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You've selected:
Leonardo-Vinci
SheetMusicPlus
Sheetmusic to print
22 sheet music found
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1
Leonardo Vinci Al fiero mio sospetto (Bass Voice) transcribed by Helios D'Andrea
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1148048 Composed by Leo Vinc…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1148048 Composed by Leo Vinci. Arranged by Helios D'Andrea. Baroque. Score. 4 pages. D'Andrea Helios #748241. Published by D'Andrea Helios (A0.1148048).
$3.00
2.8 €
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Piano, Voice
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Leo Vinci
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Leonardo Vinci Al fiero mio sospetto
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D'Andrea Helios
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SheetMusicPlus
12 Selected Castrato Pieces - Sublime Bliss
Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,High Voice,Horn,Low Voice,Viola,Violi…
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Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,High Voice,Horn,Low Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.925033 Composed by George Frideric Handel, Henry Purcell, Leonardo Vinci, Nicola Porpora, and Riccardo Broschi. Arranged by Gabriel Sung. Baroque,Opera. Score and parts. 119 pages. Gabriel Bachmanov #4361695. Published by Gabriel Bachmanov (A0.925033). A collection of 12 underrated yet sublime Baroque pieces written for the castrato voice, this book is suitable for sopranos, mezzo sopranos and countertenors in the modern age.Following are the pieces included:Handel - Ombra mai fu (from Serse)Handel - Lascia ch'io pianga (from Rinaldo)Handel - Scherza infida (from Ariodante)Handel - Cara sposa (from Rinaldo)Handel - Va tacito (from Giulio Cesare in Egitto)Purcell - They tell us that (from The Indian Queen)Purcell - When I am Laid (from Dido and Aeneas)Porpora - Alto Giove (from Polifemo)Broschi - Se al labbro (from Artaserse)Broschi - Ombra fedele (from Idaspe)Vinci - Per pieta (from Artaserse)Vinci - Perche tarda (from Artaserse).
$14.99
14.01 €
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George Frideric Handel, Henry Purcell, Leonardo Vinci, Nicola Porpora, and Riccardo Broschi
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12 Selected Castrato Pieces - Sublime Bliss
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Gabriel Bachmanov
#
SheetMusicPlus
Da Vinci Requiem
Soprano and baritone soloists, SATB chorus chorus, and orchestra - Digital Download SKU…
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Soprano and baritone soloists, SATB chorus chorus, and orchestra - Digital Download SKU: OX.9780193706149 Composed by Cecilia McDowall. Vocal score. 68 pages. Oxford University Press Digital #9780193706149. Published by Oxford University Press Digital (OX.9780193706149). ISBN 9780193706149.For soprano and baritone soloists, SATB chorus, and orchestra. This significant work from Cecilia McDowall presents an imaginative pairing of the Latin Requiem text and extracts from the Notebooks of Leonardo da Vinci, with contrasting solo and chorus movements creating an effective dramatization.
$17.25
16.12 €
#
Cecilia McDowall
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Da Vinci Requiem
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Oxford University Press Digital
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SheetMusicPlus
Teco, sì, vengo anch'io (A-flat major)
Piano, Voice
Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST P…
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Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124201). - Score - Baroque Period - AST Publications
$9.99
9.34 €
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Piano, Voice
#
Leonardo Vinci
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Teco, sì, vengo anch'io
#
AST Publications
#
SheetMusicPlus
Teco, sì, vengo anch'io (B-flat major)
Piano, Voice
Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST P…
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Composed by Leonardo Vinci (1690-1730). Baroque Period. Score. 9 pages. Published by AST Publications (S0.124297). - Score - Baroque Period - AST Publications
$9.99
9.34 €
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Piano, Voice
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Leonardo Vinci
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Teco, sì, vengo anch'io
#
AST Publications
#
SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
12.14 €
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Leonardo Leo
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento
#
Guido Menestrina
#
SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
(+)
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
13.08 €
#
Choral SATB
#
Leonardo Leo
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
#
Guido Menestrina
#
SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.82 €
#
Choral SATB
#
Leonardo Leo
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Guido Menestrina
#
SheetMusicPlus
I obey thee, O Lord (Lacrimosa)
Choral SATB
SATB choir divisi and piano or organ - Digital Download SKU: OX.9780193531673 Fr…
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SATB choir divisi and piano or organ - Digital Download SKU: OX.9780193531673 From Da Vinci Requiem. Composed by Cecilia McDowall. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193531673. Published by Oxford University Press Digital (OX.9780193531673). ISBN 9780193531673.For SATB (with divisions) and piano or organ. The third movement of McDowall's powerful Da Vinci Requiem, this anthem is a compelling pairing of the 'Lacrimosa' text from the Missa pro defunctis with extracts from the Notebooks of Leonardo da Vinci, and has a poignant, tender simplicity.
$3.65
3.41 €
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Choral SATB
#
Cecilia McDowall
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I obey thee, O Lord
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Oxford University Press Digital
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SheetMusicPlus
Suite
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1403054 Composed by Rachel Portma…
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Concert Band - Level 2 - Digital Download SKU: A0.1403054 Composed by Rachel Portman. Arranged by John Ivor Holland. 21st Century,Film/TV,Wedding. 77 pages. John Ivor Holland #986254. Published by John Ivor Holland (A0.1403054). 'Mona Lisa Smile' is a 2003 American drama film directed by Mike Newell and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal. The title is a reference to the Mona Lisa, the famous painting by Leonardo da Vinci, and to the song of the same name, originally performed by Nat King Cole, which was covered by Seal for the movie. Julia Roberts received a record $25 million for her performance, the highest ever earned by an actress at that time. Rachel Portman's score for the film is in a similar vein to her others for 'The Cider House Rules' and 'Chocolat', but the lovely flute theme in this suite works nicely for concert band and the combination of piano and vibraphone (originally harp) lend a pulsating texture throughout. Perfect for a quiet moment in a concert of film music and, of course, important music by a woman composer in a crowded market of male writers. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
56.08 €
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Concert band
#
Rachel Portman
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Suite
#
John Ivor Holland
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SheetMusicPlus
Dance, dance, kind girl
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1290951 Composed by Francesco D…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1290951 Composed by Francesco Durante. Arranged by Jane Frasier. Baroque. Score and part. 12 pages. Jane Frasier #881637. Published by Jane Frasier (A0.1290951). Francesco Durante (1684-1755) was a Neapolitan composer. His works were primarily sacred music, but this is one of his secular songs. He was also a teacher and among his pupils were Leonardo Da Vinci and Pergolesi.
$4.99
4.66 €
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Trombone and Piano
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Francesco Durante
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Dance, dance, kind girl
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Jane Frasier
#
SheetMusicPlus
Dance, dance, kind girl
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1276764 Composed by Fran…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1276764 Composed by Francesco Durante. Arranged by Jane Frasier. Baroque. Score and part. 12 pages. Jane Frasier #868451. Published by Jane Frasier (A0.1276764). Francesco Durante (1684-1755) was a Neapolitan composer. His works were primarily sacred music, but this is one of his secular songs. He was also a teacher and among his pupils were Leonardo Da Vinci and Pergolesi.
$4.99
4.66 €
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Clarinet and Piano
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Francesco Durante
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Dance, dance, kind girl
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Jane Frasier
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SheetMusicPlus
Dance, dance, kind girl
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1290165 Composed by Francesco Dura…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1290165 Composed by Francesco Durante. Arranged by Jane Frasier. Baroque. Score and part. 12 pages. Jane Frasier #880883. Published by Jane Frasier (A0.1290165). Francesco Durante (1684-1755) was a Neapolitan composer. His works were primarily sacred music, but this is one of his secular songs. He was also a teacher and among his pupils were Leonardo Da Vinci and Pergolesi.
$4.99
4.66 €
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Flute and Piano
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Francesco Durante
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Dance, dance, kind girl
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Jane Frasier
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SheetMusicPlus
The Gallery
Chorus - Digital Download SKU: AX.00-PO-0007006 Secular Choral. 15 pages. Alfred Mu…
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Chorus - Digital Download SKU: AX.00-PO-0007006 Secular Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0007006. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007006). UPC: 038081572987. Vincent van Gogh; Edgar Degas; Leonardo da Vinci; Pablo Picasso; Michelangelo.
$2.20
2.06 €
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Edgar Degas
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The Gallery
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mona Lisa
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.509010 By Nat King Cole. By Jay L…
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C Instrument - Level 4 - Digital Download SKU: A0.509010 By Nat King Cole. By Jay Livingston and Ray Evans. Arranged by John Fries. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #120104. Published by John Fries (A0.509010). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. In this song, Nat King Cole compares his love to the famous painting by Leonardo da Vinci. The Mona Lisa is famous for her smile and her mystique, as the portrait has become one of the most famous works of art in history. Before this big hit Nat King Cole was better known as a pianist. Until 1947 when he was credited as a solo artist on Nature Boy, he recorded as a member of the King Cole Trio. Mona Lisa helped establish his reputation as a top vocalist of the era, although many Jazz aficionados consider Cole one of the best piano players of the time.
$3.99
3.73 €
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C Instruments
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Nat King Cole
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Mona Lisa
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John Fries
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SheetMusicPlus
Mona Lisa
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201343 By Nat King C…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201343 By Nat King Cole. By Jay Livingston and Ray Evans. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799997. Published by John Fries (A0.1201343). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. In this song, Nat King Cole compares his love to the famous painting by Leonardo da Vinci. The Mona Lisa is famous for her smile and her mystique, as the portrait has become one of the most famous works of art in history. Before this big hit Nat King Cole was better known as a pianist. Until 1947 when he was credited as a solo artist on Nature Boy, he recorded as a member of the King Cole Trio. Mona Lisa helped establish his reputation as a top vocalist of the era, although many Jazz aficionados consider Cole one of the best piano players of the time.
$4.99
4.66 €
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Piano, Vocal and Guitar
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Nat King Cole
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Mona Lisa
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John Fries
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SheetMusicPlus
Uriel - for harp or piano
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971…
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Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641). Duration: 5 min. 45 sec. Appropriate for recitals, concert performances, and worship services. In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers. The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener. Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$19.00
17.76 €
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Jeffrey Hoover
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Uriel - for harp or piano
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Musicart Publications
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SheetMusicPlus
Dance, dance, kind girl
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292708 Composed by Franc…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292708 Composed by Francesco Durante. Arranged by Jane Frasier. Baroque. Score and part. 12 pages. Jane Frasier #883271. Published by Jane Frasier (A0.1292708). Francesco Durante (1684-1755) was a Neapolitan composer. His works were primarily sacred music, but this is one of his secular songs. He was also a teacher and among his pupils were Leonardo Da Vinci and Pergolesi.
$4.99
4.66 €
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Alto Saxophone and Piano
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Francesco Durante
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Dance, dance, kind girl
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Jane Frasier
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SheetMusicPlus
Dance, dance, kind girl
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1289790 Composed by Fran…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1289790 Composed by Francesco Durante. Arranged by Jane Frasier. Baroque. Score and part. 12 pages. Jane Frasier #880487. Published by Jane Frasier (A0.1289790). Francesco Durante (1684-1755) was a Neapolitan composer. His works were primarily sacred music, but this is one of his secular songs. He was also a teacher and among his pupils were Leonardo Da Vinci and Pergolesi.
$4.99
4.66 €
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Tenor Saxophone and Piano
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Francesco Durante
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Dance, dance, kind girl
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Jane Frasier
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SheetMusicPlus
Sonate en Ré Majeur Allegro
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1134176 By Denis Gagno…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1134176 By Denis Gagnon. By Leonardo da Vinci (1452–1519). Arranged by D. Gagnon. 19th Century,Baroque. Score and part. 7 pages. D. Gagnon #734263. Published by D. Gagnon (A0.1134176). Arrangement pour piano et saxophone soprano qui demande la respiration circulaire pour l'interprète.
$18.00
16.83 €
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Soprano Saxophone and Piano
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Denis Gagnon
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Sonate en Ré Majeur Allegro
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D. Gagnon
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SheetMusicPlus
Bull: Salvator mundi for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 26 pages. Jmsgu3 #882018. Published by jmsgu3 (A0.1291367). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.The significance of John Bull's Salvator Mundi lies in its historical and cultural importance as a musical composition. John Bull was a prominent English composer, and his work Salvator Mundi is part of the Fitzwilliam Virginal Book, a collection of keyboard music from the late Elizabethan and early Jacobean periods. Bull's music is highly regarded, placing him among the foremost composers of his time, along with Byrd, Gibbons, and Tomkins. The term Salvator Mundi also appears in a papal bull issued by Boniface VIII in the 14th century, which was a definitive statement of the late medieval theory of hierocracy, emphasizing the pope's supremacy. Salvator Mundi is also known as the title of a famous painting attributed to Leonardo da Vinci, which has been the subject of extensive investigation regarding its materials and techniques. Therefore, Salvator Mundi holds significance in music, history, and art.
$28.95
27.06 €
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String Quartet: 2 violins, viola, cello
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Dr
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Bull: Salvator mundi for String Quartet
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jmsgu3
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SheetMusicPlus
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
Choral TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith …
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
$4.99
4.66 €
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Choral TTBB
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Judith Cloud
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Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
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Judith Cloud
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SheetMusicPlus
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