Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
67,925
Digital
Sheet Music
59,076
Sheet Music
Books
408,321
Music
Equipment
69,975
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
6616
PIANO & KEYBOARDS
Piano solo
13260
Piano, Voice
11765
Organ
1082
Easy Piano
807
1 Piano, 4 hands
517
Piano Trio: piano, violin, cello
123
2 Pianos, 4 hands
100
Piano, Vocal and Guitar
95
Accordion
63
Piano Quintet: piano, 2 violins, viola, cello
53
Piano Quartet: piano, violin, viola, cello
50
Piano Accompaniment
40
C Instruments
36
Harpsichord
28
Big Note Piano
24
Piano Quartet: piano, 2 violins, cello
20
Organ, Trumpet (duet)
16
2 Organs (duet)
11
Keyboard
10
Organ, Piano (duet)
9
Solo instrument and Organ
9
2 Accordions
6
1 Piano, 6 hands
5
Organ and Orchestra
4
2 Pianos, 8 hands
1
Melody line, Piano
1
Piano (band part)
1
Accordion ensemble
1
Organ, Voice
1
Accordion, String(s)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
926
Guitar notes and tablatures
360
2 Guitars (duet)
191
Melody line, (Lyrics) and Chords
31
4 Guitars (Quartet)
25
3 Guitars (trio)
21
Lyrics and Chords
14
Ukulele
14
Piano, Guitar (duet)
12
Bass guitar
7
Guitar, Violin, Cello (trio)
6
Mandolin
5
Dulcimer
5
Mandolin, Guitar (duet)
3
Guitar Ensemble
3
Lap Steel Guitar
2
Banjo
2
Guitar, Flute, Clarinet
2
Guitar, Orchestra
2
Plectrum Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
527
Voice solo
397
Choral TTBB
165
Choral 3-part
140
Medium voice, Piano
91
High voice
79
Low voice, Piano
73
Soprano voice, Piano
59
Choral
51
Vocal duet, Piano
41
Choral 2-part
38
Choral SSAA
32
Choral SSATTB
25
Mezzo-Soprano voice, Piano
22
Choral Unison
21
Baritone voice, Piano
21
Choral SSATB
20
High voice, Piano
17
Choral SSAATTBB
16
Vocal duet
13
Soli, Mixted choir and accompaniment
13
Alto voice, Piano
12
Low voice
4
Tenor voice, Piano
4
Choral SSAATB
3
Soprano voice, Orchestra
3
Choral SAATB A Cappella
2
Choral SATBB
2
Voice, Guitar
2
Soprano voice
2
Choral, Organ
1
Choral SSAB a cappella
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
828
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
468
Clarinet and Piano
454
Clarinet
410
Flute
305
Oboe, Piano (duet)
260
Alto Saxophone and Piano
254
2 Flutes (duet)
226
Clarinet Quartet: 4 clarinets
215
Saxophone Quartet: 4 saxophones
201
2 Saxophones (duet)
162
Flute, Oboe, Clarinet, Bassoon
142
Clarinet (band part)
141
Flute and Guitar
141
Soprano Saxophone and Piano
136
2 Clarinets (duet)
133
Tenor Saxophone and Piano
126
Flute Quartet: 4 flutes
109
Saxophone (band part)
102
Alto Saxophone
98
2 Recorders (duet)
84
Baritone Saxophone, Piano
81
3 Recorders (trio)
78
3 Clarinets (trio)
74
Saxophone
70
English horn, Piano
69
3 Saxophones (trio)
66
Bass Clarinet, Piano
64
Clarinet Ensemble
62
Oboe (band part)
61
Recorder Quartet
57
Saxophone Quintet: 5 Saxophones
57
Flute Trio: 3 flutes
52
Flute (band part)
51
2 Oboes (duet)
50
Flute, Clarinet and Bassoon.
43
Clarinet Quintet: 5 clarinets
42
Recorder
40
Flute, Clarinet (duet)
37
Flute, Oboe, Bassoon
33
Flute, Oboe, Clarinet (trio)
33
Tenor Saxophone
28
Wind ensemble
28
5 Recorders
27
Oboe
26
Flute ensemble
26
Flute, Basso continuo
25
Oboe, Clarinet, Bassoon (trio)
24
Saxophone ensemble
24
Descant (Soprano) Recorder
23
Clarinet, Guitar (duet)
20
Flute Quintet : 5 flutes
20
Piccolo, Piano
19
2 Clarinets, Bassoon
19
Treble (Alto) Recorder
19
Descent (Soprano) Recorder, Piano
18
Oboe, Bassoon (duet)
17
Clarinet Quintet: Clarinet, String Quartet
16
Treble (Alto) Recorder, Piano
16
Treble (Alto) Recorder, Basso continuo
15
Flute, Violoncello
15
Flute, Violin
13
Recorder, Piano
13
Clarinet and Viola
13
Recorder Ensemble
12
Clarinet, Bassoon (duet)
12
Harmonica
11
2 Clarinets, Piano
11
Flute, Cello, Piano (trio)
11
Flute, Violin and Violoncello
11
Soprano Saxophone
10
Flute, Violin, Piano
10
Flute, Clarinet, Piano (trio)
10
Flute, Viola (duet)
10
2 Flutes, Piano
9
Clarinet, Cello (duet)
9
Oboe, Clarinet (duet)
9
Clarinet, Violin (duet)
9
Piccolo
8
English Horn
8
Flute and Strings Trio
8
Ocarina
7
Flute and String Quartet
7
2 English horns and Pianoforte
7
Oboe, Flute
6
Clarinet, Bassoon, Piano (trio)
5
Clarinet Quartet: Clarinet, Violin, Viola, Cello
5
Eb Instruments
4
Clarinet, Orchestra
4
Tenor Recorder
4
Flute, Bassoon, and Piano
4
Flute, Violin, Guitar
4
Descant (Soprano) Recorder, Basso continuo
4
Flute, Cello, Guitar
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Oboe, Violin, Viola and Violoncello (Quartet)
4
Flute, Organ (duet)
3
Clarinette, Viola and Piano (trio)
3
Flute, harp and violin
3
3 Oboes
3
Oboe, Cello
3
2 Flutes, Basso continuo
2
Saxophone and Piano
2
Flute, Viola and Cello
2
Oboe and Orchestra
2
Clarinet, Harp (duet)
2
2 Recorders, Piano
2
English Horn, Guitar (duet)
2
Flute, Orchestra
2
Flute, Oboe, Piano (trio)
2
Oboe, Harp
1
Flute, viola, cello and guitar
1
Saxophone and Guitar
1
Clarinet, Cello, Piano (trio)
1
Recorder, Guitar (duet)
1
Bass Clarinet
1
Baritone Saxophone
1
Flute, Saxophone (duet)
1
Pennywhistle
1
Flute, Tuba (duet)
1
Harmonica, Piano
1
English horn, Harp (duet)
1
Flute, Viola and harp
1
Flute, Oboe (duet)
1
Flute, Viola and Piano
1
Flute, Violin, Violoncello and Piano
1
Oboe, Violin, Piano
1
Oboe and viola (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
229
Trombone and Piano
209
French Horn and Piano
196
Trumpet
195
French horn
187
Trumpet, Piano
181
Brass quartet : 2 trumpets, trombone, tuba
123
Trumpet (band part)
122
Euphonium, Piano (duet)
119
Trombone (band part)
92
Trombone
87
Tuba and Piano
80
English horn, Piano
69
2 French horns (duet)
62
French horn (band part)
42
2 Trumpets (duet)
41
Brass Quartet: 2 trumpets, horn, trombone
38
2 Trombones (duet)
36
Brass Quartet
32
Brass Quartet: 4 trombones
29
Brass Quartet: 4 horns
29
Tuba
27
Trombone ensemble
26
Bass Trombone and Piano
20
2 Euphoniums and 2 Tubas
17
Tuba (band part)
17
Trumpet, Trombone (duet)
16
Brass Trio
16
Euphonium
16
Horn Ensemble
14
4 Tubas
13
Trumpet, Horn (duert)
12
Trumpet ensemble
11
2 Tubas (duet)
11
2 Euphoniums (duet)
10
English Horn
8
Trombone, Horn (duet)
8
Euphonium, Tuba (duet)
8
2 English horns and Pianoforte
7
Brass Quartet: 4 trumpets
7
Trombone, Organ
6
3 Tubas (trio)
6
Trumpet and Guitar
5
3 Trumpets (trio)
5
Tuba and Organ
5
3 Trombones (trio)
4
Bb Instruments
4
Trumpet, Orchestra
3
Horn, Tuba (duet)
3
Trumpet, Tuba (duet)
3
Cornet
3
2 Trumpets, Keyboard (piano or organ)
3
Trombone, Tuba (duet)
3
3 French horns (trio)
3
Tuba ensemble
2
Cornet and Piano
2
English Horn, Guitar (duet)
2
Bass Clef Instruments
2
Horn and Orchestra
2
Trumpet, Bassoon (duet)
1
Trumpet, Cello (duet)
1
Trumpet, Trombone, Piano
1
French horn and Basson (duet)
1
English horn, Harp (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trombone, Violin (duet)
1
French Horn and Harp
1
Horn, Cello (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
1573
String Quartet: 2 violins, viola, cello
1484
Cello, Piano
910
Violin
782
Viola, Piano
487
Violin (band part)
348
Cello
333
Viola
259
2 Violins (duet)
249
Cello (band part)
230
2 Cellos (duet)
174
Viola (band part)
165
String Trio: violin, viola, cello
142
Violin, Viola (duet)
125
2 Violas (duet)
114
Violin, Cello (duet)
113
Harp
92
Violin, Guitar (duet)
86
String Trio: 2 violins, cello
83
4 Cellos
71
String Quintet: 2 violins, viola, cello, bass
58
String Trio: 3 violins
50
Double bass, Piano (duet)
48
String trio
47
Viola, Cello (duet)
44
Cello, Guitar (duet)
41
String quartet: 4 violins
41
Double Bass
41
2 Violins and Basso
35
2 Violins, Piano
34
Piano Trio: Violin, Viola, Piano
26
String Quintet: 2 violins, 2 violas, cello
26
Doublebass (band part)
25
String Trio: 3 cellos
25
Cello, Orchestra
24
Viola, Guitar (duet)
23
Violin, Basso continuo
21
2 Harps (duet)
20
Violoncello, Basso continuo
19
Cello, String Bass (duet)
17
String Quartet : 4 violas
16
String Trio: 2 violins, viola
14
Harp, Flute (duet)
14
Harp, Violin (duet)
12
2 Double basses (duet)
12
String Trio: 3 violas
9
2 Violas, Piano
7
2 Cellos, Piano
7
Violin, Organ
7
Flute, Doublebass (duet)
6
Harp, Cello (duet)
5
Viola and Bassoon
5
Violin, Clarinet, Piano (trio)
5
Violin, Bassoon (duet)
4
Violin ensemble
3
Harp and Piano
2
Cello, Organ
2
Viola and orchestra
2
Viola and Harp
2
3 double basses
1
String Quintet: 2 violins, viola, 2 cellos
1
Viola ensemble
1
4 Double Basses
1
Cello Ensemble
1
Violin, Cello, Clarinet
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
String Orchestra
619
Orchestra
616
Concert band
484
Chamber Orchestra
276
Percussion Ensemble
146
Brass ensemble
70
Percussion (band part)
32
Piano and Orchestra
30
Orchestra, Violin
27
Jazz Ensemble
24
Drums
18
Timpani (band part)
13
Vibraphone (band part)
10
Marimba
7
Handbells
7
Vibraphone
5
Marching band
4
Flexible Instrumentation
4
Xylophone
3
Woodwind Quartet: any 4 woodwinds
3
Woodwind Quintet
3
Percussion
2
Jazz combo
1
Drum (band part)
1
Snare drums
1
Marimba or Xylophone and Piano
1
Marimba and Organ
1
Marimba, Piano (duet)
1
Timpani
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Op
Sheetmusic to print
59,076 sheet music found
<
1
26
51
....
9976
Slavonic Dance G minor, Op. 46/8
1 Piano, 4 hands
Piano (4 hands) - easy to intermediate - Digital Download Composed by Antonin Dvorak …
(+)
Piano (4 hands) - easy to intermediate - Digital Download Composed by Antonin Dvorak (1841-1904). Edited by Monika Twelsiek. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2007 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 46/8. Schott Music - Digital #Q15389. Published by Schott Music - Digital
It is with the 'Slavonic Dances' Op. 46 that Antonin Dvorak won international breakthrough in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto Op. 104, they are among the best-known works by Dvorak.<br> Unlike Brahms in his 'Hungarian Dances', Dvorak did not use any original melodies but incorporated characteristic elements of Slavonic dance music in his own melodic invention.
$4.99
4.61 €
#
1 Piano, 4 hands
#
Antonin Dvorak (1841-1904)
#
Co
#
Slavonic Dance G minor, Op. 46/8
#
Schott Music - Digital
#
SheetMusicPlus
Haydn - Complete String Quartets - Volume III (Hob.III:50-83 ; Op.51,54,55, 64, 71, 74, 76, 77, 103)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1099994 Composed by Franz …
(+)
String Quartet String Quartet - Digital Download SKU: A0.1099994 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 1293 pages. J.G. Cuco Barber #703863. Published by J.G. Cuco Barber (A0.1099994). Hob.III:50–56 ; Op.51 String Quartet The Seven Last Words of Christ Hob.III:57 ; Op.54 No.2 String Quartet in C major Tost I Quartet No.2 Hob.III:58 ; Op.54 No.1 String Quartet in G major Tost I, Quartet No.1 Hob.III:59 ; Op.54 No.3 String Quartet in E major Tost I Quartet No.3 Hob.III:60 ; Op.55 No.1 String Quartet in A major Tost II Quartet No.1 Hob.III:61 ; Op.55 No.2 String Quartet in F minor The Razor†Tost II Quartet No.2 Hob.III:62 ; Op.55 No.3 String Quartet in B flat major Tost II Quartet No.3 Hob.III:63 ; Op.64 No.5 String Quartet in D major The Lark†Tost III Quartet No.5 Hob.III:64 ; Op.64 No.6 String Quartet in E flat major Tost III Quartet No.6 Hob.III:65 ; Op.64 No.1 String Quartet in C major Tost III Quartet No.1 Hob.III:66 ; Op.64 No.4 String Quartet in G major Tost III Quartet No.4 Hob.III:67 ; Op.64 No.3 String Quartet in B flat major Tost III Quartet No.3 Hob.III:68 ; Op.64 No.2 String Quartet in B minor Tost III Quartet No.2 Hob.III:69 ; Op.71 No.1 String Quartet in B flat major Apponyi Quartet No.1 Hob.III:70 ; Op.71 No.2 String Quartet in D major Apponyi Quartet No.2 Hob.III:71 ; Op.71 No.3 String Quartet in E flat major Apponyi Quartet No.3 Hob.III:72 ; Op.74 No.1 String Quartet in C major Apponyi Quartet No.4 Hob.III:73 ; Op.74 No.2 String Quartet in F major Apponyi Quartet No.5 Hob.III:74 ; Op.74 No.3 String Quartet in G minor “Rider Apponyi Quartet No.6 Hob.III:75 ; Op.76 No.1 String Quartet in G major Erdödy Quartet No.1 Hob.III:76 ; Op.76 No.2 String Quartet in D minor “Fifths Erdödy Quartet No.2 Hob.III:77 ; Op.76 No.3 String Quartet in C major “Emperor Erdödy Quartet No.3 Hob.III:78 ; Op.76 No.4 String Quartet in B flat major “Sunrise Erdödy Quartet No.4 Hob.III:79 ; Op.76 No.5 String Quartet in D major Erdödy Quartet No.5 Hob.III:80 ; Op.76 No.6 String Quartet in E flat major Erdödy Quartet No.6 Hob.III:81 ; Op.77 No.1 String Quartet in G major Lobkowitz Quartet No.1 Hob.III:82 ; Op.77 No.2 String Quartet in F major Lobkowitz Quartet No.2 Hob.III:83 ; Op.103 String Quartet in D minor Unfinished
$400.00
369.28 €
#
String Quartet: 2 violins, viola, cello
#
Franz Joseph Haydn
#
Op
#
Haydn - Complete String Quartets - Volume III
#
J.G. Cuco Barber
#
SheetMusicPlus
Haydn - Complete String Quartets - Volume II (Hob.III:25-49 ; Op.17, 20, 33, 42, 50)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1099815 Composed by Franz …
(+)
String Quartet String Quartet - Digital Download SKU: A0.1099815 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 985 pages. J.G. Cuco Barber #703697. Published by J.G. Cuco Barber (A0.1099815). Hob.III:25 ; Op.17 No.1 String Quartet in E major Hob.III:26 ; Op.17 No.2 String Quartet in F major Hob.III:27 ; Op.17 No.3 String Quartet in E flat major Hob.III:28 ; Op.17 No.4 String Quartet in C minor Hob.III:29 ; Op.17 No.5 String Quartet in G major Hob.III:30 ; Op.17 No.6 String Quartet in D major Hob.III:31 ; Op.20 No.1 String Quartet in E flat major Sun Quartet No.1 Hob.III:32 ; Op.20 No.2 String Quartet in C major Sun Quartet No.2†Hob.III:33 ; Op.20 No.3 String Quartet in G minor Sun Quartet No.3†Hob.III:34 ; Op.20 No.4 String Quartet in D major Sun Quartet No.4†Hob.III:35 ; Op.20 No.5 String Quartet in F minor Sun Quartet No.5†Hob.III:36 ; Op.20 No.6 String Quartet in A major Sun Quartet No.6†Hob.III:37 ; Op.33 No.1 String Quartet in B minor Russian Quartet No.1 Hob.III:38 ; Op.33 No.2 String Quartet in E flat major The Joke†Russian Quartet No.2 Hob.III:39 ; Op.33 No.3 String Quartet in C major The Bird†Russian Quartet No.3 Hob.III:40 ; Op.33 No.4 String Quartet in B flat major Russian Quartet No.4†Hob.III:41 ; Op.33 No.5 String Quartet in G major How do you do?†Russian Quartet No.5 Hob.III:42 ; Op.33 No.6 String Quartet in D major Russian Quartet No.6 Hob.III:43 ; Op.42 String Quartet in D minor Hob.III:44 ; Op.50 No.1 String Quartet in B flat major Prussian Quartet No.1 Hob.III:45 ; Op.50 No.2 String Quartet in C major Prussian Quartet No.2 Hob.III:46 ; Op.50 No.3 String Quartet in E flat major Prussian Quartet No.3 Hob.III:47 ; Op.50 No.4 String Quartet in F sharp minor Prussian Quartet No.4 Hob.III:48 ; Op.50 No.5 String Quartet in F major “Dream Prussian Quartet No.5 Hob.III:49 ; Op.50 No.6 String Quartet in D major The Frog†Prussian Quartet No.6
$400.00
369.28 €
#
String Quartet: 2 violins, viola, cello
#
Franz Joseph Haydn
#
Op
#
Haydn - Complete String Quartets - Volume II
#
J.G. Cuco Barber
#
SheetMusicPlus
Haydn - Complete String Quartets - Volume I (Hob.III:1-24 ; Op.1, 2, 3 (Attr. R. Hoffstetter), 9)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1099573 Composed by Franz …
(+)
String Quartet String Quartet - Digital Download SKU: A0.1099573 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 616 pages. J.G. Cuco Barber #703464. Published by J.G. Cuco Barber (A0.1099573). Full Score & Parts Hob.III:1 ; Op.1 No.1 String Quartet in B flat major “La Chasse†Hob.III:2 ; Op.1 No.2 String Quartet in E flat major Hob.III:3 ; Op.1 No.3 String Quartet in D major Hob.III:4 ; Op.1 No.4 String Quartet in G major Hob.III:5 ; Op.1 No.5 String Quartet in B flat major Hob.III:6 ; Op.1 No.6 String Quartet in C major Hob.III:7 ; Op.2 No.1 String Quartet in A major Hob.III:8 ; Op.2 No.2 String Quartet in E major Hob.III:9 ; Op.2 No.3 String Quartet in E flat major Hob.III:10 ; Op.2 No.4 String Quartet in F major Hob.III:11 ; Op.2 No.5 String Quartet in D major Hob.III:12 ; Op.2 No.6 String Quartet in B flat major Hob.III:13 ; Op.3 No.1 String Quartet in E major Hob.III:14 ; Op.3 No.2 String Quartet in C major Hob.III:15 ; Op.3 No.3 String Quartet in G major Hob.III:16 ; Op.3 No.4 String Quartet in B flat major Hob.III:17 ; Op.3 No.5 String Quartet in F major Hob.III:18 ; Op.3 No.6 String Quartet in A major Hob.III:19 ; Op.9 No.1 String Quartet in C major Hob.III:20 ; Op.9 No.2 String Quartet in E flat major Hob.III:21 ; Op.9 No.3 String Quartet in G major Hob.III:22 ; Op.9 No.4 String Quartet in D minor Hob.III:23 ; Op.9 No.5 String Quartet in B flat major Hob.III:24 ; Op.9 No.6 String Quartet in A major
$400.00
369.28 €
#
String Quartet: 2 violins, viola, cello
#
Franz Joseph Haydn
#
Op
#
Haydn - Complete String Quartets - Volume I
#
J.G. Cuco Barber
#
SheetMusicPlus
Hondje van de Bakker / Daar boven op de Berg
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1227506 Composed by Traditional. …
(+)
Concert Band - Level 1 - Digital Download SKU: A0.1227506 Composed by Traditional. Arranged by Scaver. 20th Century,Children,Multicultural,Pop,Traditional,World. Score and Parts. 25 pages. Scaver #823470. Published by Scaver (A0.1227506). Hondje van de bakker and Daar boven op de berg have the same melody.This song is mainly sung in the Netherlands. Some verses are widely known (also in schools and other associations), some other verses a lot less. In Flanders, they sing a song to the same tune about an old Chinaman named Henkie-Penkie.This arrangement is made for a small (young) concert band.Instruments:FluteOboeBassoonClarinet Bb 1,2Bass ClarinetAlto SaxophoneTenor SaxophoneBariton SaxophoneHornTrumpet Bb 1,2Trombone 1,2Euphonium/Baritone BbTubaBass BbTimpaniGlockenspiellPercussionHondje van de bakker lyrics:Het hondje van de bakker, dat had vies gedaanDat was gaan zwemmen, zonder zwembroekie aan!En van je hela hela hela holalahela hela hela holalahela hela hela holalahela hela hela hoToen kwam er politie, die zei: “Vieze Hond!!Ben jij gaan zwemmen, zonder broekie aan je kont!---Daar boven op de BergLyrics:Daar boven op de berg,Daar boven op de berg,daar woont Sinterklaasdaar woont SinterklaasDie poetst zijn tandenDie poetst zijn tandenmet speculaasmet speculaas.Chorus:Van je hela, hela, hela, holala, hoiHela, hela, hela, holala hoihela, hela, hela, holala, hoiHela, hela, hela, holalaDaar boven op die berg, daar woont een stierDie geeft geen melk, maar Heineken bierDaar boven op die berg, daar staat een hekDaar staat op geschreven: (...) is gek!(op de plaats van de puntjes iemands naam invullen)Het hondje van de slager, die heeft vies gedaanHij is gaan zwemmen, zonder zwembroekie aanToen kwam daar een agent aan, die zei bah vieze hondmag jij wel zwemmen, in je blote kontDaar boven op de berg, daar woont een pastoorDie vrijt in z'n eentje, met het hele nonnenkoorDaar boven op de berg, daar woont een nonnenkoorDie vrijen met z'n allen, met die ene pastoorBij ons in (...), daar is het zo'n prachtDaar geven de koeien wel een liter of acht(Op de plaats van de puntjes je eigen plaatsnaam invullen)En geven ze minder, dat scheelt ons geen zierWant dan is het geen koe meer, maar dan is het een stierWaarom heeft die zebra, toch strepen op zijn huidWel dat is heel natuurlijk, want hij houdt niet van een ruitHoog in de bergendaar woont SinterklaasDie waste zijn harenmet speculaasDaar boven op die bergDaar woont SinterklaasHij pakt zijn cadeau's inMet kippengaas!Daar boven op de rommelmarktDaar staat een vent!En die heeft mooie boekenVoor niet meer dan 50 centDaarboven op die bergDaar woont een indiaanEn die is gaan zwemmenMet een opblaasbanaan ( of zonder zwembroekje aan)daar diep in de bossendaar woont een meneeren die schiet op konijnenmet een heel groot geweerdaar achter de schuttingdaar staat een agentdie ging ik ondervragenmaar hij heeft niet bekentm'n tante van veertigdie draagt een rare rokdie begint bij haar okselsen die stopt pas bij haar sokDaar boven op de bergdaar woont een skelethij doet niet aan karatemaar aan jazzballet!Daar boven op de bergWoont sinterklaasDie poetst zijn tandenMet pindakaasWaarom heeft die juffrouwEen hondje op haar schootWel dat is heel natuurlijkWant een olifant is veel te grootWaarom blust de brandweerMet water het vuur?Wel dat is heel natuurlijkWant parfum is veel te duur.
$25.00
23.08 €
#
Concert band
#
Traditional
#
Hondje van de Bakker / Daar boven op de Berg
#
Scaver
#
SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
(+)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
23.03 €
#
Cello, String Bass (duet)
#
Jean-Baptiste Breval
#
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
30.42 €
#
String Quartet: 2 violins, viola, cello
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
#
jmsgu3
#
SheetMusicPlus
CLEMENTI 6 sonatine per pianoforte op. 36
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.934257 Composed by Muzio Clementi. …
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.934257 Composed by Muzio Clementi. Arranged by Accademia delle Arti Antonio Cericola. Classical,Concert,Standards. Score. 63 pages. Antonio Cericola #6326779. Published by Antonio Cericola (A0.934257). Le sei sonatine op. 36 di Muzio Clementi in una nuovissima edizione chiaramente stampata ed impaginata per favorire le girate di pagina. Le Sei sonatine progressive op.36 - di difficoltà crescente, ancora oggi estremamente apprezzate nelle lezioni di pianoforte, testimoniano l'interesse educativo del compositore. Contenuto: Sonatina in C Major, Op. 36, No. 1 * Sonatina in G Major, Op. 36, No. 2 * Sonatina in C Major, Op. 36, No. 3 * Sonatina in F Major, Op. 36, No. 4 * Sonatina in G Major, Op. 36, No. 5 * Sonatina in D Major, Op. 36, No. 6.
$5.99
5.53 €
#
Piano solo
#
Muzio Clementi
#
CLEMENTI 6 sonatine per pianoforte op. 36
#
Antonio Cericola
#
SheetMusicPlus
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-40E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-40E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 7: Que dites-vous, que faites-vous, mignonne? from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-13E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 7: Que dites-vous, que faites-vous, mignonne? from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 1: Aubade from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-07E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 1: Aubade from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-02E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-04E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 4: Lorsque Bacchus entre chez moi from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-09E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 48, No. 6: Fuirai-je ainsi toujours from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-46E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-46E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-46E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 6: Fuirai-je ainsi toujours from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-39E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-39E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 48, No. 3: Doux rossignol, c’est toi! from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-43E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-43E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-43E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 3: Doux rossignol, c’est toi! from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 42, No. 6: Chanson from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-21E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 42, No. 6: Chanson from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 44, No. 3: À Marie from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-28E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 44, No. 3: À Marie from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-01E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 1: Chère Vesper, lumière dorée from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 48, No. 10: La Belle matineuse from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-50E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-50E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-50E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 10: La Belle matineuse from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
