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29702
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11365
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8926
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5576
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4878
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1510
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1428
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1287
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376
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Guitar notes and tablatures
7818
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3367
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1651
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628
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620
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548
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541
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468
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194
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153
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87
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87
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78
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76
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68
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39
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23
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17
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17
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11
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10
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5
2 Ukuleles
5
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4
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3
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3
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2
Plectrum Orchestra
2
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2
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2
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1
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1
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9850
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3083
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1945
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1689
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1416
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865
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819
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509
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259
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125
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113
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93
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89
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61
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40
Medium voice, Piano
38
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36
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32
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30
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27
Choral SSATTB
27
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24
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23
Soli, Mixted choir and accompaniment
20
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15
Tenor voice, Piano
11
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10
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10
Baritone voice, Piano
9
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8
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7
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4
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4
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4
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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6021
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4011
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3090
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2805
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2692
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2535
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2170
Flute, Oboe, Clarinet, Bassoon
2089
Tenor Saxophone and Piano
2021
Oboe (band part)
1640
Soprano Saxophone and Piano
1308
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1124
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1050
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1035
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890
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821
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761
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741
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667
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608
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548
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498
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488
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479
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448
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434
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350
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331
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307
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251
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249
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220
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207
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207
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201
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190
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188
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184
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164
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156
Oboe
147
2 Clarinets (duet)
142
Recorder
128
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127
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115
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113
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111
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86
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80
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77
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75
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73
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71
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70
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64
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63
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62
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61
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58
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57
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52
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50
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50
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50
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44
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43
Flute, Clarinet (duet)
42
Descant (Soprano) Recorder
35
2 Recorders (duet)
34
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34
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33
Harmonica
31
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31
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30
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29
Flute, Harp and Cello
29
4 Oboes
27
Piccolo
26
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26
Flute, Clarinet, Piano (trio)
23
3 Oboes
23
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22
Descent (Soprano) Recorder, Piano
21
Saxophone and Harp
21
Oboe, Guitar (duet)
21
Recorder, Guitar (duet)
20
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20
Flute and Strings Trio
20
Oboe, Harp
18
3 Recorders (trio)
17
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16
Wind ensemble
15
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14
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14
Treble (Alto) Recorder
14
Flute, Cello, Guitar
13
Recorder Ensemble
13
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13
2 Clarinets, Piano
13
Clarinet, Double bass (duet)
12
Clarinet, Violin (duet)
12
Clarinet Quintet: Clarinet, String Quartet
12
Flute, Clarinet and Bassoon.
11
Clarinet, Bassoon (duet)
11
Baritone Saxophone
10
5 Recorders
10
Oboe, Violin, Viola and Violoncello (Quartet)
10
Clarinet, trumpet and piano
9
Flute, Organ (duet)
9
Clarinet, Organ
9
Flute, Viola and harp
8
Flute, Trumpet (duet)
8
English horn, Harp (duet)
8
Recorder, Harp
8
Pennywhistle
8
Oboe, Cello and Piano
7
Saxophone, Violin (duet)
7
Oboe, Bassoon and Piano
7
Flute, Violin, Guitar
7
Treble (Alto) Recorder, Basso continuo
6
Flute, Bassoon, and Piano
6
Flute, Viola and Piano
6
Oboe, Violin, Piano
6
Ocarina
6
Flute, Basso continuo
5
Flute and String Quartet
5
Tenor Recorder
5
2 Recorders, Piano
4
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4
Saxophone and cello
4
2 Flutes, Basso continuo
4
Saxophone, Bassoon (duet)
4
English Horn
4
Oboe ensemble
4
Bagpipe
3
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3
Piccolo, Piano
3
2 Oboes and Basson
3
Saxophone, Tuba (duet)
3
Flute, Orchestra
3
Recorder, Piano
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Clarinette, Viola and Piano (trio)
2
Pan Flute
2
Clarinet, Trombone (duet)
2
2 Flutes and Harp
2
Clarinet, Orchestra
2
2 Flutes, 2 Clarinets (Quartet)
2
Oboe, Organ
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Clarinet, Bassoon, Piano (trio)
1
2 Oboes, 2 Horns and 2 Bassoons
1
Descant (Soprano) Recorder, Basso continuo
1
2 Clarinets, Bassoon
1
Flute, Viola and Cello
1
2 Oboes and English horn
1
Flute, Tuba (duet)
1
Oboe and Orchestra
1
2 Harmonicas
1
Flute, trombone and piano
1
Clarinet, Saxophone, Piano
1
Flute, viola, cello and guitar
1
3 Recorders, Piano
1
2 Recorders, Guitar
1
Instrumentations suivantes
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WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
3381
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2372
Trumpet (band part)
1698
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1314
Trumpet
701
French horn (band part)
589
Trombone
513
Tuba (band part)
454
Trumpet, Saxophone (duet)
388
Trombone and Piano
299
Trumpet, Piano
245
French horn
221
Trombone ensemble
116
Bass Clef Instruments
105
French Horn and Piano
104
Brass Quartet: 4 trombones
84
Bb Instruments
82
Trumpet ensemble
81
2 Trumpets (duet)
79
Brass Quartet
77
Tuba
76
Brass Quartet: 2 trumpets, horn, trombone
73
Tuba and Organ
66
2 Trombones (duet)
57
English Horn, Guitar (duet)
57
English horn, Piano
50
Trombone, Organ
45
Brass Quartet: 4 horns
44
4 Tubas
42
Euphonium, Piano (duet)
42
Tuba and Piano
38
2 Trumpets, Keyboard (piano or organ)
38
Horn Ensemble
35
Euphonium
32
F Instruments
30
Tuba or Euphonium or Saxhorn
30
Brass Quartet: 4 trumpets
29
Brass Trio
28
French Horn and Harp
27
Trumpet, Cello (duet)
26
3 Trombones (trio)
26
Trumpet, Trombone (duet)
26
3 Trumpets (trio)
25
Trumpet, Harp
20
2 Euphoniums and 2 Tubas
20
Horn and Organ
17
Trumpet, Trombone, Piano
14
Cornet
14
Trumpet and Guitar
14
2 French horns (duet)
13
Horn, Cello (duet)
10
Tuba ensemble
9
Brass Quartet: 2 trumpets, 2 trombones
9
2 Trombones, Piano
8
English horn, Harp (duet)
8
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
7
Bass Trombone
7
Trumpet, Cello, Piano
7
Bass Trombone and Piano
6
Trombone and Orchestra
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Trumpet, Horn (duert)
5
Horn, Cello and Piano
5
Cornet and Piano
5
3 French horns (trio)
4
English Horn
4
Euphonium, Tuba (duet)
4
2 Euphoniums (duet)
3
Trombone, Horn (duet)
3
Trumpet, Bassoon (duet)
3
2 Tubas (duet)
3
Trombone, Viola (duet)
2
Horn, Tuba (duet)
2
2 French horns, Piano
2
Trumpet, Tuba (duet)
2
Trombone, Violin (duet)
2
Horn, Trumpet, Trombone (trio)
2
Cornet and Orchestra
2
French horn and Basson (duet)
2
Trumpet, Orchestra
1
4 Euphoniums
1
Trumpet, violin (duet)
1
Trumpet, Euphonium (duet)
1
Clarinet, Horn (duet)
1
Euphonium or Saxhorn and Piano
1
Euphonium (band part)
1
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
10431
Violin and Piano
5509
Violin
4549
Harp
3003
Cello, Piano
2482
Cello (band part)
1972
Doublebass (band part)
1232
String Trio: violin, viola, cello
1209
Violin, Cello (duet)
1200
Viola, Piano
1096
2 Cellos (duet)
844
Violin (band part)
822
String Quintet: 2 violins, viola, cello, bass
758
Viola (band part)
751
Double Bass
609
Double bass, Piano (duet)
575
Cello
575
Viola
498
Harp, Flute (duet)
373
Violin, Viola (duet)
358
String Trio: 2 violins, cello
326
4 Cellos
311
2 Harps (duet)
278
Violin, Guitar (duet)
253
Viola, Cello (duet)
248
2 Violas (duet)
240
Harp, Violin (duet)
212
2 Violins (duet)
205
Cello, Guitar (duet)
180
Cello, String Bass (duet)
146
String quartet: 4 violins
129
Viola, Guitar (duet)
123
2 Double basses (duet)
102
Piano Trio: Violin, Viola, Piano
102
String Trio: 3 cellos
95
String Quartet : 4 violas
77
String trio
63
Harp (band part)
54
Harp, Cello (duet)
49
String Quintet: 2 violins, 2 violas, cello
48
Harp, Voice
47
2 Violins, Piano
46
Viola and Harp
44
String Trio: 3 violins
34
String Trio: 2 violins, viola
32
4 Double Basses
32
Cello, Organ
30
Flute, Doublebass (duet)
30
Harp, Violin, Violoncello
25
Cello, Orchestra
18
Harp and Piano
17
String Trio: 3 violas
16
2 Cellos, Piano
15
Harp and mandolin
13
Cello Ensemble
13
Violoncello, Basso continuo
11
3 double basses
11
Violin, Basso continuo
11
Autoharp
10
Viola and Bassoon
9
Viola ensemble
9
Violin, Clarinet, Piano (trio)
9
Violin, Organ
9
3 Harps
8
Violin, Cello, Clarinet
8
Harp, Trombone (duet)
7
Violin ensemble
6
Violin, Trumpet and Piano
5
Harp, String quartet
4
Viola, Organ
3
2 Violas, Piano
2
5 Harps
2
Violin, Bassoon (duet)
2
Harp and Organ
2
2 Violins and Basso
2
4 Harps
2
Viola and orchestra
2
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PERCUSSION & ORCHESTRA
Concert band
5917
String Orchestra
3776
Orchestra
3021
Jazz Ensemble
2028
Brass ensemble
1259
Jazz combo
674
Percussion (band part)
595
Marching band
587
Drums
479
Drum (band part)
465
Chamber Orchestra
254
Handbells
220
Percussion
203
Timpani (band part)
185
Percussion Ensemble
61
Marimba
41
Woodwind Quintet
36
Timpani
36
Piano and Orchestra
31
Woodwind Quartet: any 4 woodwinds
18
Xylophone
17
Snare drums
15
Vibraphone
12
Big band
12
Xylophone, Piano
10
School Ensemble
10
Orchestra, Violin
8
Flexible Instrumentation
8
Vibraphone (band part)
5
Xylophone (band part)
5
Brass Quintet: other combinaisons
5
Xylophone or Marimba or Vibraphone
4
3 Marimbas
3
Marimba and Organ
3
2 Marimbas
2
Bongos
2
Conga
2
Bodhran
2
Cajon
1
Marimba or Xylophone and Piano
1
2 Snare Drums (duet)
1
3 Percussions
1
Symphonic Band
1
Voice and Orchestra
1
2 Percussions
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
34
Music Theory
10
Stationery
1
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A
Orchestra
Sheetmusic to print
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3001
Destiny For A New
Orchestra
Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century…
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Full Orchestra - Advanced - Digital Download Composed by Joshua A. Idio. 21st Century, 20th Century, Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 85 pages. Published by Joshua A. Idio
Composed by Joshua A. Idio. (ASCAP Licensed) Orchestral Music. Concert Opener music. Full score and parts.
Symphony Orchestra - Grade 5
Motivational and Exhilarating! This grand ?movie-esque? scoring sends the audience through a heart-pounding epiphany of song and soul. With its use of moving melodies, surprising rhythms, and evocative instrumentation, the courage to take on the world has never felt more achievable. The inspiring begins now!
$125.00
116.11 €
#
Orchestra
#
Joshua A
#
Destiny For A New
#
Joshua A. Idio
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
195.06 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.26 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.58 €
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Orchestra
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.28 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
65.25 €
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Orchestra
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
30.19 €
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Orchestra
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofie…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
92.89 €
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Orchestra
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S
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Comfort 2
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S. Prokofiev: Fleetingness, op. 22,
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Arkady Leytush
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.26 €
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Orchestra
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.58 €
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Orchestra
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.28 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
You Give Love A Bad Name
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
73.38 €
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Orchestra
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Bon Jovi
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
We Need A Little Christmas
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1164372 By Kimberley Locke. By Jerry Herman. Arranged by Bryan Kidd. Christmas,Holiday,Standards. Score and Parts. 101 pages. BryanKiddMusic.com #764719. Published by BryanKiddMusic.com (A0.1164372). With a touch of John Philip Sousa, a spiritedly bright opener for your Christmas Season concert. Jerry Herman’s “We Need a Little Christmas†was introduced by Angela Lansbury and Beatrice Arthur in the 1966 Tony Award-winning Broadway production, Mame. A subsequent cover later that year by Percy Faith and His Orchestra and Chorus further established it as a seasonal favorite – other notable artists include the Muppets, Johnny Mathis, Idina Menzel and Pentatonix. This set includes a full score* and complete set of instrumental parts. NOTE: The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes rehearsal piano). Choral Parts Click Here Brass high note: Trumpet D6 (with an optional F6); Trombone A4 *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Tabloid Score Click HereWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.Please visit BryanKiddMusic.comÂ
$75.00
69.66 €
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Orchestra
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Kimberley Locke
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We Need A Little Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Symphony No. 2: A Countryside Symphony, Op. 10
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0.1322184). Symphony No. 2 celebrates nature and brings a new approach to the traditional Pastoral style in symphonic writing. Symphony No. 2: A Countryside Symphony is in 3 movements:I: The Pastures (A moderate opening before a rhythmic Vivace)II: A Storm Gathers (A moody, slow opening, which builds to a dramatic middle section before a gentle release to finish)III: Nature's Festival (a rousing, joyous finish).This is written for a medium orchestra and is accessible for both and amateur and professional orchestras.
$30.99
28.79 €
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Orchestra
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Chris Knapp
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Symphony No. 2: A Countryside Symphony, Op. 10
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Chris Knapp
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SheetMusicPlus
Diehnelt: Striadica - A Symphonic Passage - SCORE
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
8.35 €
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Orchestra
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Kim Diehnelt
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Diehnelt: Striadica - A Symphonic Passage - SCORE
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Kim Diehnelt
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SheetMusicPlus
A Well-Traveled Road
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
65.02 €
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Orchestra
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Like a River Glorious
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. …
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Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
41.8 €
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Orchestra
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WYE VALLEY
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Like a River Glorious
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WheatMyer Music
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SheetMusicPlus
Make His Praise a Glorious Thing (Orchestration)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Published by WheatMyer Music (A0.976726). Make His Praise a Glorious Thing is a new setting of the English language's great doxology from the pen of Thomas Ken. It builds on his words with references to the multitude of Psalmic exhortations to exuberantly praise God in manifold ways and make His praise glorious. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.Although set for SATB choir, it is hoped that the accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing. Choral octavos with piano accompaniment are available separately.
$45.00
41.8 €
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Orchestra
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Robert Myers
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Make His Praise a Glorious Thing
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WheatMyer Music
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SheetMusicPlus
TAPS A Rembrance
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.86 €
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Orchestra
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Traditional
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scria…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
55.73 €
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Orchestra
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A
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A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Livin' On A Prayer
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1184446 By Bon Jovi. By Desmond…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1184446 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Pop,Rock,Standards. Score and parts. 107 pages. Brett A Foster #784175. Published by Brett A Foster (A0.1184446). His classic power rock anthem has been reimagined for Symphonic Pops Orchestra with Optional SATB Choir by Brett A Foster. The arrangement works well for Full Orchestra without the optional vocal parts; however, their addition would make an amazing finish to concert. This piece will literally have the audience singing and dancing in the aisles. What a wonderful way to finish a Pops Concert! In addition to the standard symphonic instruments this arrangement also has optional Pops Orchestra parts for Alto and Tenor Saxophones, Keyboard / Piano, Electric Guitar, and Bass Guitar. Livin' on a Prayer is a song by the American rock band Bon Jovi and is the band's second chart-topping single from their third album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child, the single, released in late 1986, was well received at both rock and pop radio and its music video was given heavy rotation at MTV, giving the band their first No. 1 on the Billboard Mainstream Rock chart and their second consecutive No. 1 Billboard Hot 100 hit.
$59.99
55.72 €
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Orchestra
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Bon Jovi
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Livin' On A Prayer
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Brett A Foster
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SheetMusicPlus
A Dream Deferred - score
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
46.44 €
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Orchestra
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
44.56 €
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Orchestra
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Haydn - Symphony No.59 in A major, Hob.I:59 "Feuersinfonie (Fire)"
Orchestra
Full Orchestra - Digital Download SKU: A0.819652 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819652 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 70 pages. J.G. Cuco Barber #5988393. Published by J.G. Cuco Barber (A0.819652). Composer Haydn, JosephOpus/Catalogue Number Hob.I:59Key A majorMovements/Sections 4 movements:Presto (A major, 124 bars)Andante o più tosto allegretto (A minor, 149 bars)Minuet (A major, 38 bars) – Trio (A minor, 28 bars)Allegro assai (A major, 148 bars)Year/Date of Composition 1768First Publication 1772 by BéraultAverage Duration 24 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in A 1 original & F transposedHorn in A 2 original & F transposedViolin I Violin IIViolaVioloncelloContrabass
$28.00
26.01 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.59 in A major, Hob.I:59 "Feuersinfonie
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J.G. Cuco Barber
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SheetMusicPlus
Haydn - Symphony No.21 in A major, Hob.I:21
Orchestra
Full Orchestra - Digital Download SKU: A0.819614 Composed by Franz Joseph Haydn. Ar…
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Full Orchestra - Digital Download SKU: A0.819614 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 55 pages. J.G. Cuco Barber #5987143. Published by J.G. Cuco Barber (A0.819614). Composer Haydn, JosephOpus/Catalogue Number Hob.I:21Key A majorMovements/Sections 4 movements:Adagio (A major, 70 bars)Presto (A major, 102 bars)Minuet (A major, 32 bars) - Trio (A minor, 28 bars)Finale. Allegro molto (A major, 90 bars)Year/Date of Composition 1764Average Duration 17 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in A 1 original & F transposedHorn in A 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
26.01 €
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Orchestra
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Franz Joseph Haydn
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Haydn - Symphony No.21 in A major, Hob.I:21
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J.G. Cuco Barber
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SheetMusicPlus
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