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CHORAL - VOCAL - CHOIR
Guitar
Sheetmusic to print
32 sheet music found
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1
26
Three Chorales for solo guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1154736 Composed by J. A. Devor. Classical,Contemporary,Instructional. Individual part. 9 pages. JDevor Music, LLC #755010. Published by JDevor Music, LLC (A0.1154736). Three Chorales for solo guitar Short, melodic pieces for the intermediate-advanced classical guitarist. A great introduction to contemporary classical music for the guitar teacher and student.
$12.99
11.94 €
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Guitar
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J
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Three Chorales for solo guitar
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JDevor Music, LLC
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SheetMusicPlus
Next to Normal: A Choral Medley: Guitar
Guitar
Guitar - Digital Download SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa D…
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Guitar - Digital Download SKU: AX.00-PC-0015751_G Guitar. Arranged by Lisa DeSpain. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015751_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015751_G). UPC: 038081360447.Next to Normal is a thrilling, groundbreaking, Tony Award -winning musical, and definitely one of the most talked about Broadway productions of our time. This 5-minute medley captures the inventive spirit and powerhouse music of the show.Inst. Parts Available (choral); Recorded Acc. Available.
$9.00
8.27 €
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Guitar
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Recorded Acc. Available.
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Next to Normal: A Choral Medley: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.51 €
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Guitar
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Johann Sebastian Bach
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Chorale
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Cl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163992 Composed by Doug Smith. Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #764344. Published by Doug Smith Guitar Studio (A0.1163992). Chorale is music in the first postion that uses a four part texture. The piece can be used to introduce guitar students to how to playfour notes at once with free strokes and show proper balance to the moving parts involved  with four note chords.
$1.99
1.83 €
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Guitar
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Doug Smith
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Chorale
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Doug Smith Guitar Studio
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SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.42 €
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Guitar
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Johann Sebastian Bach
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Jesu Joy Of Man's Desiring BWV 147
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DML
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitar
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.59 €
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Guitar
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Johann Sebastian Bach
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Two Chorales
Guitar
Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged…
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Guitar - Digital Download SKU: S9.Q4986 Composed by Johann Sebastian Bach. Arranged by Anton Stingl. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4986. Published by Schott Music - Digital (S9.Q4986).
$11.99
11.02 €
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Guitar
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Johann Sebastian Bach
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Two Chorales
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Schott Music - Digital
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SheetMusicPlus
Valse, Choral et Fandango
Guitar
Guitar - Digital Download SKU: S9.Q5587 Composed by Nicolas Alfonso. This edition: …
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Guitar - Digital Download SKU: S9.Q5587 Composed by Nicolas Alfonso. This edition: Sheet music. Edition Alfonso. Downloadable. Op Nr. 115. Schott Music - Digital #Q5587. Published by Schott Music - Digital (S9.Q5587).
$7.99
7.34 €
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Guitar
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Nicolas Alfonso
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Valse, Choral et Fandango
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Schott Music - Digital
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SheetMusicPlus
Quelques Notes Pour Anna
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1322865 By Nicolas De Angelis. By Jan F…
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Guitar - Level 3 - Digital Download SKU: A0.1322865 By Nicolas De Angelis. By Jan F.g. Dreyer and Paul Marie Andre De Senneville. Arranged by Josef Peter Traun. Classical,Pop,Wedding. 27 pages. Traun #911132. Published by Traun (A0.1322865). An arrangement for guitar ensemble (GE).Orchestral cast: Guitar 1, Guitar 2, Guitar 3, Guitar 4 (Begleitung), Bass, Rhythm Guitar ad libitum and Full Score. Guitars 1-3 also in a choral setting. For example: Guitar orchestra.  Other Instruments from the score can added ad lib.
$20.00
18.38 €
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Guitar
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Nicolas De Angelis
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Quelques Notes Pour Anna
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Traun
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SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.59 €
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Guitar
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Johann Sebastian Bach
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Jesu, Joy of Man's Desiring - w/tremolo (Guitar Solo)
Guitar
Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.753000 Composed by Johann Sebastian Bach. Arranged by K. Love. Baroque,Wedding. Individual part. 3 pages. Kevin Edward Love #3428675. Published by Kevin Edward Love (A0.753000). A piece that needs no introduction. This version uses tremolo to express the choral interludes. Enjoy!
$3.95
3.63 €
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Guitar
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Johann Sebastian Bach
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Jesu, Joy of Man's Desiring - w/tremolo
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Kevin Edward Love
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SheetMusicPlus
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
Guitar
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Compo…
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Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
3.22 €
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Guitar
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Wolfgang Amadeus Mozart
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Song of Praise/Hymn Song for guitar solo) K. 623a
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Amadeus Music
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.809676 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.809676 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque. Individual part. 3 pages. R. E. Proctor #6957. Published by R. E. Proctor (A0.809676). The arrangement is taken from the Canata #147 with the choral sections reflecting the actual SATB voicings with little variation. Some portions of the arrangement may be more suited to the advanced player.
$3.95
3.63 €
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Guitar
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Johann Sebastian Bach
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Jesu, Joy of Man's Desiring
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R. E. Proctor
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SheetMusicPlus
Gib Dich Zufrieden Und Sei Stille (BWV 511)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.781753 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.781753 Composed by Johann Sebastian Bach. Arranged by Peter Miklitz. Baroque,Christian,Praise & Worship,Sacred. Individual part. 1 pages. Peter Miklitz #2963783. Published by Peter Miklitz (A0.781753). Johann Sebastian Bach's beautiful Choral Gib Dich Zufrieden Und sei Stille arranged for Classical Guitar solo.
$4.00
3.68 €
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Guitar
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Johann Sebastian Bach
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Gib Dich Zufrieden Und Sei Stille
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Peter Miklitz
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SheetMusicPlus
O Lord, Hear my Prayer (variations of a theme by Jacques Berthier)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1013277 Composed by Yoann FILIN (1995 -). 20th Century,Contemporary,Sacred. Individual part. 10 pages. Yoann Filin #6093365. Published by Yoann Filin (A0.1013277). O Lord, Hear my Prayer : Introduction, Theme and Variations on a Theme by Jacques Berthier.Variations for solo guitar written from September to December 2019, after one year intensively studying Bach, Brahms and Sor's studies. The original choral piece is one of many songs composed by organist Jacques Berthier (1923-1994) for the Christian community of Taizé.
$12.00
11.03 €
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Guitar
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Yoann FILIN
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O Lord, Hear my Prayer
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Yoann Filin
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SheetMusicPlus
In Dulci Jubilo BWV368 for guitar quartet
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebas…
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Guitar - Level 2 - Digital Download SKU: A0.1120782 By Simon James. By Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. Full Performance. Duration 77. DML #721997. Published by DML (A0.1120782). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein and in BWV 729 as a chorale prelude. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 368 follows almost exactly the four original voices from the chorale. The score is also available.
$1.99
1.83 €
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Guitar
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Simon James
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In Dulci Jubilo BWV368 for guitar quartet
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DML
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SheetMusicPlus
2 Chorale Preludes BWV 645, BWV 147
Guitar
By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.…
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By Johann Sebastian Bach (1685-1750). Arranged by David Russell. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
7.31 €
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Guitar
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Johann Sebastian Bach
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2 Chorale Preludes BWV 645, BWV 147
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Les Editions Doberman-Yppan
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SheetMusicPlus
In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Ba…
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Guitar - Level 2 - Digital Download SKU: A0.1102371 Composed by Johann Sebastian Bach. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Instructional. 10 pages. DML #705777. Published by DML (A0.1102371). In dulci jubilo (Latin for In sweet rejoicing) is a traditional Christmas Carol which has become a mainstay of the Christmas Nine Lessons and Carols repertoire. Johann Sebastian Bach set this melody several times: as a chorale in BWV 368; and then for organ in BWV 608 as a double canon in his Orgelbüchlein. Clearly he was fond of the tune and who can blame him. This arrangement of BWW 608 follows almost exactly the four original voices from the canon. It is not difficult to play technically but the rhythm is challenging.
$5.99
5.5 €
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Guitar
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Johann Sebastian Bach
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In Dulci Jubilo, J S Bach, BWV 608 for Guitar Quartet
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DML
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.67 €
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Guitar
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
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Guitar
#
Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Jesu Joy of Man's Desiring
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.951422 Composed by Johann Sebastian Bach. Arranged by Andrew Howes. Baroque,Standards. Individual part. 5 pages. Andrew Howes #6215701. Published by Andrew Howes (A0.951422). Advanced solo version for classical guitar, including the chorale. Testing but worth it!
$6.00
5.51 €
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Guitar
#
Johann Sebastian Bach
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Jesu Joy of Man's Desiring
#
Andrew Howes
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
A Christmas Pastorale
Guitar
(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Micha…
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(600 Years of Carols, Chorales, Preludes & Pastorales on 2 Guitars). Arranged by Michael Newman and Laura Oltman. For Guitar (Classical). Christmas. Intermediate. E-book. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
$19.99
18.37 €
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Guitar
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Pastorales on 2 Guitars)
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A Christmas Pastorale
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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