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You've selected:
MARCH, FLY OR ROW
Sheetmusic to print
11 sheet music found
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1
MARCH, FLY OR ROW
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Flute,Horn,Oboe - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.988092 Composed by Marching to Pretoria-Josef Maruis, I'll Fly Away-Albert Brumley, Michael-C. Ware. Arranged by Michael Vondracek. Folk. 67 pages. Michael Vondracek #6864021. Published by Michael Vondracek (A0.988092). A combination of several folk tunes and hymns suggests a mode of travel. Several familiar tunes are quoted throughout the piece. The technical demands of the piece are fairly minimal and instrumentation includes a bass clarinet rather than a bassoon. Possibly putting the work in the hands of a developing WW quintet. An mp3 of the piece is included using vst instruments.
$10.00
9.27 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Marching to Pretoria-Josef Maruis, I'll Fly Away-Albert Brumley, Michael-C
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MARCH, FLY OR ROW
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Michael Vondracek
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SheetMusicPlus
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
7.41 €
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Brass ensemble
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John Philip Sousa
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King Cotton by John Philip Sousa
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Alexander Burden
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SheetMusicPlus
Now the Dove Flies
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Compo…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00
7.42 €
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
36.16 €
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Orchestra
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John Stafford Smith
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.92 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Americana Collection For Band - 1st Alto Saxophone
Concert band
Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Compos…
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Concert Band - Difficulty: medium SKU: HL.4476008 1st Alto Saxophone. Composed by Various. Band Folio. Americana. Alto saxophone songbook. 32 pages. Rubank Publications #3. Published by Rubank Publications (HL.4476008). UPC: 073999760088. 5.3x6.8 inches.Rubank (with optional Strings) Grades 2-3. Can be played solo or with other books in the series.
Song List: Abide with Me All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) America, the Beautiful The Band Played On Battle Hymn Of The Republic Beautiful Dreamer A Bicycle Built for Two (Daisy Bell) Blow the Man Down Carry Me Back To Old Virginny Columbia, The Gem Of The Ocean (The Red, White And Blue) Come, Ye Thankful People, Come Cradle Song Deck the Hall (I Wish I Was In) Dixie Fairest Lord Jesus Farewell To Thee Finlandia The First Noel For He's a Jolly Good Fellow God Of Our Fathers Good Night Ladies Hail, Columbia Hail, Hail, The Gang's All Here Hail To The Chief Hark! The Herald Angels Sing HOme Sweet Home In the Gloaming It Came Upon the Midnight Clear Jeanie With The Light Brown Hair Jingle Bells Jolly Old St. Nicholas Joy To The World The Last Rose Of Summer Lead, Kindly Light Little Brown Jug Loch Lomond (Deis) Love's Old Sweet Song The Man On The Flying Trapeze Marine's Hymn Maryland, My Maryland A Mighty Fortress Is Our God My Faith Looks Up To Thee My Old Kentucky Home Nearer, My God, to Thee Nobody Knows The Trouble I've Seen Now The Day Is Over O Come, All Ye Faithful (Adeste Fideles) O Little Town of Bethlehem Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Old Hundred Onward, Christian Soldiers Praise God, from Whom All Blessings Flow Rock Of Ages Sailing Short'nin' Bread Silent Night Silver Threads Among The Gold Sweet and Low Swing Low, Sweet Chariot Tramp! Tramp! Tramp! Viennese Refrain When Johnny Comes Marching Home While Shepherds Watched Their Flocks Yankee Doodle Taps Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Auld Lang Syne Home on the Range
$3.99
3.7 €
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Concert band
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Various
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Americana Collection For Band - 1st Alto Saxophone
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Rubank Publications
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SheetMusicPlus
Americana Collection for Band
Concert band
Concert Band SKU: HL.4476018 1st F Horn (or 1st and 2nd). Composed by Variou…
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Concert Band SKU: HL.4476018 1st F Horn (or 1st and 2nd). Composed by Various. Band Folio. Carol, Christmas/Advent Sacred, General Worship, Hymns, Patriotic, Spirituals. 32 pages. Published by Rubank Publications (HL.4476018). UPC: 073999620061. 6.75x5.25x0.092 inches.
Song List: All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) The Band Played On Beautiful Dreamer Carry Me Back To Old Virginny Come, Ye Thankful People, Come Fairest Lord Jesus Farewell To Thee Finlandia The First Noel Hail, Columbia Hail To The Chief Hark! The Herald Angels Sing Jeanie With The Light Brown Hair Joy To The World 'Tis The Last Rose Of Summer Love's Old Sweet Song Marine's Hymn A Mighty Fortress Is Our God My Old Kentucky Home Now The Day Is Over O Christmas Tree Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Onward, Christian Soldiers Silent Night Silver Threads Among The Gold Swing Low, Sweet Chariot Viennese Refrain Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Nobody Knows The Trouble I've Seen Battle Hymn Of The Republic Taps Yankee Doodle My Faith Looks Up To Thee Jolly Old St. Nicholas Cradle Song Little Brown Jug Rock Of Ages Lead, Kindly Light Sailing (I Wish I Was In) Dixie The Man On The Flying Trapeze Maryland, My Maryland Old Hundred Short'nin' Bread Tramp! Tramp! Tramp! When Johnny Comes Marching Home Loch Lomond God Of Our Fathers Good Night Ladies Columbia, The Gem Of The Ocean (The Red, White And Blue) Hail, Hail, The Gang's All Here Abide With Me O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Auld Lang Syne America, The Beautiful Home On The Range For He's A Jolly Good Fellow A Bicycle Built For Two (Daisy Bell) Praise God, From Whom All Blessings Flow Blow The Man Down In The Gloaming Sweet And Low Jingle Bells Home Sweet Home Deck The Hall Nearer, My God, To Thee O Come, All Ye Faithful The Star-Spangled Banner
$4.99
4.63 €
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Concert band
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Various
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Americana Collection for Band
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Rubank Publications
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SheetMusicPlus
Americana Collection for Band
Concert band
Concert Band SKU: HL.4476020 3rd & 4th F Horns (or 3rd). Composed by Various…
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Concert Band SKU: HL.4476020 3rd & 4th F Horns (or 3rd). Composed by Various. Band Folio. Carol, Hymns, Patriotic, Spirituals. 32 pages. Published by Rubank Publications (HL.4476020). UPC: 073999662801. 5.25x6.75 inches.
Song List: All Through The Night Alma Mater Aloha Oe My Country, 'Tis Of Thee (America) The Band Played On Beautiful Dreamer Carry Me Back To Old Virginny Come, Ye Thankful People, Come Fairest Lord Jesus Farewell To Thee Finlandia The First Noel Hail, Columbia Hail To The Chief Hark! The Herald Angels Sing Jeanie With The Light Brown Hair Joy To The World 'Tis The Last Rose Of Summer Love's Old Sweet Song Marine's Hymn A Mighty Fortress Is Our God My Old Kentucky Home Now The Day Is Over O Christmas Tree Oh! Susanna Old Black Joe Old Folks At Home (Swanee River) Onward, Christian Soldiers Silent Night Silver Threads Among The Gold Swing Low, Sweet Chariot Viennese Refrain Crusaders' Hymn Forgotten Yesterdays The Star Spangled Banner Camptown Races Nobody Knows The Trouble I've Seen Battle Hymn Of The Republic Taps Yankee Doodle My Faith Looks Up To Thee Jolly Old St. Nicholas Cradle Song Little Brown Jug Rock Of Ages Lead, Kindly Light Sailing (I Wish I Was In) Dixie The Man On The Flying Trapeze Maryland, My Maryland Old Hundred Short'nin' Bread Tramp! Tramp! Tramp! When Johnny Comes Marching Home Loch Lomond God Of Our Fathers Good Night Ladies Columbia, The Gem Of The Ocean (The Red, White And Blue) Hail, Hail, The Gang's All Here Abide With Me O Little Town Of Bethlehem It Came Upon The Midnight Clear While Shepherds Watched Their Flocks Auld Lang Syne America, The Beautiful Home On The Range For He's A Jolly Good Fellow A Bicycle Built For Two (Daisy Bell) Praise God, From Whom All Blessings Flow Blow The Man Down In The Gloaming Sweet And Low Jingle Bells Home Sweet Home Deck The Hall Nearer, My God, To Thee O Come, All Ye Faithful The Star-Spangled Banner
$3.99
3.7 €
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Concert band
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Various
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Americana Collection for Band
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Rubank Publications
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SheetMusicPlus
The Saddest Noise
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
14.84 €
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separation’s sorceryÂ
Made cruelly more dear
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Christopher Tin and Emily Dickinson
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
I Hate Everything About You
Drums
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1215688 By Three Days Grace. By…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1215688 By Three Days Grace. By Gavin Brown and Three Days Grace. Arranged by Carlos Sanchez. Instructional,Rock. Score. 3 pages. Carlos Sanchez #812416. Published by Carlos Sanchez (A0.1215688). Drumset transcription of I Hate Everything About You(album version) by Three Days Grace; originally performed by Neil Sanderson; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$5.99
5.55 €
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Drums
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Three Days Grace
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I Hate Everything About You
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Carlos Sanchez
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SheetMusicPlus
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