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Five for 3's, 4's,
Sheetmusic to print
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Five for 3's, 4's, & 5's (Downloadable)
Choral Unison
Unison voices, keyboard - Easy - Digital Download SKU: MQ.50-9805-E Composed by Mic…
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Unison voices, keyboard - Easy - Digital Download SKU: MQ.50-9805-E Composed by Michael Burkhardt. 19 pages. MorningStar Music Publishers - Digital Sheet Music #50-9805-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9805-E). Five 8 measure rote songs for 3-5 yr. olds. For young singers to express their faith throughout church year. Includes teaching plan for each song. Purchase gives permission to reproduce teaching aids and melody edition of songs. Resourceful collection for choir program or pre-school music.
$4.00
3.73 €
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Choral Unison
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Michael Burkhardt
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Five for 3's, 4's, & 5's
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet (3 Sopranos/1 Tenor)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. 63 pages. Stephen Davies #5310999. Published by Stephen Davies (A0.891935). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. (Youtube) In this Saxophone version the music is scored, unusually, for 3 equal Soprano Saxes AND Tenor Sax. The 5 pieces here are representitive of his masterly fugal output, tweaked here and there to suit this rare Saxophone Quartet format! Five Mighty Meaty Morsels, suitable for Vegans and Vegetarians alike!! (Although every care has been taken, some E#'s may remain!)
$19.99
18.66 €
#
Saxophone Quartet: 4 saxophones
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Johann Georg Albrechtsberger
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Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet
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Stephen Davies
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.63 €
#
Flute Quartet: 4 flutes
#
Guillaume de Machaut, 1300-1377
#
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.63 €
#
Clarinet Quartet: 4 clarinets
#
Guillaume de Machaut, 1300-1377
#
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.97 €
#
Clarinet Quartet: 4 clarinets
#
Guillame de Machaut, 1300-1377
#
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.97 €
#
Flute Quartet: 4 flutes
#
Guillaume de Machaut, 1300-1377
#
Machaut: La Messe de Nostre Dame for Flute Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.97 €
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Saxophone Quartet: 4 saxophones
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
72.77 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Musik Fabrik Music Publishing
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.59 €
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2 Pianos, 4 hands
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Sharon Wilson
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Five Purcell Trios for Recorders (treble-tenor-bass)
3 Recorders (trio)
Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.14130…
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Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.1413010 Composed by Henry Purcell (1659-1695). Arranged by Clive Lane. Baroque,Classical. Recorder Ensemble. 12 pages. Clive Lane #995015. Published by Clive Lane (A0.1413010). Five of Purcell's finest trios, arranged for recorders (treble - tenor - bass).1. Ah, how pleasant 'tis to love (from The Banquet of Musick, 1688)2. In these delightful, pleasant groves (from Orpheus Britannicus)3. Fairest Isle (from King Arthur, 1691)4. Shepherd, shepherd leave decoying (from King Arthur)5. The Amorous Flute (from the Ode for St Cecilia's Day, 1692)Score and parts.
$4.99
4.66 €
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3 Recorders (trio)
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Henry Purcell
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Five Purcell Trios for Recorders
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Clive Lane
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SheetMusicPlus
Five Purcell Trios for Recorders (descant-treble-tenor)
3 Recorders (trio)
Descant Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.14…
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Descant Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.1413744 Composed by Henry Purcell (1659-1695). Arranged by Clive Lane. Baroque,Classical. Recorder Ensemble. 12 pages. Clive Lane #995527. Published by Clive Lane (A0.1413744). Five of Purcell's finest trios, arranged for recorders ((descant-treble-tenor)).1. Ah, how pleasant 'tis to love (from The Banquet of Musick, 1688)2. In these delightful, pleasant groves (from Orpheus Britannicus)3. Fairest Isle (from King Arthur, 1691)4. Shepherd, shepherd leave decoying (from King Arthur)5. The Amorous Flute (from the Ode for St Cecilia's Day, 1692)Score and parts.
$4.99
4.66 €
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3 Recorders (trio)
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Henry Purcell
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Five Purcell Trios for Recorders
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Clive Lane
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SheetMusicPlus
Take Five
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1294182 By Paul Desmond. By Paul Desmond. Arranged by BARRY MOLINSKI. Blues,Broadway,Classical,Instructional,Jazz,Musical/Show. 11 pages. Barry Molinski #884607. Published by Barry Molinski (A0.1294182). Paul Desmond's well known classic TAKE FIVE for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Dave Brubeck Quartet.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Digital DownloadMusic by Paul Desmond.This swinging arrangement is written in the original key.Improvised solos, ad libitum with backing parts suggested.This funky tune gives you the coolness to be in a smokin' Lounge on a cruise ship all around the worldGood arrangement to play this on stage, you have to have it.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 11 pages.
$12.99
12.13 €
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Saxophone Quartet: 4 saxophones
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Paul Desmond
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Blues, 11 pages.
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Take Five
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Barry Molinski
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SheetMusicPlus
Portsmouth - Hornpipe for 4 guitars/large ensemble
4 Guitars (Quartet)
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1085456 Composed by Tra…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1085456 Composed by Traditional. Arranged by Derek Hasted. Traditional. Score and parts. 23 pages. Derek Hasted #689606. Published by Derek Hasted (A0.1085456). PORTSMOUTH - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Although this piece was made famous by Mike Oldfield, it first appeared in John Playford’s “The Dancing Master†in 1701, and also found fame in the hands of Ralph Vaughan Williams. My arrangement starts with a slow, teasing, introduction, and introduces the famous melody very slowly and gently. “What Shall We Do With The Drunken Sailor†also makes a few appearances before we let the brakes off and burst into the tune that many people know. The music isn’t hard to play, and each line has some music interest, though only Guitar 1 has to venture up the neck. It’s ideal for a mixed ability ensemble, and runs at nearly five minutes, to make a substantial concert item that builds up and up. This arrangement was a firm favourite with the Hampshire Guitar Orchestra (HAGO) and their audiences. I hope you enjoy this piece as much as HAGO did!
$3.99
3.72 €
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4 Guitars (Quartet)
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Traditional
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Portsmouth - Hornpipe for 4 guitars/large ensemble
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Derek Hasted
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Trio
String Trio: 3 cellos
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.549785 Compo…
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String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.549785 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 23 pages. Jmsgu3 #3536083. Published by jmsgu3 (A0.549785). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Trio (Violin, Cello and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
18.62 €
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String Trio: 3 cellos
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Wolfgang Amadeus Mozart
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Mozart: Romanze from K. 525 for Piano Trio
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jmsgu3
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SheetMusicPlus
Take Five
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1278367 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Blues,Jazz,Pop,Soul,Standards. 39 pages. Doug Edwards #870084. Published by Doug Edwards (A0.1278367). Here is Dave Brubeck’s iconic piece “Take Five.† It features the Bari on lead or Tenor if desired. Additional parts are included to allow for substitutions and/or different instrumentation needs. Some Performance/Instrumentation options include:·     Quartet with rhythm section: Soprano, Alto 1, Tenor 1 and Bari 1 (Lead)·     Quartet with rhythm section: Soprano, Alto 1, Tenor 2 (Lead) and Bari 2·     Quintet without rhythm section (Bari Lead): Soprano, Alto 1, Tenor 1, Bari 1 and Bari 3 (Bass)·     Quintet without rhythm section (Tenor Lead): Soprano, Alto 1, Tenor 2, Bari 2 and Bari 3The Alto 2 can be used as an option to substitute for Soprano as well - it doubles the Soprano part.Style: Jazz     Duration: 3:00 minutes      Level: Medium       Instrumentation: SATB, AATB pr SATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including marimba ensemble.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99
13.99 €
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Saxophone Quartet: 4 saxophones
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Paul Desmond
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Take Five
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Doug Edwards
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
46.68 €
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Percussion Ensemble
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
A Mighty Fortress is Our God
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By M…
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Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
4.2 €
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Piano solo
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Stephen R Dalrymple
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A Mighty Fortress is Our God
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Stephen R Dalrymple
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SheetMusicPlus
Suite for Solo Viola (2019) - Version for Violoncello
Cello (band part)
Cello Solo - Level 5 - Digital Download SKU: A0.945298 Composed by James Henry (Jam…
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Cello Solo - Level 5 - Digital Download SKU: A0.945298 Composed by James Henry (Jamie) Miles. 20th Century,Baroque,Contemporary. Individual part. 8 pages. Jamie Miles #5867273. Published by Jamie Miles (A0.945298). Inspired by J.S. Bach's Sonatas & Partitas for Solo Violin and the 6 Suites for Unaccompanied Cello as well as Max Reger's 3 Suites for Solo Viola and several of Paganini's 24 Caprices, this virtuosic, multi-faceted, five-movement work by young Australian composer Jamie Miles focuses on a range of technical elements including double stops and chords, varied and difficult hand positions, fast string crossings, position shifts, rapid scale and arpeggio passages, and more. The five movements are: 1) Prelude, 2) Bourée, 3) Sarabande, 4) Courante - Theme and Variations and 5) Gigue. Jamie commenced writing this work in 2017, at the age of 12 and completed it in mid-2019 at age 14. The premiere of the work was broadcast live on FM radio in December of 2019, performed by the composer.The length is approximately 14 minutes.
$9.99
9.33 €
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Cello (band part)
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James Henry
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Partitas for Solo Violin
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Suite for Solo Viola
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Jamie Miles
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SheetMusicPlus
Suite for Solo Viola (2019)
Viola (band part)
Viola Solo - Level 5 - Digital Download SKU: A0.945297 Composed by James Henry (Jam…
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Viola Solo - Level 5 - Digital Download SKU: A0.945297 Composed by James Henry (Jamie) Miles. Baroque,Contemporary. Individual part. 8 pages. Jamie Miles #5739481. Published by Jamie Miles (A0.945297). Inspired by J.S. Bach's Sonatas & Partitas for Solo Violin and the 6 Suites for Unaccompanied Cello as well as Max Reger's 3 Suites for Solo Viola and several of Paganini's 24 Caprices, this virtuosic, multi-faceted, five-movement work by young Australian composer Jamie Miles focuses on a range of technical elements including double stops and chords, varied and difficult hand positions, fast string crossings, position shifts, rapid scale and arpeggio passages, and more. The five movements are: 1) Prelude, 2) Bourée, 3) Sarabande, 4) Courante - Theme and Variations and 5) Gigue. Jamie commenced writing this work in 2017, at the age of 12 and completed it in mid-2019 at age 14. The premiere of the work was broadcast live on FM radio in December of 2019, performed by the composer.The length is approximately 14 minutes. .
$9.99
9.33 €
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Viola (band part)
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James Henry
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Suite for Solo Viola
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Jamie Miles
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SheetMusicPlus
Bach for Trombone Trio, Vol. I
3 Trombones (trio)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928143 Composed by Joh…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928143 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Standards. Score and parts. 88 pages. Pete Strohm Music #5041135. Published by Pete Strohm Music (A0.928143). Volume I of this series, containing five J.S. Bach keyboard works from The Well-Tempered Clavier and Inventions and Sinfonias, expertly arranged for three Trombones (2 Tenor, 1 Bass). This new edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Ornaments are authentic, either from Bach or his immediate students. Tempos, dynamics, and most articulations are my recommendations. The first trombone part is provided in both tenor and bass clefs. There are two complete sets of parts, one with original ornaments and one with the ornaments realized in suggested notation, as well as a guide to interpreting ornaments. Performers are, of course, free to devise their own interpretations.Each volume of Bach for Trombone Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 8:47. Member, ASCAP.
$9.95
9.29 €
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3 Trombones (trio)
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Johann Sebastian Bach
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Bach for Trombone Trio, Vol. I
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Pete Strohm Music
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SheetMusicPlus
Bach for Cello Trio, Vol. III
String Trio: 3 cellos
String Trio Cello - Level 4 - Digital Download SKU: A0.1155562 Composed by Johann S…
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String Trio Cello - Level 4 - Digital Download SKU: A0.1155562 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Chamber,Classical,Contest,Festival. 44 pages. Pete Strohm Music #755856. Published by Pete Strohm Music (A0.1155562). Volume III of this series, containing five J.S. Bach keyboard works from The Well-Tempered Clavier and Inventions and Sinfonias. All three volumes of Bach for Cello Trio are expertly arranged by P. F. Strohm for performance by three evenly-matched, moderately-advanced cellists. Both challenging and rewarding, these trios are excellent for contests and recitals. Performance time for all five works is 7:50. Medium to Medium-Advanced difficulty level. Member, ASCAP.
$9.95
9.29 €
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String Trio: 3 cellos
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Johann Sebastian Bach
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Bach for Cello Trio, Vol. III
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Pete Strohm Music
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SheetMusicPlus
Habenera - in G for flexible ensemble
4 Tubas
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Cle…
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.1393972 Composed by Georges Bizet. Arranged by David Woodcock. Classical,Instructional,Opera. 39 pages. David Woodcock #977425. Published by David Woodcock (A0.1393972). This is an arrangement of the famous melody from Bizet's opera Carmen, scored for flexible ensemble in G. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax. This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
18.67 €
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4 Tubas
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Georges Bizet
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Habenera - in G for flexible ensemble
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David Woodcock
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SheetMusicPlus
Trombone Quartets For Christmas Vol 2 - Part 3 - Tenor Clef
Brass Quartet: 4 trombones
Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba -…
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Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Digital Download SKU: A0.1337809 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Jazz,Traditional. 39 pages. John van Gulik #923552. Published by John van Gulik (A0.1337809). Here is a collection of 23 more jazzed up Christmas arrangements for Trombone Quartet complete with a cover page and index. Â These are all performance oriented pieces, not for carol sing-along.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sEach part is sold as a separate book that may be printed double sided for convenience. Â All of the arrangements are also available for individual purchase. Â Many of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)Part 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone (Bass), Eb Bass (Treble), Bb Bass (Treble)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsDeck the HallsDing Dong Merrily on HighGreensleevesJingle BellsOnce in Royal David's CitySweet Little Jesus BoyThe First NoelThe Holly and the IvyThose Chiming BellsUp on the HousetopWe Wish You a Merry ChristmasWhat Child is This - FIVEDouble Page QuartetsAngels We Have Heard On HighCarol of the BellsGaudete - Â Medieval CarolGod Rest Ye Merry GentlemenHark the HeraldI Saw Three ShipsIt Came Upon a Midnight ClearMerry GentlemenNutcracker - Waltz of the FlowersO Come EmmanuelSee Amid the Winter's SnowThe Gentlemen of Christmas.
$10.00
9.34 €
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Brass Quartet: 4 trombones
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John van Gulik
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Trombone Quartets For Christmas Vol 2 - Part 3 - Tenor Clef
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John van Gulik
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SheetMusicPlus
Trombone Quartets For Christmas Vol 2 - Part 3 - Treble Clef
Brass Quartet: 4 trombones
Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba -…
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Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Digital Download SKU: A0.1337811 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Jazz,Traditional. 39 pages. John van Gulik #923554. Published by John van Gulik (A0.1337811). Here is a collection of 23 more jazzed up Christmas arrangements for Trombone Quartet complete with a cover page and index. Â These are all performance oriented pieces, not for carol sing-along.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sEach part is sold as a separate book that may be printed double sided for convenience. Â All of the arrangements are also available for individual purchase. Â Many of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)Part 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone (Bass), Eb Bass (Treble), Bb Bass (Treble)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsDeck the HallsDing Dong Merrily on HighGreensleevesJingle BellsOnce in Royal David's CitySweet Little Jesus BoyThe First NoelThe Holly and the IvyThose Chiming BellsUp on the HousetopWe Wish You a Merry ChristmasWhat Child is This - FIVEDouble Page QuartetsAngels We Have Heard On HighCarol of the BellsGaudete - Â Medieval CarolGod Rest Ye Merry GentlemenHark the HeraldI Saw Three ShipsIt Came Upon a Midnight ClearMerry GentlemenNutcracker - Waltz of the FlowersO Come EmmanuelSee Amid the Winter's SnowThe Gentlemen of Christmas.
$10.00
9.34 €
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Brass Quartet: 4 trombones
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John van Gulik
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Trombone Quartets For Christmas Vol 2 - Part 3 - Treble Clef
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John van Gulik
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SheetMusicPlus
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