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1
Descensus ad Infero (for Two Pianos and Four Hands)
2 Pianos, 4 hands
Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Con…
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Piano - Digital Download SKU: A0.1070270 Composed by Tito Abeleda. 20th Century,Contemporary. Full Performance. Duration 236. Visionary Quest Records #5742347. Published by Visionary Quest Records (A0.1070270). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages.Descensus ad Infero is Latin for Descent into Hell. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films.Add this dramatic piece to your music collection today.YouTube - https://bit.ly/DescensusPiano_YouTubeLicense on Songtradr - https://bit.ly/DescensusPiano_SongtradrContact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$1.99
1.83 €
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2 Pianos, 4 hands
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Tito Abeleda
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Descensus ad Infero
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Visionary Quest Records
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SheetMusicPlus
No Greater Love
Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105110
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Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99
1.83 €
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Descensus ad Infero (for Two Pianos and Four Hands)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.984561 Composed by Tito Abeleda. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.984561 Composed by Tito Abeleda. 20th Century,Contemporary. Score. 32 pages. Visionary Quest Records #5742345. Published by Visionary Quest Records (A0.984561). Descensus ad Infero is a two piano ensemble piece composed by Tito Abeleda (1964 - ). Digital download is score plus parts = 31 pages. Descensus ad Infero is a thriller two piano duet. As such this is a powerful passionate piece with much boldness, dissonance, and angst. There is a driving pulse that is vehement and at times unpleasant and even frenetic because one's descent into the abyss has been adjudged for a life lived accordingly. Piano 1 and Piano 2 trade off on motifs and dynamic changes. Note the melodic motifs that warrant greater emphasis throughout the piece. This piece is rather accessible for the advanced intermediate student. This score would also work well as music for thriller, horror, and/or suspense films. Add this dramatic piece to your music collection today. YouTube - https://bit.ly/DescensusPiano_YouTube License on Songtradr - https://bit.ly/DescensusPiano_Songtradr Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.com Visionary Quest Recordshttps://www.visionaryquestrecords.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes  Â
$9.95
9.13 €
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Piano solo
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Tito Abeleda
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Descensus ad Infero
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Visionary Quest Records
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SheetMusicPlus
Etudes for Two - A Music Reading Journey
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1085781 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1085781 Composed by Nancy Bachmann. Classical,Contemporary,Instructional. Score. 121 pages. Nancy Bachmann #689952. Published by Nancy Bachmann (A0.1085781). The 33 duets in this book were composed, progressively-organized, and annotated to improve the players' music reading fluency. An ideal supplemental resource for intermediate piano students, this volume is also useful to beginners as a repertoire collection, and for advanced students as a sight-reading text. Each duet is a complete, audience-pleasing musical composition suitable for recital performance. Playing the duets from this book offers many rewards, including: *Greater Confidence for less performance pressure *Focused listening for creative response to other musicians *Preparing for the gratifying work of accompanying singers, instrumentalists and choirs, leading groups from the piano, playing in bands and chamber ensembles *Having fun playing together!
$19.00
17.43 €
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1 Piano, 4 hands
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Nancy Bachmann
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Etudes for Two - A Music Reading Journey
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Nancy Bachmann
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SheetMusicPlus
Quatre Poemes De Guillaume Apollinaire
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
8.21 €
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Piano, Voice
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Francis Poulenc and Guillaume Apollinaire
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Quatre Poemes De Guillaume Apollinaire
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Nicole Elyse DiPaolo
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus…
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
8.72 €
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Piano solo
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Wolfgang Amadeus Mozart, Mozart
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Andante
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RBMusic
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus…
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Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
5.28 €
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Piano solo
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Wolfgang Amadeus Mozart, Mozart
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Andante
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RBMusic
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SheetMusicPlus
String Quartet No. 3: Among Friends
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
33.03 €
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String Quartet: 2 violins, viola, cello
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
I Will Always Love You
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1398846 By Dolly Parton. By Dolly P…
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Piano Solo - Level 2 - Digital Download SKU: A0.1398846 By Dolly Parton. By Dolly Parton. Arranged by Amy O'Grady. Film/TV. Score. 3 pages. Just Right Sheet Music #982121. Published by Just Right Sheet Music (A0.1398846). Fit under the hands enough for teachers and musicians to experiment with greater improvisational and expressive rubato than is usually required of a stage performer in classical music. #livelessons #countingandcollabs #mentorsandpeers #schoolsandhomeschoolsJUST RIGHT SHEET MUSICÂ Now on Facebook.
$4.99
4.58 €
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Piano solo
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Dolly Parton
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I Will Always Love You
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Just Right Sheet Music
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SheetMusicPlus
Incantations for Percussion
Percussion Ensemble Bass Marimba,Cymbals,Glockenspiel,Tubular Bells,Vibraphone,Xylophone -…
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Percussion Ensemble Bass Marimba,Cymbals,Glockenspiel,Tubular Bells,Vibraphone,Xylophone - Digital Download SKU: A0.1388694 By Dave Gwilliam. By Dave Gwilliam. Arranged by Dave Gwilliam. 21st Century,Classical. 32 pages. Dave Gwilliam #972199. Published by Dave Gwilliam (A0.1388694). Scored for a percussion ensemble of ten players, Dave Gwilliam’s Incantations for Percussion is a marimba-centric ostinato with multiple other themes superimposed over the top.  Incantations requires two marimbas with eight hands along with other standard mallet instruments and a single ride cymbal.Completed in Centerville, Utah on April 28, 2019, Incantations is ready for performance by any percussion ensemble eager to take on the challenge.Instrumentation1.    Concert Marimba (at least 4 1/3 Octaves) – 2 Players2.    Concert Marimba (at least 4 1/3 Octaves) – 2 Players3.    Bass Marimba (or Acoustic Bass)4.    Xylophone5.    Vibraphone6.    Glockenspiel7.    Tubular Bells8.    Ride CymbalPerformance Notes If not careful, this could begin to sound computerized – really give it a go with phrasing. Marimbas and Xylophone roll half note or greater. Letter D and letter F the marimba line is a soaring melody that needs to cut through.
$31.99
29.35 €
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Dave Gwilliam
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Incantations for Percussion
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Dave Gwilliam
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SheetMusicPlus
I See You
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michell…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
2.28 €
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Choral SATB
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
I CAN PLAY CHOPIN
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.881353 Composed by Frederic Chopin.…
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Piano Solo - Level 2 - Digital Download SKU: A0.881353 Composed by Frederic Chopin. Arranged by Dina Pruzhansky. Children,Instructional,Romantic Period. Score. 19 pages. Chopin Project #58801. Published by Chopin Project (A0.881353). Back to School 2015 I Can Play Chopin is a wonderful compilation of TEN ARRANGEMENTS of well-known Chopin masterpieces for Late beginner progressing through Early Intermediate and then to Late Intermediate levels. Arranged by composer, pianist and educator, Dina Pruzhansky, this collection of easy, fun, and high-quality arrangements provides the perfect introduction to the best of Chopin's music. Why? According to Chopin Project Founder and Publisher, Frederick Slutsky, I Can Play Chopin gives students something they've never before been able to experience -- early access to Chopin's works allowing them to develop greater familiarity with his music as they work toward playing the originals. Depending on their level of accomplishment, our resources include appropriate cues and comprehensive pedaling notation as well as optional arpeggiatos for smaller hands. I Can Play Chopin makes even the most complex etudes approachable for less experienced players with their style and brevity. As an example, Etude Opus 10, No. 3 has been rendered as a lovely duet for Late Beginner (Primo), and Intermediate (Secondo). Begin your journey with the inspiration of Chopin, and revel in masterful works from the start! The incremental progression from Late Beginner and Early Intermediate will encourage numerous years of enjoyment by all ages. Features: Easy to play, accessible and sensitive arrangements of well-known Chopin masterpieces; Arranged by a pianist, composer and teacher; Gradual progression in difficulty; User-friendly, Easy to read layout; Introductory note about each genre; Glossary of terminology. Contact us at: Email: chopinproject@gmail.com Chopin Project Website: www.chopinproject.com Facebook: www.facebook.com/chopinproject Twitter: @chopinproject.
$18.99
17.43 €
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Piano solo
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Frederic Chopin
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I CAN PLAY CHOPIN
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Chopin Project
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SheetMusicPlus
When in Our Music God Is Glorified
Choral SATB
Choral SATB choir - Digital Download SKU: H1.C5900DP Composed by Charles Villiers S…
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Choral SATB choir - Digital Download SKU: H1.C5900DP Composed by Charles Villiers Stanford. Arranged by Mary McDonald. Where there is devotional music, God is always at hand with His gracious presence. -J.S. Bach. General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5900DP. Published by Hope Publishing - Digital (H1.C5900DP). Fred Pratt Green. Psalm 150:6 - 2corinthians5:7.Popular hymn There is probably no greater hymn of this generation that so clearly expresses praise to God through music than this one by Fred Pratt Green. In the hands of arranger Mary McDonald it rises to even further grandeur. The resounding alleluias thoroughly entwine this expression of faith with every voice and instrument joining in song to glorify God.
$3.25
2.98 €
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Choral SATB
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Charles Villiers Stanford
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When in Our Music God Is Glorified
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Hope Publishing - Digital
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SheetMusicPlus
Gladiator March for Trombone Quartet
Brass Quartet: 4 trombones
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792418 Composed by Joh…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792418 Composed by John Philip Sousa. Arranged by Andrew Converse. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 12 pages. Gordon Cherry #4821599. Published by Gordon Cherry (A0.792418). Mr. Andrew Converse has written a great arrangement for Trombone Quartet of Sousa's first big hit as a march. The Gladiator is an early work by John Philip Sousa, written in 1886 while he was leader of the US Marine Band. The Gladiator was written as a tribute to Charles B. Towle, a journalist at the Boston Traveler. The journalist introduced him to the Knights Templar. There is speculation about the origins of the march's name. Sousa had not written many marches before that, and none of them received great popularity. The Gladiator, however, sold over a million copies - a record for the time and it was soon performed frequently. It follows the traditional march style of the period. Although marches such as Semper Fidelis, The Washington Post, Stars and Stripes Forever and Hands Across the Sea have achieved greater popularity, the Gladiator is still regarded as John Philip Sousa's first success.
$17.50
16.06 €
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Brass Quartet: 4 trombones
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John Philip Sousa
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Gladiator March for Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomo…
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Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00
1.84 €
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David Warin Solomons
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Dawn in the Room for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Pathetique Sonata (slow mvt) by Beethoven- Simplified version
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.785679 Composed by L V Beethoven. A…
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Piano Solo - Level 3 - Digital Download SKU: A0.785679 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Instructional,Standards,Wedding. Score. 6 pages. Grant Horsley #5200701. Published by Grant Horsley (A0.785679). Pathetique Sonata (slow mvt) by Beethoven- Simplified versionThis version is with the pianist who doesn't feel quite ready for the full version and would love to play this gorgeous movement. I have arranged it in several ways to make it simpler without changing too much.It has been put into 4/4 instead of 2/4 time to be more user friendly. Also there is nothing greater than an octave in either hand. Inside parts (where appropriate) have been divided between the hands so there are no uncomfortable stretches. All ornaments have been written out in full for the purpose of the arrangement, and the big chords in the middle section have been minimised but keep the power required. The audio is my own recording of the piece.I have listed it as top end Intermediate, (grade 5-6) could manage it.The whole score is on the youtube link to assess suitability- set at intermediate level. It is 4 mins 30 in length.
$5.25
4.82 €
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Piano solo
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L V Beethoven
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Pathetique Sonata
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Grant Horsley
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SheetMusicPlus
"July" (Serenade) in F major, from Das Jahr - Level 3 piano arrangement
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.902461 Composed by Fanny Mendelssoh…
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Easy Piano - Level 2 - Digital Download SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996643. Published by Cameron E Smith (A0.902461). Basic Info:Piano Solo Sheet music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:One of 12 pieces in piano suite Das Jahr (The Year), F major, composed by Romantic composer Fanny Mendelssohn Hensel. H. 385. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand and left-hand use finger crossings and multiple positions. Flats and sharps are mixed. Quarter-notes, half-notes, dotted half-notes and whole notes.Technique:Finger crossings are introduced. Long tied notes. Flats and sharps. Hands are mostly independent.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composer? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Easy Piano
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Fanny Mendelssohn Hensel
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"July"
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Cameron E Smith
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SheetMusicPlus
When in Our Music God Is Glorified
Choral SATB
SATB choir, orchestra - Digital Download SKU: H1.C5900ODP Composed by Charles Villi…
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SATB choir, orchestra - Digital Download SKU: H1.C5900ODP Composed by Charles Villiers Stanford. Arranged by Mary McDonald. In Christ Alone My Hope Is Found. General Worship. Set of Instrumental Parts. 48 pages. Hope Publishing - Digital #C5900ODP. Published by Hope Publishing - Digital (H1.C5900ODP). Fred Pratt Green. Psalm 150:6 - 2corinthians5:7.Popular hymn There is probably no greater hymn of this generation that so clearly expresses praise to God through music than this one by Fred Pratt Green. In the hands of arranger Mary McDonald it rises to even further grandeur. The resounding alleluias thoroughly entwine this expression of faith with every voice and instrument joining in song to glorify God.
$59.95
55.01 €
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Choral SATB
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Charles Villiers Stanford
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When in Our Music God Is Glorified
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Hope Publishing - Digital
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SheetMusicPlus
Greater Hands
Choral
By Horace J. Scruggs, III. For Choral. Sacred, 21st Century. Advanced Intermediate. Octavo…
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By Horace J. Scruggs, III. For Choral. Sacred, 21st Century. Advanced Intermediate. Octavo. Published by Horace Jefferson Scruggs, III
$3.99
3.66 €
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Choral
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Horace J
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Greater Hands
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Horace Jefferson Scruggs, III
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SheetMusicPlus
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