Download Digital Sheet Music of Robert Green

Robert Green

Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then thereâ€™s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, itâ€™s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other â€“ the violin explosively and percussively, and the vibraphone with lengthy bowed passages â€“ while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphoneâ€™s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement â€“ only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.

So Let Us Live - Really Live! for baritone and piano

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Compo…(+)

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live â€“ Really Live! were commissioned by John Goodman in honor of his wife Kerry Kingâ€™s fiftieth birthday. The set â€“ with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerryâ€™s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearerâ€™s wonderful voice and Lino Riveraâ€™s exquisite hands, which were constantly in my mindâ€™s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00 25.83 € #Robert M #So Let Us Live - Really Live! for baritone and piano #Robert M. Greenberg #SheetMusicPlus

Iron Balconies and Lilies for soprano, piano and chamber ensemble

Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - Digital…(+)

Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score and parts. 264 pages. Robert M. Greenberg #115607. Published by Robert M. Greenberg (A0.987859). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 35 minutes Year of composition: 1992 Program Note: I. A City By The Sea II. Hay Mowing III. When Grandma, May She Rest In Peace, Died IV. Longing V. Ancient Murderess Night VI. Lullaby VII. Toys VIII. Old Age IX. Rest IRON BALCONIES AND LILIES was written between December 1991 and November 1992. The nine poems of the cycle, originally in Yiddish and by various poets, speak of a woman's life at various stages, from extreme old age to youth, and back to old age. The poetry is magnificent and direct: at turns quiet, passionate, gentle, ferocious, erotic, agonized and violent. In setting these poems, I have particularly sought to capture the many images and metaphors that unite them. For example, the music representing the violent, life-giving blades (scythes) of No. 2 evoke agonized, ritualized grief in No. 3, a ghastly (and comic) celebration of death in No. 5, and ultimately, a wondrous and benign angel of death in No. 9. Over the course of the cycle, the power and singular clarity of childhood memory gives way to the quiet complexity and blurred edge of adult memory. All poems used by permission.
$44.00 40.59 € #The Sea II #Robert M #Iron Balconies and Lilies for soprano, piano and chamber ensemble #Robert M. Greenberg #SheetMusicPlus

Legends & Tales of the Renaissance (of loss) - 1. Since Robin Hood (French Horn)

Brass Ensemble Horn - Digital Download SKU: A0.837052 Composed by Thomas Weelkes. A…(+)

Brass Ensemble Horn - Digital Download SKU: A0.837052 Composed by Thomas Weelkes. Arranged by R. R. Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029467. Published by SBQUSA. Publications (A0.837052). 1.Since Robin Hood - Lost Friend. This piece is about Robert Green, a rival of Shakespeare's who passed away, considered by many the greatest talent in Britain. He was the first professional writer in Great Britain.
$1.99 1.84 € #Thomas Weelkes #Legends & Tales of the Renaissance #SBQUSA. Publications #SheetMusicPlus

Legends & Tales of the Renaissance (of Loss) - 1. Since Robin Hood (Tuba)

Brass Ensemble Tuba - Digital Download SKU: A0.837053 Composed by Thomas Weelkes. A…(+)

Brass Ensemble Tuba - Digital Download SKU: A0.837053 Composed by Thomas Weelkes. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029471. Published by SBQUSA. Publications (A0.837053). 1.Since Robin Hood - Lost Friend. This piece is about Robert Green, a rival of Shakespeare's who passed away, considered by many the greatest talent in Britain. He was the first professional writer in Great Britain.
$1.99 1.84 € #Thomas Weelkes #Legends & Tales of the Renaissance #SBQUSA. Publications #SheetMusicPlus

Legends & Tales of the Renaissance (of Loss) - 1. Since Robin Hood (Trumpet 2)

Brass Ensemble Trumpet - Digital Download SKU: A0.837051 Composed by Thomas Weelkes…(+)

Brass Ensemble Trumpet - Digital Download SKU: A0.837051 Composed by Thomas Weelkes. Arranged by R. R. Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029465. Published by SBQUSA. Publications (A0.837051). 1.Since Robin Hood - Lost Friend. This piece is about Robert Green, a rival of Shakespeare's who passed away, considered by many the greatest talent in Britain. He was the first professional writer in Great Britain.
$1.99 1.84 € #Thomas Weelkes #Legends & Tales of the Renaissance #SBQUSA. Publications #SheetMusicPlus

Legends & Tales of the Renaissance (of loss) - 1. Since Robin Hood (Trombone)

Brass Ensemble Trombone - Digital Download SKU: A0.837050 Composed by Thomas Weelke…(+)

Brass Ensemble Trombone - Digital Download SKU: A0.837050 Composed by Thomas Weelkes. Arranged by R. R. Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029469. Published by SBQUSA. Publications (A0.837050). 1.Since Robin Hood - Lost Friend. This piece is about Robert Green, a rival of Shakespeare's who passed away, considered by many the greatest talent in Britain. He was the first professional writer in Great Britain.
$1.99 1.84 € #Thomas Weelkes #Legends & Tales of the Renaissance #SBQUSA. Publications #SheetMusicPlus