Download Digital Sheet Music of Contemporary Classical for Clarinet

Contemporary Classical
Clarinet

Sonata for Clarinet Solo op.41 Clarinet

Clarinet - Advanced - Digital Download Composed by Misha V. Stefanuk. 21st Century, …(+)

Clarinet - Advanced - Digital Download Composed by Misha V. Stefanuk. 21st Century, Contemporary Classical, Repertoire. Sheet Music Single. 5 pages. Published by Misha Stefanuk
Contemporary classical solo clarinet sonata.
$7.00 6.45 € #Clarinet #Misha V #Sonata for Clarinet Solo op.41 # Misha Stefanuk #SheetMusicPlus

Paraklisis for clarinet solo Clarinet

Composed by Panagiotis Theodossiou. 21st Century, Contemporary Classical, Contemporary Chr…(+)

Composed by Panagiotis Theodossiou. 21st Century, Contemporary Classical, Contemporary Christian, Graduation, Recital. Score. 13 pages. Published by Panagiotis Theodossiou (S0.211867). - Score - 21st Century,Contemporary Classical,Contemporary Christian,Graduation,Recital - Panagiotis Theodossiou
$12.00 11.06 € #Clarinet #Panagiotis Theodossiou #Paraklisis for clarinet solo #Panagiotis Theodossiou #SheetMusicPlus

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb Clarinet

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018879 Composed by Benjamin Har…(+)

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879). Programme Notes:â€ƒIcarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, donâ€™t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of oneâ€™s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarusâ€™s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.â€ƒThis piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethovenâ€™s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. Iâ€™ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 3.22 € #Clarinet #Benjamin Harry Sajo #Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb #Benjamin Sajo #SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles.â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piece for Unaccompanied Solo Clarinet Clarinet

Composed by Jeff Schiller. 21st Century, 20th Century, Contemporary Classical, Modern. Ind…(+)

Composed by Jeff Schiller. 21st Century, 20th Century, Contemporary Classical, Modern. Individual Part. 2 pages. Published by Houndogschiller Music (S0.148147). - Individual Part - 21st Century,20th Century,Contemporary Classical,Modern - Houndogschiller Music
$7.50 6.91 € #Clarinet #Jeff Schiller #Piece for Unaccompanied Solo Clarinet #Houndogschiller Music #SheetMusicPlus

Carson Cooman: Floopishness: Two Pieces for Clarinet Solo Clarinet

Composed by Carson Cooman (1982-). 20th Century, Contemporary Classical, Repertoire, Recit…(+)

Composed by Carson Cooman (1982-). 20th Century, Contemporary Classical, Repertoire, Recital. Score. 5 pages. Published by Musik Fabrik (S0.203295). - Score - 20th Century,Contemporary Classical,Repertoire,Recital - Musik Fabrik
$9.10 8.38 € #Clarinet #Carson Cooman #Carson Cooman: Floopishness: Two Pieces for Clarinet Solo #Musik Fabrik #SheetMusicPlus

TrÃªs peÃ§as para clarineta solo Clarinet

Composed by Guilherme Bauer. 21st Century, Contemporary Classical, South American. Individ…(+)

Composed by Guilherme Bauer. 21st Century, Contemporary Classical, South American. Individual Part. 9 pages. Published by Musica Brasilis (S0.242613). - Individual Part - 21st Century,Contemporary Classical,South American - Musica Brasilis
$7.50 6.91 € #Clarinet #Guilherme Bauer #TrÃªs peÃ§as para clarineta solo #Musica Brasilis #SheetMusicPlus

Desert Winds - Gecko Clarinet

Composed by David Dolatowski. Contemporary Classical, World. Solo Part. 1 pages. Published…(+)

Composed by David Dolatowski. Contemporary Classical, World. Solo Part. 1 pages. Published by David Dolatowski (S0.64795). - Solo Part - Contemporary Classical,World - David Dolatowski
$1.99 1.83 € #Clarinet #David Dolatowski #Desert Winds - Gecko #David Dolatowski #SheetMusicPlus

Meditation for Clarinet Clarinet

Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Recital. Solo …(+)

Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Recital. Solo Part. 1 pages. Published by Sy Brandon (S0.265461). - Solo Part - 21st Century,20th Century,Contemporary Classical,Recital - Sy Brandon
$4.99 4.6 € #Clarinet #Sy Brandon #Meditation for Clarinet #Sy Brandon #SheetMusicPlus

Water-Spirit-Music Clarinet

Composed by Ben Jisoo Kim. 21st Century, Contemporary Classical, Ragtime, Recital. Solo Pa…(+)

Composed by Ben Jisoo Kim. 21st Century, Contemporary Classical, Ragtime, Recital. Solo Part. 8 pages. Published by Ben Jisoo Kim (S0.155837). - Solo Part - 21st Century,Contemporary Classical,Ragtime,Recital - Ben Jisoo Kim
$6.99 6.44 € #Clarinet #Ben Jisoo Kim #Water-Spirit-Music #Ben Jisoo Kim #SheetMusicPlus

Clarinet Solo - Level 4 - Digital Download SKU: A0.1018906 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064753. Published by Benjamin Sajo (A0.1018906). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. â€“ Thomas Fullerâ€ƒMornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sunâ€™s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval ProvenÃ§al troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young manâ€“a simpler and less demanding time.â€ƒThis piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethovenâ€™s nine symphoniesâ€“his two hundred and fiftieth anniversary was this year!â€“though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselvesâ€“the dawn of his special genius.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

The Brass Clarinet-clarinet and piano Clarinet

Clarinet,Piano - Level 4 - Digital Download SKU: A0.844890 Composed by Phil Beaman.…(+)

Clarinet,Piano - Level 4 - Digital Download SKU: A0.844890 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986413. Published by Phil Beaman (A0.844890). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99 6.44 € #Clarinet #Phil Beaman #The Brass Clarinet-clarinet and piano #Phil Beaman #SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.