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
Saint Saens Morceau de concert, Op.154 for Harp and Orchestra (Complete parts without Solo Harp Part
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.772394 Composed by Saint Saens.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.772394 Composed by Saint Saens. Arranged by Amir Awad. Romantic Period. Score and parts. 76 pages. Amir Awad #6304515. Published by Amir Awad (A0.772394). Morceau de concert, Op.154 for Harp and OrchestraOrchestral parts without the solo harp part
$30.00
27.89 €
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Orchestra
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Saint Saens
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Saint Saens Morceau de concert, Op.154 for Harp and Orchestra
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Amir Awad
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SheetMusicPlus
Enter...the Family/sand Worm Plant
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1262283 By Danny Elfman. By Dan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1262283 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 88 pages. Patrick Sheehan #855319. Published by Patrick Sheehan (A0.1262283). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe, English Horn (F) & Heckelphone, Bassoon, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb) Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, SATB Chorus, Snare Drum, Bass Drum, Finger Cymbals & Suspended Cymbal, Glockenspiel, Xylophone & Vibraphone, Timpani, Harp, Harpsichord, Piano & Keyboard, Organ, Violin I, Violin II, Viola, Violoncello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.49 €
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Orchestra
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Danny Elfman
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Enter...the Family/sand Worm Plant
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Patrick Sheehan
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SheetMusicPlus
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #3544313. Published by James Nathaniel Holland (A0.730454). FULL SCORE AND ALL INDIVIDUAL PARTS (Including Solos). The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins. Reduced piano score (with solo parts), Full Score only sold separately. Instrumentation: picc, fl12, ob12, eh, clBb 12, bsn 12, cbsn, hrn 1234, tpt 12, trmb 12, tba, timp, perc (bdrm, hand cym/susp. cym with soft mall., tri, temple blks, gong) harp, soloists, strings Duration: 24 minutes YouTube Presentation: https://youtu.be/BxiTM50KwCk Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$39.95
37.14 €
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Orchestra
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James Nathaniel Holland
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Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Elegy Sentimentale for Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.89 €
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Orchestra
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.55 €
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Orchestra
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Ancient Days - In Times Past Orchestra Score and Parts PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750944 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750944 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 60 pages. BJE Music #5042095. Published by BJE Music (A0.750944). This original minor-keyed theme was written in 1982 as a short round. It has now been expanded to a full orchestral arrangement. It begins with the original theme for the woodwinds and strings with more instruments including brass and strings being added as the round develops. The composition continues to expand harmonically using the elements of the original round throughout. With a final climax in the last few bars, it then dies away on the last major chord. [Updated and expanded 17-01-2020]There are parts for Harp and optional Piano (Not on the score). The only percussion parts are for Timpani and Glockenspiel…The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 5:05 mins.
$20.00
18.59 €
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Orchestra
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Brendan Elliget MAGA 537
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Ancient Days - In Times Past Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.29 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages. Andrew Middleton #5033527. Published by Andrew Middleton (A0.735591). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have.As F sharp minor is not the most pleasant of keys there is also version available in G minor for the same instrumentation.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
8.36 €
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Chamber Orchestra
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Johannes Brahms
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Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
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Andrew Middleton
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SheetMusicPlus
Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathaniel Holland. Broadway,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel Holland #3056443. Published by James Nathaniel Holland (A0.730378). Let Me Weep is a beautiful aria for the underserved operatic Alto from composer James Nathaniel Holland. This stand alone piece is from the opera The Hero and the Damned where an older Danae has reached the end of her patience of her turbulent life. Here presented in an arrangement for soloist and orchestra. Full score (concert pitch) and individual parts are included. Perfect for the concert stage can be sung by Broadway alto too. Instrumentation: Pic/Fl, Fl2, Ob12, Cl12, Bsn12, Hrn 123, Tpt12, Trm 12, BTrm, Tba, Tim, Per (Bdrm, tri), harp, stringsYouTube presentation: https://youtu.be/XKwmj9mH31g.
$21.95
20.41 €
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Orchestra
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James Nathaniel Holland
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Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Concerto for Harp and Chamber Orchestra (Score and ALL PARTS)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.983347 Composed by Michael L…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.983347 Composed by Michael Lisle Dunn. Arranged by Michael Lisle Dunn. Contemporary,Standards. Score and parts. 144 pages. Michael Lisle Dunn #4303537. Published by Michael Lisle Dunn (A0.983347). This concerto for Harp is about 15 minutes long, in the style of the New Baroque (Baroque elements with more contemporary harmonies, fundamentally concordant with harmonic integrity). The orchestral parts are relatively easy and should be easily playable by intermediate level players. The Harp part is designed to be slightly more demanding so as to give, in places, a virtuosic performance effect. This pdf contains all parts. My PRO is the Performing Rights Society (PRS).
$13.99
13.01 €
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Chamber Orchestra
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Michael Lisle Dunn
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Concerto for Harp and Chamber Orchestra
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Michael Lisle Dunn
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SheetMusicPlus
Fantasy for trombone solo, harp and string orchestra
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pa…
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String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William Pagan-Perez #4303367. Published by William Pagan-Perez (A0.933824). Fantasy is a single-movement piece for trombone solo, harp, and string orchestra (violin 1, violin 2, viola, cello, double bass). This piece has some folkloric elements of the Plena (a music genre developed in the town of Ponce, Puerto Rico). Instead of a cadenza, the piece has some bars to play improvisations as it happens in folklore.This edition also includes a Piano part as a substitute for the Harp, just in case the harpist is not available or the music is too difficult. Midi: https://youtu.be/fTm8JD6a4nY.
$39.95
37.14 €
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String Orchestra
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William Pagan-Perez
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Fantasy for trombone solo, harp and string orchestra
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William Pagan-Perez
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SheetMusicPlus
La Chasse Galop brillant, Op. 250, No. 6 for Flute, String Orchestra, and Harp - Set of Parts
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1084493 Composed by Wilhelm P…
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String Orchestra - Level 3 - Digital Download SKU: A0.1084493 Composed by Wilhelm Popp. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period. Set of parts. 24 pages. Ondine Press #688672. Published by Ondine Press (A0.1084493). Instrumentation: solo flute, harp (ad lib), string orchestra This is a set of parts to Yoon Jae Lee's arrangement of Popp’s La Chasse Galop brillant for string orchestra. This set of parts contains only the tutti string and harp parts. The solo flute part is the same as the original and may be downloaded free of charge on IMSLP. The full score is available separately. This new arrangement of La Chasse allows flutists to perform this work in public as a concerto. It is a wonderful addition to the flute concerto repertoire making this virtuosic showpiece available for competitions and orchestra concerts alike! The piano accompaniment has been carefully arranged idiomatically for string orchestra parts are simple enough to be played well by school and student orchestras. The harp part is optional and may be played with just string orchestra if harp in not available. Perusal Score: https://issuu.com/ondinepress/docs/popp_la_chasse_flute_string_orchestra.
$25.00
23.24 €
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String Orchestra
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Wilhelm Popp
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La Chasse Galop brillant, Op. 250, No. 6 for Flute, String Orchestra, and Harp - Set of Parts
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Ondine Press
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SheetMusicPlus
Second Son (For Stephen) - Orchestra Score and Parts PDF
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537…
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Full Orchestra - Intermediate - Digital Download Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score. 38 pages. Published by Brendan Elliget
Second Son (For Stephen) - Orchestra Score and Parts PDF<br> This lovely tune is dedicated to my second oldest son, Stephen, who is very creative especially in the area of animation. <br> <br> It has been scored for full orchestra with additional parts for Piano, Harp, and Vibraphone or Glockenspiel. There is also 2-part voice part (No lyrics - only Ahs!) Different instruments get to play the melody, which gets repeated 9 times, with various accompaniments and counter melodies, especially in the Horn line. Let me know what you think of this composition. The MP3 was recorded with NotePerformer.<br> <br> The original arrangement was done in 2011 but revised in June 2016<br> <br> Grade = 3 Duration = 3:25 mins
$15.00
13.95 €
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Orchestra
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Brendan Elliget MAGA 537
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Second Son
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Brendan Elliget
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SheetMusicPlus
Concerto for Harp and Strings
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.998661 Composed by Robert Edward Smith…
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Chamber Orchestra - Digital Download SKU: A0.998661 Composed by Robert Edward Smith. Contemporary. Score and parts. 97 pages. ROBERT EDWARD SMITH MUSIC #4795923. Published by ROBERT EDWARD SMITH MUSIC (A0.998661). Concerto for Harp and Strings is a work of about 17 minutes duration. The musical style is tonal and melodic. It is in three movements: Allegretto, Adagio, and Vivace. The audio sample is the third movement in its entirety. It requires a harpist with advanced technique. The score comes with permission for the purchaser to print the number of string parts necessary for the size of the orchestra at hand.
$40.00
37.19 €
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Chamber Orchestra
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Robert Edward Smith
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Concerto for Harp and Strings
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
La Chasse Galop brillant, Op. 250, No. 6 for Flute, String Orchestra, and Harp - Score Only
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1084491 Composed by Wilhelm P…
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String Orchestra - Level 3 - Digital Download SKU: A0.1084491 Composed by Wilhelm Popp. Arranged by Yoon Jae Lee. Classical,Instructional,Romantic Period. 13 pages. Ondine Press #688670. Published by Ondine Press (A0.1084491). Instrumentation: solo flute, harp (ad lib), string orchestra This is a full score to Yoon Jae Lee's arrangement of Popp’s La Chasse Galop brillant for string orchestra. The set of parts is available separately. This new arrangement of La Chasse allows flutists to perform this work in public as a concerto. It is a wonderful addition to the flute concerto repertoire making this virtuosic showpiece available for competitions and orchestra concerts alike! The piano accompaniment has been carefully arranged idiomatically for string orchestra parts are simple enough to be played well by school and student orchestras. The harp part is optional and may be played with just string orchestra if harp in not available. Perusal Score: https://issuu.com/ondinepress/docs/popp_la_chasse_flute_string_orchestra.
$12.00
11.16 €
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String Orchestra
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Wilhelm Popp
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La Chasse Galop brillant, Op. 250, No. 6 for Flute, String Orchestra, and Harp - Score Only
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Ondine Press
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SheetMusicPlus
Rich and Rare Were The Gems She Wore - Vocal with Orchestra PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750860 Composed by 1808., Thoma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750860 Composed by 1808., Thomas Moore (1779–1852) Irish Melodies, and vol. 1. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 30 pages. BJE Music #4316911. Published by BJE Music (A0.750860). RICH and rare were the gems she wore, And a bright gold ring on her wand she bore; But, O, her beauty was far beyond Her sparkling gems or snow-white wand.Thomas Moore (1779–1852) Irish Melodies, vol. 1, 1808.This Traditional Irish Air has been arranged for Solo Voice and Orchestra or could be used simply as an instrumental. Parts included for Harp, Vocal Lead Sheet, and Piano as well. MP3 recorded with Sibelius Sounds...Grade = 2.5 Duration = 3:05 .
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1808
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Rich and Rare Were The Gems She Wore - Vocal with Orchestra PDF
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