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You've selected:
May Day
Cello, Piano
Sheetmusic to print
19 sheet music found
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1
The Twelve Days of Christmas (Easy Cello Solo with Piano Accompaniment)
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.565498 By Sharon Wilson. By Tradit…
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Cello,Piano - Level 2 - Digital Download SKU: A0.565498 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Multicultural,Standards,World. Score and part. 8 pages. Sharon Wilson #4638877. Published by Sharon Wilson (A0.565498). Here is a straight-forward instrumental duet arrangement (for CELLO solo with PIANO accompaniment) of the holiday classic The Twelve Days of Christmas.The CELLO leads with the melody throughout the song. All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. A little extra practice may be required to master the occasional switching between 3/4 and 4/4 time signatures. Also, the repeats for Days 7 through 12 require concentration on counting down the days.The purchase price includes a 5-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO solo (2 pages). This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Cello Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.6 €
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Cello, Piano
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Sharon Wilson
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The Twelve Days of Christmas
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Sharon Wilson
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SheetMusicPlus
Maybe Later
Cello, Piano
Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.93…
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.934976 Composed by Fadi Diab. 20th Century,Contemporary,New Age. Score and parts. 10 pages. Offbeat Music #4406994. Published by Offbeat Music (A0.934976). In the hustle and bustle of the day this fast paced piece explores the business of the day. The all too common response of being too busy and saying maybe later is repeated by the cello as a male voice and the piano as the female response. This piece is ideal for intermediate to advanced players.
$2.99
2.76 €
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Cello, Piano
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Fadi Diab
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Maybe Later
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Offbeat Music
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SheetMusicPlus
May You Always
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.640646 By The Mcguire Sisters. By …
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Cello,Piano - Level 2 - Digital Download SKU: A0.640646 By The Mcguire Sisters. By Dick Charles and Larry Markes. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #4289625. Published by Kaiserin Rebecca (A0.640646). For cello solo and piano accompaniment with chords.Suitable for wedding, Valentine's Day and any romantic occasions.
$6.99
6.45 €
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Cello, Piano
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The Mcguire Sisters
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May You Always
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Kaiserin Rebecca
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SheetMusicPlus
O Come All Ye Faithful for Cello & Piano
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged …
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Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.02 €
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Cello, Piano
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Wade
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O Come All Ye Faithful for Cello & Piano
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jmsgu3
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SheetMusicPlus
May Day
Cello, Piano
Violoncello & Piano - Grade 2 - Digital Download SKU: R0.34168 Country Dance…
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Violoncello & Piano - Grade 2 - Digital Download SKU: R0.34168 Country Dance. Composed by Herbert L. Clarke. Arranged by Bertrand Moren. Violoncello & Piano. Score and parts. 6 pages. Duration 2'45. Editions Marc Reift - Digital #34168. Published by Editions Marc Reift - Digital (R0.34168).
$5.95
5.49 €
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Cello, Piano
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Herbert L
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May Day
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Editions Marc Reift - Digital
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
Cello, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massen…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.53 €
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Cello, Piano
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Jules Massenet (1842-1912)
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
The Journey (Lenten) - cello and piano
Cello, Piano
Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.801576 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score and parts. 3 pages. Connie Boss #6233923. Published by Connie Boss (A0.801576). As we start our Lenten Journey, we reflect on what Jesus went through on His. May we show respect to Him during this time and do our best to Thank Him and show our appreciation. This is for solo and piano. cdboss@cvalley.net Lyrics below:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every way
$5.00
4.61 €
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Cello, Piano
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Connie Boss
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The Journey
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Connie Boss
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.54 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Cello and Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke…
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Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367468. Published by David McKeown (A0.587599). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Cello and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Cello, Piano
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Jeremiah Clarke
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
But Who May Abide The Day...
Cello, Piano
By George Frideric Handel (1685-1759). Arranged by Robert M. Ewing. For Cello solo with pi…
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By George Frideric Handel (1685-1759). Arranged by Robert M. Ewing. For Cello solo with piano accompaniment. Sacred instrumental music. F. Traditional. Level 4. Score and parts. Duration 2'45 . Published by David E. Smith
$6.50
6 €
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Cello, Piano
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George Frideric Handel
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But Who May Abide The Day...
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David E. Smith
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.4 €
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Cello, Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Rêverie - Claude Debussy, for Cello and Piano
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1238542 By Len Rhodes. By Claude D…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1238542 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Len Rhodes Music #833977. Published by Len Rhodes Music (A0.1238542). In 1890, Debussy sold five piano pieces of which some may have been composed much earlier. These pieces were: ‘Rêverie’, ‘Ballade Slave’, ‘Tarentelle Styrienne’, ‘Valse Romantique’ and ‘Nocturne’. The actual publication of ‘Rêverie’ did not occur until April 1905 at which time, Debussy wrote to the publisher Fromont: “It was a mistake to bring out the ‘Rêverie’. It is an unimportant work which was written in a hurry…It is a work of no consequence and I absolutely consider it no good.†To this day, many listener’s first “encounter†with the music of Claude Debussy has been through the hearing of his ‘Rêverie’!In this new arrangement for cello and piano, Len Rhodes brings out the beauty of the melody of ‘Rêverie’, assigned to the cello; whilst the piano reveals the composer’s unusual harmonies.Download contains piano score and separate cello part.
$5.99
5.53 €
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Cello, Piano
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Len Rhodes
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Rêverie - Claude Debussy, for Cello and Piano
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Len Rhodes Music
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SheetMusicPlus
But Who May Abide The Day Of His Coming (for Cello Solo)
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.619814 Composed by George Frideric…
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Cello,Piano - Level 2 - Digital Download SKU: A0.619814 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Christmas,Classical,Sacred. Score and part. 19 pages. Exultet Music #3043837. Published by Exultet Music (A0.619814). The Air that proclaims the human reaction to the words of God in the expectation of the Lord's appearance, has now been freshly arranged for Solo Cello and Piano. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.6 €
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Cello, Piano
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George Frideric Handel
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But Who May Abide The Day Of His Coming
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Exultet Music
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SheetMusicPlus
Lambada
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.636268 Composed by Andreas Martin-…
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Cello,Piano - Level 4 - Digital Download SKU: A0.636268 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik. Contemporary. Score and part. 8 pages. F & N Enterprise #6345589. Published by F & N Enterprise (A0.636268). An excellent arrangement of the famous Song Lambadafor Cello and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ZNzIp6K3MaYThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.6 €
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Cello, Piano
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Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes
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Lambada
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F & N Enterprise
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SheetMusicPlus
We'll Meet Again
Cello, Piano
Small Ensemble Cello,Piano - Level 3 - Digital Download SKU: A0.780799 Composed by …
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Small Ensemble Cello,Piano - Level 3 - Digital Download SKU: A0.780799 Composed by Hughie Charles and Ross Parker. Arranged by Cathy Stamegna. Broadway,Film/TV,Musical/Show,Patriotic,Standards,Traditional. Score and part. 8 pages. Cathy Stamegna #5337081. Published by Cathy Stamegna (A0.780799). We’ll Meet Again (Violoncello Solo, Chords, Piano Accompaniment). Key of G. Featured in movies and television, and recorded by many over the years, it was Dame Vera Lynn who put this 1939 song on the map. Her performances uplifted many during World War II. The flowing melody still provides hope and comfort today. Families and friends may consider collaborating musically via Face Time, Skype and other video chat platforms (lyric page included). Chords added for mallet percussion or guitars to play along. Set of Parts. Arranged during a time of social distance because of the coronavirus pandemic.
$4.99
4.6 €
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Cello, Piano
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Hughie Charles and Ross Parker
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We'll Meet Again
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Cathy Stamegna
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.02 €
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Cello, Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Balm In Gilead (Arrangements Lvl 1-3 for CELLO + Written Accomp) HYMN
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.875035 Composed by Black American …
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Cello,Piano - Level 1 - Digital Download SKU: A0.875035 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 5 pages. Jerry Nelson #3691361. Published by Jerry Nelson (A0.875035). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
4.6 €
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Cello, Piano
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Black American Spiritual
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Balm In Gilead
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Jerry Nelson
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SheetMusicPlus
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