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You've selected:
James Gilbert Music
Viola, Piano
Sheetmusic to print
11 sheet music found
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Moment By Moment
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728501 Composed by May Moody. Arra…
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Piano,Viola - Level 2 - Digital Download SKU: A0.728501 Composed by May Moody. Arranged by James Gilbert. Sacred. Score and part. 10 pages. James Gilbert Music #24691. Published by James Gilbert Music (A0.728501). For solo viola with piano A flowing setting of this gospel hymn
$4.99
4.6 €
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Viola, Piano
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May Moody
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Moment By Moment
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James Gilbert Music
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SheetMusicPlus
That's What I Need
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728505 Composed by James Gilbert. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.728505 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 14 pages. James Gilbert Music #24699. Published by James Gilbert Music (A0.728505). For solo viola with piano
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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That's What I Need
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James Gilbert Music
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SheetMusicPlus
Jesus Loves Me
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728498 Composed by William B. Brad…
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Piano,Viola - Level 2 - Digital Download SKU: A0.728498 Composed by William B. Bradbury. Arranged by James Gilbert. Sacred. Score and part. 7 pages. James Gilbert Music #24685. Published by James Gilbert Music (A0.728498). For solo viola with piano A meditative setting of this familiar hymn
$4.99
4.6 €
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Viola, Piano
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William B
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Jesus Loves Me
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James Gilbert Music
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SheetMusicPlus
Mind Echo
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728500 Composed by James Gilbert. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.728500 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 11 pages. James Gilbert Music #24689. Published by James Gilbert Music (A0.728500). For solo viola with piano A pop-jazz style piece with a pulsating rhythm
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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Mind Echo
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James Gilbert Music
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SheetMusicPlus
Saxophone Jelly
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728503 Composed by James Gilbert. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.728503 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 16 pages. James Gilbert Music #24695. Published by James Gilbert Music (A0.728503). For solo viola with piano A pop-jazz piece
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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Saxophone Jelly
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James Gilbert Music
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SheetMusicPlus
Soft And Hard
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.728504 Composed by James Gilbert. …
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Piano,Viola - Level 2 - Digital Download SKU: A0.728504 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 15 pages. James Gilbert Music #24697. Published by James Gilbert Music (A0.728504). For solo viola with piano
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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Soft And Hard
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James Gilbert Music
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SheetMusicPlus
Christmas Meditation
Viola, Piano
Composed by James Gilbert. For Piano,Viola. Christian,Gospel,Sacred,Christmas. Early Inter…
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Composed by James Gilbert. For Piano,Viola. Christian,Gospel,Sacred,Christmas. Early Intermediate. Published by James Gilbert Music
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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Christmas Meditation
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James Gilbert Music
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SheetMusicPlus
Unattended Encounters
Viola, Piano
Composed by James Gilbert. For Piano,Viola. Jazz,Blues,Pop,Rock. Early Intermediate. Publi…
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Composed by James Gilbert. For Piano,Viola. Jazz,Blues,Pop,Rock. Early Intermediate. Published by James Gilbert Music
$4.99
4.6 €
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Viola, Piano
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James Gilbert
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Unattended Encounters
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James Gilbert Music
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.83 €
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Viola, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.99 €
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Viola, Piano
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Traditional
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The First Noel for Viola & Piano
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jmsgu3
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SheetMusicPlus
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