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Ancient, Modern Sounds
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Ancient, Modern Sounds
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1250210 Composed by Felicity Mazur-Park. 21st Century,Blues,Classical,Jazz,Praise & Worship. 25 pages. Felicity Mazur-Park #844544. Published by Felicity Mazur-Park (A0.1250210). Ancient, Modern Sounds was written specifically for The Estrella Consort for the 2022 Alba Composition Festival. In this piece, I realize neoclassical elements within a post-modern aesthetic. Chorale melodies are interweaved with contemporary countermelodies to produce a modern sound world with familiar undertones. One of the highlights of the quartet is the alto saxophone cadenza in the middle. The alto saxophonist is at liberty to improvise or follow what is on the page. As you listen, imagine the piece through two different lenses, a contrapuntal lens, and a timbral lens. Through the contrapuntal lens you will see the piece gradually depart from its traditional chorale focused language. Through the timbral lens multiple sound worlds can be heard.This piece is ideal for high school solo and ensemble competitions or performances, college ensembles, and professional players. To find out more about Felicity Mazur-Park and her compositions visit www.felicitymazurpark.com.
$3.99
3.73 €
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Saxophone Quartet: 4 saxophones
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Felicity Mazur-Park
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Ancient, Modern Sounds
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Felicity Mazur-Park
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SheetMusicPlus
Shelter in Place for SSAATB chorus and nature soundtrack
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
3.73 €
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Choral SATB
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Adrienne Inglis
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Shelter in Place for SSAATB chorus and nature soundtrack
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Adrienne Inglis
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SheetMusicPlus
The Water
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1308079 By Johnny Flyyn, Laura Marl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1308079 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 6 pages. SRS Music #897352. Published by SRS Music (A0.1308079). From NPR, 11/1/2010: Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.Arranged for solo piano. (This title is also available for ensemble from SRS Music).
$5.50
5.15 €
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Piano solo
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Johnny Flyyn, Laura Marling
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The Water
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SRS Music
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SheetMusicPlus
The Water
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Fly…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 8 pages. SRS Music #865508. Published by SRS Music (A0.1273356). From NPR, 11/1/2010:Â Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.This arrangement is written for voice, piano, violin, and acoustic guitar, but can be played in other configurations. A second voice could take the place of violin. The piano part carries the melody so it can be played as an instrumental piece as well.(This title is also available for solo piano from SRS Music).
$5.50
5.15 €
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Piano, Vocal and Guitar
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Johnny Flyyn, Laura Marling
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The Water
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SRS Music
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SheetMusicPlus
Gioco. Sonata for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.61 €
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Guitar
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
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