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Sun King
Flute ensemble
Sheetmusic to print
13 sheet music found
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1
Nessun Dorma by Puccini for flute choir / flute ensemble
Flute ensemble
Large Ensemble Alto Flute,Bass Flute,Orff Instrument,Piccolo - Level 4 - Digital Download …
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Large Ensemble Alto Flute,Bass Flute,Orff Instrument,Piccolo - Level 4 - Digital Download SKU: A0.874243 Composed by Giacomo Puccini , Puccini. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. 20th Century,Concert,Film/TV,Opera,Standards. Score and parts. 16 pages. As do Ray meflute studio production #3530721. Published by as do Ray meflute studio production (A0.874243). https://www.youtube.com/watch?v=qaQTf0ZXizQ&t=8sNessun Dorma in the third act of Puccini's opera, Turandot. At the start of the opera, Calaf sees Princess Turandot for the first time and instantly falls in love with her. However, any man who wishes to marry her must correctly answer three riddles. Those who fail are killed. Despite protests from his father and his servant, Calaf accepts the challenge and is determined to marry the princess. Much to the delight of the princess's father as well as the entire kingdom, Calaf answers all three riddles correctly. Turandot realizes she must now marry a stranger and becomes upset.
$15.00
13.91 €
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Flute ensemble
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Giacomo Puccini , Puccini
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Nessun Dorma by Puccini for flute choir / flute ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Suo Gan (Flute Choir and Piano)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.626892 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Celtic,Christmas,Folk,Instructional,Irish,Standards. 17 pages. Exultet Music #5802087. Published by Exultet Music (A0.626892). The traditional Welsh lullaby that has been popularized by artists such as The Choir of King's College, The Irish Tenors and was also featured in the 1987 film Empire of the Sun has been freshly arranged for a Flute Choir (Flute (2), Alto Flute, Bass Flute) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.
$12.99
12.05 €
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Flute ensemble
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Stephen DeCesare
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Suo Gan
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Exultet Music
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SheetMusicPlus
Divertimento For Flute Choir
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
46.36 €
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Flute ensemble
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
Bach: Wachet auf for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
37.05 €
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Flute ensemble
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Johann Sebastian Bach
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Bach: Wachet auf for Flute Choir
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jmsgu3
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SheetMusicPlus
Danny Boy
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.559999 Composed by Peter Knight, Philip Lawson, and Traditional Irish Folk Melody. Arranged by Lisa Ochoco. Multicultural,Traditional,World. 15 pages. Lisa L Ochoco #6108911. Published by Lisa L Ochoco (A0.559999). Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.
$14.00
12.98 €
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Flute ensemble
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Peter Knight, Philip Lawson, and Traditional Irish Folk Melody
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Danny Boy
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Lisa L Ochoco
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SheetMusicPlus
If Only (quartet)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559837 Composed by Alan Menken. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 31 pages. Lisa L Ochoco #4834485. Published by Lisa L Ochoco (A0.559837). This beautiful song is in Broadway's production of The Little Mermaid, which differs a little from Disney's version. If Only is a quartet sung by Ariel, Prince Eric, Sebastian, and King Triton. It is quite a lovely song, and translates well as an instrumental-only piece.
$16.00
14.84 €
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Flute ensemble
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Alan Menken
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If Only
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Lisa L Ochoco
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SheetMusicPlus
If Only (quartet)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1174324 Composed by Alan Menken and Glenn Slater. Arranged by Lisa Ochoco. Broadway,Contemporary,Musical/Show. 33 pages. Lisa L Ochoco #774494. Published by Lisa L Ochoco (A0.1174324). This beautiful song is in Broadway's production of The Little Mermaid, which differs a little from Disney's version. Â If Only is a quartet sung by Ariel, Prince Eric, Sebastian, and King Triton. It is quite a lovely song, and translates well as an instrumental-only piece.Scored for low flute choir - 3 altos, 3 Â basses, and contrabass. Â There are optional double bass and contra alto parts to add to the bass line.This is a beautiful piece that your audience will love, whether they are familiar with the Broadway musical's version or not. Â Duration: 5.25 minutes.
$16.00
14.84 €
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Flute ensemble
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Alan Menken and Glenn Slater
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If Only
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Lisa L Ochoco
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.46 €
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Flute ensemble
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Flute ensemble
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.46 €
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Flute ensemble
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Gabrieli
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Stabat Mater for Flute Choir (Palestrina)
Flute ensemble
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848…
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.930848 Composed by Giovanni Pierluigi da Palestrina. Arranged by Jeff McKeehan and Jeff McKeehan. Christmas,Easter,Renaissance,Sacred. 48 pages. Jeff McKeehan #2857263. Published by Jeff McKeehan (A0.930848). A perfect addition to the flute choir repertoire. The work, originally composed for Pope Gregory, was traditionally performed at Palm Sunday Mass, but is a joy to hear any time of the year.Duration: 8'40, using the provided tempo markings. The conductor may wish to take slower tempos, following the tradition of vocal performances of this work. In that case, a duration of 10-11 minutes is typical. An excellent demonstration of counterpoint and harmony, Stabat Mater is an enduring classic.
$12.95
12.01 €
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Flute ensemble
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Giovanni Pierluigi da Palestrina
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Stabat Mater for Flute Choir
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Jeff McKeehan
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SheetMusicPlus
Fairytale Life (the Wish)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1162528 Composed by Alan Menken and Stephen Schwartz. Arranged by Lisa Ochoco. Film/TV. 17 pages. Lisa L Ochoco #762897. Published by Lisa L Ochoco (A0.1162528). Walt Disney’s movie, Disenchanted, is the long-awaited sequel to Enchanted.  Alan Menken, one of my favorite composers, wrote the music for it, and it certainly did not disappoint the audience.Fairytale Life (The Wish) is the first part of the two-part song, sung by Giselle (Amy Adams).  Things aren’t quite fairytale-ish, and living happily ever after seemed to have been just temporary.  At the end of the song, Giselle realizes that if she wants happiness, she is responsible for making it happen.This piece is scored for 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass, and can be played by any other C instrument in the same range.  It is suited for musicians with intermediate skill.Duration: 3.5 minutes.
$16.00
14.84 €
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Flute ensemble
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Alan Menken and Stephen Schwartz
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Fairytale Life
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Lisa L Ochoco
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SheetMusicPlus
Fairytale Life (the Wish)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1242869 Composed by Alan Menken and Stephen Schwartz. Arranged by Lisa Ochoco. 21st Century,Broadway,Contemporary,Musical/Show. 17 pages. Lisa L Ochoco #837916. Published by Lisa L Ochoco (A0.1242869). Walt Disney’s movie, Disenchanted, is the long-awaited sequel to Enchanted.  Alan Menken, one of my favorite composers, wrote the music for it, and it certainly did not disappoint the audience.Fairytale Life (The Wish) is the first part of the two-part song, sung by Giselle (Amy Adams).  Things aren’t quite fairytale-ish, and living happily ever after seemed to have been just temporary.  At the end of the song, Giselle realizes that if she wants happiness, she is responsible for making it happen.This piece is scored for 4 altos, 2 basses, and contrabass flutes.  There is an optional double string bass part that doubles the contrabass, and can be played by any other C instrument in the same range.  It is suited for musicians with intermediate skill.Duration: 3.5 minutes.
$16.00
14.84 €
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Flute ensemble
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Alan Menken and Stephen Schwartz
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Fairytale Life
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Lisa L Ochoco
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SheetMusicPlus
Danny Boy for Low Flute Choir
Flute ensemble
Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download…
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Flute, Woodwind Choir or Ensemble, Low Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco
Of all the Irish folk tunes, Danny Boy is the most well-known of them all. This arrangement is based on the adaptation of the tune sung by the King's Singers by Peter Knight and Philip Lawson.<br> <br> This is a straight forward arrangement of Danny Boy that has beautiful harmonies and is rhythmically simplistic. This is a great closer for your recitals.<br> <br> Scored for 3 altos, 3 basses and contrabass flutes. There are optional contra-alto in G and cello parts that double the Bass 3 & Contrabass parts.<br> <br> Duration: 3 minutes
$14.00
12.98 €
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Flute ensemble
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Danny Boy for Low Flute Choir
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Lisa Ochoco
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SheetMusicPlus
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