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You've selected:
Gui Vieira
Sheetmusic to print
7 sheet music found
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1
Collection - Song Book Família Guiga
Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - Digital Downlo…
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Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1093519 By FamÃlia Guiga. By Antônio Gregório Pereira, José Rodrigues Vieira, João Batista Pereira, and Xisto Pereira. Arranged by Célio Augusto Souza Pereira. Classical,Contemporary,Folk,Multicultural,Traditional,World. Score and parts. 121 pages. Célio Guiga #697583. Published by Célio Guiga (A0.1093519). This song book reveals part of the musical production of four composers FamÃlia Guiga: Antônio Gregório Pereira - “sô†Guiga (1886-1961), José Rodrigues Vieira - or Zé Rodrigues (1929-1972), João Baptista Pereira – or João Guiga (1940) and Xisto Pereira - or Xisto Guiga (1944-2013). The compilation gathers thirty compositions, including songs and instrumentals, which received lyrics by musicians of his own family and also from Leonardo Queiroz Gonçalves, a poet and friend of the family, afterwards. The musical transcriptions that are present in the book are used for the singing and musical performance of solo and accompaniment (melody and harmony), and can be played on any instrument. So his melodies were written in twofold claves system: in the treble clef that part of the main melody was noted, showing the lyrics for singers and a suggested arrangement for the bass part was noted in the bass clef. Both parts bring to the ciphered harmonies, aimed at guiding the musical performance of harmonic instruments (piano, guitar, keyboard etc.). There are also rhythm indications of each musical genre in the transcripts, which assists the execution of the songs. Finally, readers (students, professional and amateur musicians) will have the opportunity to enjoy a material that will make the implementation of the repertoire easier. And, beyond the artistic use, this song book reveals itself as a pedagogical tool. It is also a useful reference for learning and vocabulary expansion and about genre of this style of brazilian instrumental music, which main origin is in the popular musical language choro.
$20.00
18.67 €
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FamÃlia Guiga
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Collection - Song Book Família Guiga
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Célio Guiga
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SheetMusicPlus
Let Her Go
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1213879 By Passenger. By Michael Da…
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Easy Piano - Level 2 - Digital Download SKU: A0.1213879 By Passenger. By Michael David Rosenberg. Arranged by Gui Vieira. Pop,Rock,Singer/Songwriter. Score. 3 pages. Gui Vieira #811078. Published by Gui Vieira (A0.1213879). Let Her Go é a escolha perfeita para quem busca uma melodia super conhecida, com mais de 3 bilhões de visualizações no YouTube. Essa partitura está escrita para ser tocada em diversos instrumentos em C, como violino, flauta C, flauta doce, oboé, saxofone C, clarinete C e violão. Com melodias belas e emotivas e letras profundas que capturam a essência de um amor perdido, Let Her Go é uma canção emocionante. A música é um sucesso internacional que transporta o ouvinte para uma viagem sentimental, cativante e emocionante. A edição dessa partitura foi escrita por Gui Vieira, um pianista e produtor musical profissional brasileiro. A partitura está formatada com notas e acordes precisos, permitindo que você explore toda a riqueza e complexidade da música. O arquivo de áudio MIDI incluÃdo ajuda no estudo e na interpretação da música. Essa peça versátil pode ser tocada em diversos locais, desde apresentações solo a eventos corporativos e casamentos. Com uma duração de cerca de 4 minutos, ela é perfeita também para alunos que querem aprimorar suas habilidades musicais. Adquira agora a partitura de Let Her Go e comece a contar sua própria história musical através dessa música. Palavras-chave: Partitura, Let Her Go, Passenger, Violin, Flute, Violão, Notas e Acordes Precisos, Pop, Romantic, MIDI, Balada, Love Song, Casamento.
$4.99
4.66 €
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Easy Piano
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Passenger
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Let Her Go
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Gui Vieira
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SheetMusicPlus
Mary Ann Vieira: Rebirth Of Slick (Cool Like Dat) for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Digable Planets for voice, piano or guitar of MEDIUM sk…
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Instantly printable sheet music by Digable Planets for voice, piano or guitar of MEDIUM skill level. / film/tv,hip-hop,pop,movies
$7.97
7.44 €
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Piano, Vocal and Guitar
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Mary Ann Vieira
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Virtualsheetmusic
O Menino Da Porteira
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.899418 By Tiao Carrei…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.899418 By Tiao Carreiro & Pardinho. By Luiz Raymundo and Teddy Vieira De Azevedo. Arranged by Estevão Ewald. Contemporary. Score. 2 pages. Estevao Ewald #5999485. Published by Estevao Ewald (A0.899418).
$7.00
6.53 €
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Piano, Vocal and Guitar
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Tiao Carreiro & Pardinho
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O Menino Da Porteira
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Estevao Ewald
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.42 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Naquele Tempo
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1104…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1104133 Composed by Alfredo Da Rocha Viana and Benedicto Lacerda. Arranged by Ana Vieira. 20th Century,Chamber,Multicultural,Traditional,World. 15 pages. Ana Vieira #707366. Published by Ana Vieira (A0.1104133). Arranjo para Orquestra de Cordas do choro de Pixinguinha e Benedicto Lacerda.
$15.00
14 €
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String Quintet: 2 violins, viola, cello, bass
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Alfredo Da Rocha Viana and Benedicto Lacerda
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Naquele Tempo
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Ana Vieira
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SheetMusicPlus
Hino ÌÊ Pauliceia
Piano, Vocal and Guitar
By Marcelo Torca e JosÌ© Vieira Torcato. For Piano, Voice, Guitar. Secular, La…
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By Marcelo Torca e Jos̩ Vieira Torcato. For Piano, Voice, Guitar. Secular, Latin, World. Early Intermediate. Sheet Music Single. Published by Marcelo Torca
$3.99
3.72 €
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Piano, Vocal and Guitar
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Marcelo Torca e Jos̩ Vieira Torcato
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Vieira Torcato
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Hino ÌÊ Pauliceia
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Marcelo Torca
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SheetMusicPlus
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