Download Digital Sheet Music of The L for Clarinet Quintet: 5 clarinets

The L

Ma mére l'Oye, III. "Laideronette, impératrice des pagodes" Clarinet Quintet: 5 clarinets

Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.486239 Compo…(+)

Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.486239 Composed by Maurice Ravel. Arranged by John Benoit. 20th Century,Classical,Contemporary. 43 pages. John Benoit Music #104644. Published by John Benoit Music (A0.486239). The five movements of Maurice Ravelâ€™s Ma mÃ©re lâ€™Oye (1910-11) were originally written as a piano duet for children. The virtuosity of the latter movements, however, would require the skills of child prodigies. The third movement â€“ â€œLaideronette, impÃ©ratrice des pagodesâ€ â€“ is evocative of the virtuosic performances of xylophone-like instruments in some Eastern musical traditions. This setting for clarinette quintet includes alternate fourth parts for clarinet in Bb, alto clarinet, and bass clarinet. Instrumentation: 4 Bb clarinets (alternate alto/bass for 4th part), bass clarinet. Duration: c. 3:30â€. Grade 4.
$15.99 14.76 € #Clarinet Quintet: 5 clarinets #Maurice Ravel #Ma mére l'Oye, III. "Laideronette, impératrice des pagodes" #John Benoit Music #SheetMusicPlus

March from The Love of Three Oranges for Clarinet Quintet

March from The Love of Three Oranges for Clarinet Quintet Clarinet Quintet: 5 clarinets

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1…(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1401114 Composed by Sergei Prokofiev. Arranged by James Haynor. 20th Century. 10 pages. James Haynor #984297. Published by James Haynor (A0.1401114). L'amour des trois oranges, Op. 33, is a 1921 satirical French-language opera by Sergei Prokofiev. He wrote his own libretto, basing it on the Italian play L'amore delle tre melarance, or The Love for Three Oranges.Scored here for Clarinet Quintet, â€œ March â€œ , the third movement of the suite , adds a delightful touch to any concert.Duration - 1:33.
$10.00 9.23 € #Clarinet Quintet: 5 clarinets #Sergei Prokofiev #March from The Love of Three Oranges for Clarinet Quintet #James Haynor #SheetMusicPlus

#March from The Love of Three Oranges for Clarinet Quintet

Made You Look Clarinet Quintet: 5 clarinets

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.124947…(+)

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1249478 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 18 pages. Lisa L Ochoco #843912. Published by Lisa L Ochoco (A0.1249478). This catchy doo-wop song resonates with people with its familiar chord progressions and beat. Â Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy.Â While this is an instrumental version, the lyrics of this song promote self-love and self-confidence. Â The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital.Â Scored for clarinet quartet - 4 Bb. Â There are also 2 percussion parts that are optional, but they are there if in case there is a person at your disposal who can play them along with you. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.
$15.00 13.85 € #Clarinet Quintet: 5 clarinets #Meghan Trainor #Made You Look #Lisa L Ochoco #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.