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Chamber Orchestra
Sheetmusic to print
13 sheet music found
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1
Lullaby for Young Herr Freesen
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1028076 Composed by Richard Vaughan. C…
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Chamber Orchestra - Digital Download SKU: A0.1028076 Composed by Richard Vaughan. Contemporary. Score and parts. 20 pages. Richard Vaughan #3244131. Published by Richard Vaughan (A0.1028076). This short attractive piece of 3 minutes is ideal for a developing orchestra with at least 2 horns. The harp part can be easily and appropriately substituted by piano or other analogue sounding keyboard. Parts are available.
$12.99
11.96 €
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Chamber Orchestra
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Richard Vaughan
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Lullaby for Young Herr Freesen
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Richard Vaughan
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SheetMusicPlus
Concert Overture
Chamber Orchestra
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - Digital Download SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
23.92 €
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Chamber Orchestra
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
Concert Overture
Chamber Orchestra
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - Digital Download SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
23.92 €
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Chamber Orchestra
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
Scherzo
Chamber Orchestra
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - Digital Download SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
11.96 €
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Chamber Orchestra
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
Deep River - Chamber Orchestra - Intermediate
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Concert,Folk,Spiritual,Standards. Score and parts. 18 pages. Chicory Music #2069587. Published by Chicory Music (A0.734287). Deep River is an anonymous spiritual of African American origin. Like all spirituals, it is a song of hope and longing, expressing a desire for peace and freedom in the present and in the afterlife. It is a slow haunting melody filled with emotion and faith and embodying the soul crying out in the universal longing for freedom. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st Violin, 2nd Violin, Viola, Cello, and Double Bass. Performance time is approx. 2 minutes 25 seconds.
$15.99
14.72 €
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Chamber Orchestra
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Traditional African - American Spiritual
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Deep River - Chamber Orchestra - Intermediate
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Chicory Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
PRELUDE in E minor (en mi mineur) - Frederic CHOPIN arranged by Marc GARETTO for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.722923 Composed by Frederic …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.722923 Composed by Frederic Chopin. Arranged by Marc GARETTO. Classical,Contemporary,Instructional,Romantic Period. Score and parts. 14 pages. Marc GARETTO - Harmonie Editions #3426595. Published by Marc GARETTO - Harmonie Editions (A0.722923). PRELUDE in E minor (Prélude en mi mineur)composed for piano by Frederic CHOPINarranged by Marc GARETTO for Chamber OrchestraFlute / Clarinet / Basson / Horn / Trombone / TubaViolin 1 / Violin 2 / Viola / Cello / ContrabassMany World Parts for free : contact@harmonie-editions.comgrade : 2duration : 2'20''
$50.00
46.02 €
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Chamber Orchestra
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Frederic Chopin
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PRELUDE in E minor
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Be Thou My Vision
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.03 €
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Chamber Orchestra
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Traditional Irish Folk Tune
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.2 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.52 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Joy to the World
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310451 By Moses Sun. By Isa…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310451 By Moses Sun. By Isaac Watts. Arranged by Moses Sun. Christmas,Holiday,Pop,Praise & Worship,Rock. 24 pages. MSUNMUSIC #899507. Published by MSUNMUSIC (A0.1310451). Roadmap:- verse 1- verse 2- verse 4- instrumental break- verse 1NOTE: this arrangement includes WAV files of stems for original synth parts and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- rhythm section (suggested: EP, electric guitar, bass, drums - includes just one master rhythm chart for all).
$59.99
55.21 €
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Chamber Orchestra
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Moses Sun
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Joy to the World
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MSUNMUSIC
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SheetMusicPlus
La Cucuracha
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1177804 By Stephen Whitehead…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1177804 By Stephen Whitehead. By Trad. Arranged by Stephen Whitehead. Chamber,Classical,Instructional,Latin,Traditional. Score and Parts. 18 pages. Stephen whitehead #777766. Published by stephen whitehead (A0.1177804). La Cucuracha (The Cockroach!) arranged for small, flexible beginner/novice orchestra. The string parts represent the essential strands and other parts add extra colour when available... some are desirable but its not necessary to include them all. Feel free to adapt for other instruments...
$25.00
23.01 €
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Chamber Orchestra
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Stephen Whitehead
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La Cucuracha
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stephen whitehead
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SheetMusicPlus
Unchained Melody
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Al…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1147693 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 28 pages. Marek Czekala #747911. Published by Marek Czekala (A0.1147693). From Wikipedia, the free encyclopedia Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$49.99
46.01 €
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Chamber Orchestra
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Al Hibbler
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Unchained Melody
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Marek Czekala
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SheetMusicPlus
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