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String Trio: violin, viola, cello
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5 sheet music found
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1
Landini: Si Dolce Non Sono for String Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
23.04 €
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String Trio: violin, viola, cello
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Francesco Landini
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Landini: Si Dolce Non Sono for String Trio
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jmsgu3
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SheetMusicPlus
Landini: Ecco la primavera for String Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1282116 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1282116 Composed by Francesco Landini, 14th Century. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Wedding. 13 pages. Jmsgu3 #873388. Published by jmsgu3 (A0.1282116). Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. Â His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. In fact, his blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballate and madrigals, which were popular forms of Italian secular song. He is assumed to have written his own texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
23.04 €
#
String Trio: violin, viola, cello
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Francesco Landini, 14th Century
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Landini: Ecco la primavera for String Trio
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jmsgu3
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SheetMusicPlus
A Memory I Don't Mess With
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1214858 By Lee …
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1214858 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged by KoaliMusic. Country,Pop,Rock. 6 pages. Koali #811789. Published by Koali (A0.1214858). String Trio of the Country music Billboard No 1 hit of Lee Brice. All Koali Music arrangements are by violin/viola players for string players! All parts have bowing and dynamics, and each prints to a single page for folders. Add our collection of string trio hits to your string trio/quartet repetoires!
$13.99
12.92 €
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String Trio: violin, viola, cello
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Lee Brice
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A Memory I Don't Mess With
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Koali
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.39 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
In The Summertime (cello part - vln, vla, cel)
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.16 €
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String Trio: violin, viola, cello
#
Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
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