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668
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161
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153
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135
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129
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54
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44
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35
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26
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23
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9
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1
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3922
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2001
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1052
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854
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739
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457
Choral Unison
410
Choral SSAA
267
Choral
53
Voice solo
44
Soprano voice, Piano
40
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29
Choral SSAATTBB
20
Alto voice, Piano
15
Medium voice, Piano
14
Tenor voice, Piano
14
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12
Choral SSATB
11
Baritone voice, Piano
11
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10
Mezzo-Soprano voice, Piano
10
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10
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8
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7
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5
Soprano voice
3
Voix Masculines
2
Choral SATTBB A Cappella
2
Baritone voice
1
Choral, Organ
1
Choral SSAB a cappella
1
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1
Choral SAATB A Cappella
1
Choral SSAB, Piano
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WOODWIND
Flute and Piano
1525
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1319
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1129
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1095
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1022
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1000
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908
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883
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827
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805
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658
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640
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638
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612
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505
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489
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465
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406
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341
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283
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240
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226
3 Saxophones (trio)
204
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204
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202
Flute Quartet: 4 flutes
202
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202
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185
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179
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153
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151
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145
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140
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140
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124
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124
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106
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105
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101
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100
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97
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95
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93
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84
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82
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75
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72
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71
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70
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70
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64
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63
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60
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58
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45
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40
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37
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36
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34
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29
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28
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26
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24
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23
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21
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19
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18
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17
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16
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14
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13
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12
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Harmonica
10
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10
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9
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9
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8
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5
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254
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238
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235
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229
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228
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203
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202
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170
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157
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153
English horn, Piano
153
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139
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129
Brass Quartet: 4 trombones
116
Trombone ensemble
88
Tuba (band part)
78
2 Tubas (duet)
61
Brass Quartet: 4 horns
61
Brass Quartet: 4 trumpets
39
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36
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35
4 Tubas
34
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33
Euphonium
28
Brass Trio
27
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22
Brass Quartet: 2 trumpets, 2 trombones
22
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20
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17
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13
Tuba and Organ
13
Trumpet, Cello (duet)
12
3 Trumpets (trio)
12
3 Tubas (trio)
12
French Horn and Harp
12
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11
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10
Bass Clef Instruments
10
3 French horns (trio)
10
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9
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8
2 Trumpets, Keyboard (piano or organ)
8
Trumpet, Harp
8
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8
Trumpet, Cello, Piano
7
Horn, Tuba (duet)
6
Bass Trombone
6
2 Euphoniums (duet)
6
Trumpet, Trombone, Piano
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
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5
French horn and Basson (duet)
5
Trombone and Orchestra
5
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4
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2 Trombones, Piano
4
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3
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3
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3
English Horn, Guitar (duet)
2
Horn, Trumpet, Trombone (trio)
1
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1
Horn, Cello and Piano
1
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1
Tuba ensemble
1
F Instruments
1
Cornet and Orchestra
1
3 Euphoniums
1
2 French horns, Piano
1
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STRINGS
String Quartet: 2 violins, viola, cello
2534
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1913
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1137
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1107
Violin
839
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769
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504
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490
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466
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397
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343
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321
String Quintet: 2 violins, viola, cello, bass
320
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291
Piano Trio: Violin, Viola, Piano
286
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284
Violin (band part)
210
Cello
197
Double bass, Piano (duet)
183
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157
String Trio: 2 violins, cello
149
Viola (band part)
131
Double Bass
116
2 Harps (duet)
101
4 Cellos
80
Violin, Guitar (duet)
75
Viola, Cello (duet)
67
String trio
65
String Trio: 3 violins
47
String quartet: 4 violins
47
Harp, Violin (duet)
41
Harp, Flute (duet)
40
String Trio: 3 cellos
38
Cello, String Bass (duet)
37
Violin, Bassoon (duet)
33
2 Double basses (duet)
31
Viola, Guitar (duet)
29
Harp, Cello (duet)
28
Viola and Harp
27
Violin ensemble
27
Cello, Guitar (duet)
27
Harp, Voice
25
Viola ensemble
23
Violin, Clarinet, Piano (trio)
23
String Quintet: 2 violins, 2 violas, cello
19
String Trio: 3 violas
17
String Quartet : 4 violas
15
Flute, Doublebass (duet)
14
Viola and Bassoon
12
String Trio: 2 violins, viola
10
String Quintet: 2 violins, viola, 2 cellos
8
Cello Ensemble
7
2 Violins, Piano
7
Violin, Organ
7
4 Double Basses
6
2 Cellos, Piano
6
Harp, Violin, Violoncello
6
Violin, Tuba (duet)
5
Cello, Orchestra
5
Cello, Organ
5
Violin, Basso continuo
4
Violoncello, Basso continuo
4
Autoharp
3
3 double basses
3
Harp and mandolin
3
Viola, Organ
2
Violin, Cello, Clarinet
1
Harp and Piano
1
3 Harps
1
Harp (band part)
1
4 Harps
1
2 Violins and Basso
1
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1
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1
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1
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Concert band
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1037
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663
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662
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519
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332
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228
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126
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125
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123
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110
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96
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44
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26
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14
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12
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10
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10
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8
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7
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7
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5
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Saxophone and Organ
Sheetmusic to print
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1
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.76 €
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Saxophone and Organ
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Maggiolata-Hubay-Soprano Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897195. Published by Phil Beaman (A0.844668). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.5 €
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Saxophone and Organ
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Jeno Hubay
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Maggiolata-Hubay-Soprano Saxophone/Organ
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Phil Beaman
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SheetMusicPlus
Maggiolata-Hubay-Tenor Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download …
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Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897197. Published by Phil Beaman (A0.844669). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.5 €
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Saxophone and Organ
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Jeno Hubay
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Maggiolata-Hubay-Tenor Saxophone/Organ
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Phil Beaman
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SheetMusicPlus
David Hurd: Sonata for Alto Saxophone and Organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$25.95
23.81 €
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Saxophone and Organ
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David Hurd
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David Hurd: Sonata for Alto Saxophone and Organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Frederick Frahm: Adoro Te Devote for alto saxophone and organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.534014 Composed by Frederick Frahm. Christian,Contemporary,Sacred. Score and parts. 9 pages. Musik Fabrik Music Publishing #3095313. Published by Musik Fabrik Music Publishing (A0.534014). Adoro te devote is a Eucharistic hymn written by Saint Thomas Aquinas. In this setting, the Gregorian theme is placed in the solo instrument after an inital introduction. The piece may be placed for concerts as well as for worship services
$10.35
9.5 €
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Saxophone and Organ
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Frederick Frahm
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Frederick Frahm: Adoro Te Devote for alto saxophone and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
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