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You've selected:
Meditation III For Organ
Sheetmusic to print
7 sheet music found
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1
Meditation III For Organ
Organ
Organ - Level 4 - Digital Download SKU: A0.912509 Composed by Thomas R. Schadl. Con…
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Organ - Level 4 - Digital Download SKU: A0.912509 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 9 pages. Thomas R. Schadl #6519103. Published by Thomas R. Schadl (A0.912509). The piece is about hope over despair. It begins softly and builds up musical intensity at the middle of the piece, depicting the longing of divine love. At its climax, one hears a hymn-like melody, but subsides in intensity.The last quarter of the piece is heard in a major key and represents God's assurance that He is with us, even in challenging times. Work may be suitable for Lenten, Good Friday services, and recital purposes. Organ registrations and tempo indications are only suggestions.
$8.99
8.28 €
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Organ
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Thomas R
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Meditation III For Organ
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Thomas R. Schadl
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SheetMusicPlus
Choralprelude VIII Transfiguration for Solo Organ
Organ
Organ - Digital Download SKU: A0.945890 Composed by Mark Andersen. Christian,Contem…
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Organ - Digital Download SKU: A0.945890 Composed by Mark Andersen. Christian,Contemporary,Sacred. Score. 4 pages. International Artists Foundation #6287451. Published by International Artists Foundation (A0.945890). Inspired by the Transfiguration, this is a short and quiet meditation useful for service playing as well as recital work.
$5.00
4.61 €
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Organ
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Mark Andersen
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Choralprelude VIII Transfiguration for Solo Organ
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International Artists Foundation
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SheetMusicPlus
Lithuanian Folk Suite, Op. 150 (Organ Solo)
Organ
Organ - Level 5 - Digital Download SKU: A0.1376761 Composed by Vidas Pinkevicius. C…
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Organ - Level 5 - Digital Download SKU: A0.1376761 Composed by Vidas Pinkevicius. Contemporary,Folk,Multicultural,World. Score. 28 pages. Vidas Pinkevicius #892039. Published by Vidas Pinkevicius (A0.1376761). Lithuanian Folk Suite, Op. 150 (2022) was commissioned by an American concert organist James D. Hicks for his project Baltic Sojourn. It consists of 4 movements (the optimistic March, the playful Scherzo, the thoughtful Meditation and the fiery Finale) each based on some of the most famous Lithuanian folk songs: I. March Palinko liepa Å¡alia kelio, II. Scherzo Oi lekia, lekia, III. Meditation Oi giria, giria, IV. Finale AÅ¡ padainuosiu. The video example is the premiere performance by James D. Hicks at St. Casimir's church in Vilnius, Lithuania on August 22, 2023. This suite will be very suitable to expand any concert program with colourful, original-sounding, yet listener-friendly music. Commissioned by and dedicated to James D. Hicks.
$14.99
13.81 €
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Organ
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Vidas Pinkevicius
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Lithuanian Folk Suite, Op. 150
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Vidas Pinkevicius
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.91 €
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Choral SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.38 €
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Choral SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Organ Sonata
Organ
Organ - Level 4 - Digital Download SKU: A0.1295747 Composed by Erik Meyer. 21st Cen…
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Organ - Level 4 - Digital Download SKU: A0.1295747 Composed by Erik Meyer. 21st Century,Religious,Sacred. Score. 10 pages. Erik Meyer #886047. Published by Erik Meyer (A0.1295747). Erik Meyer's three-movement Sonata for Organ - suitable for concert or liturgical use.I. Zippy (3:00) - an invigorating melodic preludeII. Schlow (4:00) - a quiet, mournful, meditative melodyIII. Phast (2:30) - a brief but exciting toccata, perfect for a postlude.
$4.99
4.6 €
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Organ
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Erik Meyer
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Organ Sonata
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Erik Meyer
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SheetMusicPlus
Reflections on "Wachet auf"
Organ
Organ - Level 4 - Digital Download SKU: A0.951046 Composed by Philipp Nicolai. Arra…
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Organ - Level 4 - Digital Download SKU: A0.951046 Composed by Philipp Nicolai. Arranged by Scott Roberts. Christian,Christmas,Contemporary,Sacred. Score. 30 pages. Scott Roberts #4641963. Published by Scott Roberts (A0.951046). A four-movement work based on the tune, Wachet auf, for organ solo. Moderately difficult. Suitable for prelude, postlude, offertory, recital.I. A voice calls to us (4'). A forceful opening movement in overture style.II. Rejoice, O Zion (3'20). A light, playful, 6/8 movement with double pedal serving as melody and bass, accompanied by two lively voices in the manuals.III. Meditation (9'). A quiet movement in which the melody soars via a 2' flute above a string celeste accompaniment.IV. Glory to God (3'30). A fugue whose theme is based on the opening and closing phrases of the tune.A live recording of all four movements is available at https://soundcloud.com/user-580092868/sets/reflections-on-wachet-auf-scott-roberts
$20.00
18.43 €
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Organ
#
Philipp Nicolai
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Reflections on "Wachet auf"
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Scott Roberts
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SheetMusicPlus
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