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20 sheet music found
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1
Sing, Sing, Sing
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1212351 By Benny G…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1212351 By Benny Goodman. By Louis Prima. Arranged by Tim Davies. Jazz. Score and Parts. 141 pages. Altered 15th #809816. Published by Altered 15th (A0.1212351). Big band arrangement of the swing era classic updated for a modern sensibility! As recorded by the Tim Davies Big Band on the album The Expensive Train Set.
$100.00
92.73 €
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Jazz Ensemble
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Benny Goodman
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Sing, Sing, Sing
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Altered 15th
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SheetMusicPlus
Caravan
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1239396 By Duke El…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1239396 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Tim Davies. Jazz. Score and Parts. 136 pages. Altered 15th #834789. Published by Altered 15th (A0.1239396). Tim Davies' own twist on Caravan, as recorded by the Tim Davies Big Band album Dialmentia.
$99.99
92.72 €
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Jazz Ensemble
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Duke Ellington and his Orchestra
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Caravan
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Altered 15th
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SheetMusicPlus
SQ15 ... Hommage à DSCH (2021) for string quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
9.26 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
O Come, Emmanuel - jazz clarinet and trombone
B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244…
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B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933989. Published by Phil Beaman (A0.1349244). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and trombone
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz clarinet and electric bass guitar
B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349…
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B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933987. Published by Phil Beaman (A0.1349242). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and electric bass guitar
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz flute and euphonium/baritone horn
Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Comp…
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Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #935316. Published by Phil Beaman (A0.1350505). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz flute and euphonium/baritone horn
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz flute and marimba
Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Compos…
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Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935323. Published by Phil Beaman (A0.1350511). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low A to 4th line D2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz flute and marimba
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Phil Beaman
#
SheetMusicPlus
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.134924…
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B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz clarinet and tuba
Clarinet, Tuba
B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249…
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B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933995. Published by Phil Beaman (A0.1349249). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A below staff to D middle line2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Clarinet, Tuba
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and tuba
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz mezzo-soprano voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1353795 Composed by Anon. Ar…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1353795 Composed by Anon. Arranged by Phil Beaman. Advent,Christmas,Jazz,Renaissance. Score. 3 pages. Phil Beaman #938564. Published by Phil Beaman (A0.1353795). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â I have chosen 4 of the many historic verses that are more inclusive and general. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published several versions on this site for flute or clarinet solo using various instrumental accompaniments as a duet.) Â (Also as a piano solo.)range - melody - 10th, low B to D3 pages score; Â 3:17 minutes.
$4.99
4.63 €
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Piano, Voice
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Anon
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 3:17 minutes.
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O Come, Emmanuel - jazz mezzo-soprano voice and piano
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz flute and trombone
Flute, Trombone (duet)
Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Compo…
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Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Flute, Trombone (duet)
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Phil Beaman
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O Come, Emmanuel - jazz flute and trombone
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz flute and electric bass guitar
Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Co…
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Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
#
O Come, Emmanuel - jazz flute and electric bass guitar
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Phil Beaman
#
SheetMusicPlus
O Come, Emmanuel - jazz clarinet and bass clarinet
2 Clarinets (duet)
Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1349255 Composed b…
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Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1349255 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 2 scores. 4 pages. Phil Beaman #934000. Published by Phil Beaman (A0.1349255). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, low B to 4th space E 2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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2 Clarinets (duet)
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and bass clarinet
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Phil Beaman
#
SheetMusicPlus
O Come, Emmanuel - jazz clarinet and piano
Clarinet and Piano
B-Flat Clarinet,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1349238…
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B-Flat Clarinet,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1349238 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933983. Published by Phil Beaman (A0.1349238). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Clarinet and Piano
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and piano
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Phil Beaman
#
SheetMusicPlus
O Come, Emmanuel - jazz flute and piano
Flute and Piano
Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Compo…
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Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
#
Flute and Piano
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Phil Beaman
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O Come, Emmanuel - jazz flute and piano
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Phil Beaman
#
SheetMusicPlus
O Come, Emmanuel - jazz flute and bass clarinet
Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 …
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Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935322. Published by Phil Beaman (A0.1350510). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low B to 4th space E2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Phil Beaman
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O Come, Emmanuel - jazz flute and bass clarinet
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz clarinet and upright double bass
Clarinet, Double bass (duet)
B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349…
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B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Clarinet, Double bass (duet)
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Phil Beaman
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O Come, Emmanuel - jazz clarinet and upright double bass
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz flute and upright double bass
Flute, Doublebass (duet)
Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Co…
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Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935298. Published by Phil Beaman (A0.1350489). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
4.63 €
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Flute, Doublebass (duet)
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Phil Beaman
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O Come, Emmanuel - jazz flute and upright double bass
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1346783 Composed by Phil Beaman. Ad…
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Piano Solo - Level 3 - Digital Download SKU: A0.1346783 Composed by Phil Beaman. Advent,Christmas,Jazz,Renaissance. Score. 2 pages. Phil Beaman #931565. Published by Phil Beaman (A0.1346783). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The LH has a two chord ostinato throughout written as a walking bass line. Â I have altered the melody and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir.) Â (And also some versions for Instrumental Duets.)2 pages, 2:05 minutes.
$3.99
3.7 €
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Piano solo
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Phil Beaman
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O Come, Emmanuel
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Phil Beaman
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SheetMusicPlus
O Come, Emmanuel - jazz unison choir and piano
Choral Unison
Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1353797 Composed …
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Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1353797 Composed by Anon. Arranged by Phil Beaman. Advent,Christmas,Jazz,Renaissance. 3 pages. Phil Beaman #938566. Published by Phil Beaman (A0.1353797). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â I have chosen 4 of the many historic verses that are more inclusive and general. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published several versions on this site for flute or clarinet solo using various instrumental accompaniments as a duet.) Â (Also as a piano solo.)range - melody - 10th, low B to D3 pages score; Â 3:17 minutes.
$2.50
2.32 €
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Choral Unison
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Anon
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 3:17 minutes.
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O Come, Emmanuel - jazz unison choir and piano
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Phil Beaman
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SheetMusicPlus
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