I Don't Think That I Like Her Sheet Music to download and print

I Don't Think That I Like Her

I Don't Think That I Like Her Piano, Voice

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1113563 By Charlie Puth. By …(+)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1113563 By Charlie Puth. By Blake Slatkin, Charlie Puth, Jacob Kasher Hindlin, and Jake Torrey. Arranged by Bruna T. Pop,Singer/Songwriter. Score. 9 pages. Bruna T. #715475. Published by Bruna T. (A0.1113563). I Don't Think That I Like Her sheet music. Learn how to play I Don't Think That I Like Her by Charlie Puth with this fun and easy piano and voice arrangement. Start playing today by yourself or with your favorite musician!
$6.99 6.27 € #Piano, Voice #Charlie Puth #I Don't Think That I Like Her #Bruna T. #SheetMusicPlus

#I Don't Think That I Like Her

I Don't Think That I Like Her Easy Piano

Easy Piano - Level 2 - Digital Download SKU: A0.1112791 By Charlie Puth. By Blake S…(+)

Easy Piano - Level 2 - Digital Download SKU: A0.1112791 By Charlie Puth. By Blake Slatkin, Charlie Puth, Jacob Kasher Hindlin, and Jake Torrey. Arranged by Bruna T. Pop,Singer/Songwriter. Score. 4 pages. Bruna T. #714758. Published by Bruna T. (A0.1112791). I Don't Think That I Like Her sheet music. Learn how to play I Don't Think That I Like Her by Charlie Puth with this fun and easy piano arrangement. Start today!
$5.99 5.37 € #Easy Piano #Charlie Puth #I Don't Think That I Like Her #Bruna T. #SheetMusicPlus

I Don't Think That I Like Her by Wei Nin - Violin Solo

I Don't Think That I Like Her by Wei Nin - Violin Solo Violin

Sheet Music for I Don't Think That I Like Her by Wei Nin arranged for Instrumental So…(+)

Sheet Music for I Don't Think That I Like Her by Wei Nin arranged for Instrumental Solo in B Major. Digital sheet music from Musicnotes. --
$4.99 4.47 € #Violin #Violin Solo #Musicnotes

I Don't Think That I Like Her by Charlie Puth - Piano/Vocal/Chords, Singer Pro

I Don't Think That I Like Her by Charlie Puth - Piano/Vocal/Chords, Singer Pro Piano, Vocal and Guitar

Sheet Music for I Don't Think That I Like Her by Charlie Puth arranged for Piano/Voca…(+)

Sheet Music for I Don't Think That I Like Her by Charlie Puth arranged for Piano/Vocal/Chords;Singer Pro in B Major. Digital sheet music from Musicnotes. --
$5.79 5.19 € #Piano, Vocal and Guitar #Piano/Vocal/Chords, Singer Pro #Musicnotes

I Don't Think That I Like Her by Charlie Puth - Piano/Vocal/Guitar

I Don't Think That I Like Her by Charlie Puth - Piano/Vocal/Guitar Piano, Vocal and Guitar

Sheet Music for I Don't Think That I Like Her by Charlie Puth arranged for Piano/Voca…(+)

Sheet Music for I Don't Think That I Like Her by Charlie Puth arranged for Piano/Vocal/Guitar in Bb Major (Transposable). Digital sheet music from Musicnotes. --
$5.79 5.19 € #Piano, Vocal and Guitar #Piano/Vocal/Guitar #Musicnotes

I Don't Think That I Like Her by Piano in U - Piano Solo

I Don't Think That I Like Her by Piano in U - Piano Solo Piano solo

Sheet Music for I Don't Think That I Like Her by Piano in U arranged for Instrumental…(+)

Sheet Music for I Don't Think That I Like Her by Piano in U arranged for Instrumental Solo;Piano/Chords in B Major. Digital sheet music from Musicnotes. --
$5.99 5.37 € #Piano solo #Piano Solo #Musicnotes

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going  (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe.  Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out.  As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

I Don't Want To Walk Without You

I Don't Want To Walk Without You Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794070 Composed by Jule Styn…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794070 Composed by Jule Styne. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6016095. Published by DAVID LEE GINGRAS (A0.794070). The music for I Don't Want To Walk Without You was written by Jule Styne with the lyrics by Frank Loesser. Composer Irving Berlin was a huge admirer of the song. Berlin reportedly said that of all the songs by other composers he had heard, he would have been most proud to have written I Don't Want to Walk Without You. The version features a root-based chord-blocking technique that John and I have used in a number of our arrangements. We also added some left-hand fills that we think you will like. Enjoy!
$4.99 4.47 € #Piano, Voice #Jule Styne #I Don't Want To Walk Without You #DAVID LEE GINGRAS #SheetMusicPlus

#I Don't Want To Walk Without You

I'll Be Home For Christmas Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1317916 By Brian McKnight. By Kim G…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 pages. Thomas Gunther Music Productions #906608. Published by Thomas Gunther Music Productions (A0.1317916). About my solo piano arrangement of I'll Be Home For ChristmasMy Solo Piano Arrangement of I'll Be Home For Christmas is written in a jazz-latin type style. I wrote it out note for note, and even included fingering and sustain pedal suggestions. I also included jazz chord symbols for those of you that either like to know what harmonies I was thinking, or want to add their own ideas based on those chords. The chords I used are pretty much based on the original harmony.Â When I started out arranging for solo piano I was especially curious about how to create a latin groove underneath a melody. I studied bossa and samba music as well as cuban music for that. The rumba is a great style to start with. That's also the bases for this arrangement.Â About the song I'll Be Home For ChristmasI have a very special relationship to this song. I first heard it after moving to the United States from Germany and spending my first Christmas in Chicago. On that Christmas Eve I was all alone for the first time, and when I turned on the radio this song came on. I don't easily cry, bad that was one of those moments when the floodgates just open up. It is such a sentimental song. And the closing lyrics I'll be home for Christmas, if only in my dreams are just so emotional in this context.Enjoy!
$6.99 6.27 € #Piano solo #Brian McKnight #I'll Be Home For Christmas #Thomas Gunther Music Productions #SheetMusicPlus

Charlie Puth: I Don't Think That I Like Her - voice, piano or guitar