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String Quartet No. 3
String Quartet: 2 violins, viola, cello
String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanatab…
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String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music - Digital #Q771471. Published by Schott Music - Digital (S9.Q771471). My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own.Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: ‘hana no hanataba’ meaning, in Japanese, ‘bouquet of flowers’.A brief description:1)Moderately fast. Short droplets of sounds gather increasing momentum. 2)Very fast. Canons and bells at different speeds.3)Very slow – fast – very slow – very fast – very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music.4)Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument – like a sort of large resonating Medieval tromba marina.5)Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition ‘with some things changed and others not.’6)Slow - Very Fast - Fast – Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze – a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.
$24.99
22.46 €
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String Quartet: 2 violins, viola, cello
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Julian Anderson
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String Quartet No. 3
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Schott Music - Digital
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SheetMusicPlus
String Quartet No. 1
String Quartet: 2 violins, viola, cello
String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Muston…
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String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Mustonen. This edition: score and parts. Downloadable, Score and parts. Duration 23 minutes. Schott Music - Digital #Q49206. Published by Schott Music - Digital (S9.Q49206). It is not a coincidence that many composers seem to have written some of their most important and meaningful works for the string quartet. I grew up listening to string quartets, especially those by Beethoven and Bartók, and those works have had a tremendous impact on what I am as a composer, musician and as a human being. In many of my works one can see some sort of a journey from darkness toward the light, in various forms. In the case of my String Quartet this journey is exceptionally arduous. There is an element of hope in some sections of the third movement, but the hope it offers is more of an otherworldly nature. In the beginning of the fourth movement the very dramatic elements of the beginning of the quartet return. Just at the point, when the listener thinks that the darker elements will ultimately prevail, the music reaches an important turning point. Through a heroic, dissonant struggle it reaches the finale, which is full of ecstasy and instrumental joy. I have given the finale, along with the metronome marking, the indication Con fuoco all’Ungharese - all this of course as a homage to the great Hungarian master, one of my greatest musical heroes already since the very early days of my life. (Olli Mustonen).
$93.99
84.49 €
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String Quartet: 2 violins, viola, cello
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Olli Mustonen
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String Quartet No. 1
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Schott Music - Digital
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
67.42 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
My Funny Valentine: String Bass
Doublebass (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014713_SB String Bass. Arran…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014713_SB String Bass. Arranged by Dave Wolpe. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014713_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014713_SB). UPC: 029156909418.You don't even have to hear this arrangement to know how good it is, because it already has the top two ingredients: 1) a great tune, and 2) the best arranger around---Dave Wolpe! Still, we hope you listen, because it's worth your time. Dave has taken one of the most gorgeous ballads of our time and crafted a special trumpet solo feature for your jazz ensemble. It is lush and beautifully scored. You gotta have it! (4:59).
$3.00
2.7 €
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Doublebass (band part)
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My Funny Valentine: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Die schönen Augen der Frühlingsnacht
String Quartet: 2 violins, viola, cello
Soprano voice and string quartet - advanced - Digital Download SKU: S9.Q48897 Si…
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Soprano voice and string quartet - advanced - Digital Download SKU: S9.Q48897 Six Lieder by Theodor Kirchner. Composed by Aribert Reimann. This edition: score and parts. Downloadable, score and parts. Duration 23 minutes. Schott Music - Digital #Q48897. Published by Schott Music - Digital (S9.Q48897). German.Theodor Kirchner (1823-1903) began composing at a very early age, initially receiving great support from Felix Mendelssohn and Robert Schumann and subsequently from Clara Schumann and Johannes Brahms. Even his Lieder op. 1 already display a clear formal structure, the concentration of tonal material within a limited space and rhythmic variability. I have selected six lieder based on poems by Heinrich Heine originating from different periods of Kirchner’s life and interleaved them between seven bagatelles which make selective references to the previous or next lied, sometimes as a single note, a chord or a gesture. The Sieben Bagatellen can additionally be performed separately, independently of the complete cycle. (Aribert Reimann).
$61.99
55.73 €
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String Quartet: 2 violins, viola, cello
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Aribert Reimann
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Die schönen Augen der Frühlingsnacht
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Schott Music - Digital
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SheetMusicPlus
Uphill (Downloadable)
Choral 2-part
SA choir and piano - Easy - Digital Download SKU: MQ.1.3503-E Composed by Jill Frie…
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SA choir and piano - Easy - Digital Download SKU: MQ.1.3503-E Composed by Jill Friedersdorf and Melissa Keylock. Secular, Memorial, 21st Century, Hope/Assurance, Lament/Grief/Sorrow. Instrument part. 8 pages. Duration 3 minutes, 20 seconds. Galaxy Music Corporation - Digital #1.3503-E. Published by Galaxy Music Corporation - Digital (MQ.1.3503-E). UPC: 600313135033. English.The lyrics to Uphill signify our lives as a journey, with the final resting place as the “inn†which awaits us at the end of our paths. Darkness will not prevent us from finding the “inn†if we follow the path, despite the weariness of travel. Life is therefore an uphill journey, as well as a safe shelter to rest from life’s hardships is prepared and ready at the end of the road. -Melissa KeylockThis reassuring Christina Rossetti text, which is actually a metaphor for life itself, has been set for two part treble voices and piano. Originally written for middle school voices, the choral writing is approachable and the piano part expansive and sonorous. Duration: 3:20.
$2.25
2.02 €
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Choral 2-part
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Jill Friedersdorf and Melissa Keylock
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Uphill
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Romanza (for Two Guitars)
2 Guitars (duet)
Guitar Tab, Guitar duet - Early Intermediate - Digital Download Composed by Anonymous…
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Guitar Tab, Guitar duet - Early Intermediate - Digital Download Composed by Anonymous. Arranged by Kenneth Pasciak. Classical Period, Repertoire, Recital. Score, Tablature. 9 pages. Published by Kenneth Pasciak
omanza (Spanish Romance) arranged for two guitars in E minor. In this easy arrangement for beginner players or students not quite ready to perform full barre chords, the melody, played by Guitar 1, is accompanied by simple arpeggios in triplets in Guitar 2 using minimal barre chords. Includes a 4-page score with tablature, chords and fingering suggestions, plus 2-page score without tabs.<br> <br> Kenneth Pasciak Music Publishing, ASCAP<br> kenpasciak.com
$3.99
3.59 €
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2 Guitars (duet)
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Anonymous
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Romanza
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Kenneth Pasciak
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SheetMusicPlus
Count On Me
Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric…
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Mixed Percussion,Strings Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Piccolo,Recorder,Suspended Cymbal,Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1297838 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Amphibia Cultural Legacy. Classical,Comedy,Jazz,Pop,Soul. 8 pages. Amphibia Cultural Legacy #887814. Published by Amphibia Cultural Legacy (A0.1297838). Count On Me is a heartwarming and uplifting cover performed by Amphibia Cultural Legacy, beautifully showcasing Connie Talbot's signature style. This rendition takes the beloved original to new heights, as it remixes elegantly with the orchestra's enchanting sounds and additional instruments.From the beginning, the sweet and gentle tone of Connie Talbot's voice takes center stage, delivering the heartfelt lyrics with a refined yet innocent charm. Amphibia Cultural Legacy's interpretation allows Connie's vocals to effortlessly soar above the rich, dynamic orchestration, giving the song a grand and cinematic quality.The delicate orchestral arrangement weaves together a tapestry of lush strings, majestic horns, and whimsical woodwinds, creating a magical backdrop that beautifully complements Connie's vocals. Throughout the song, these additional instruments add depth and emotion, enhancing the already profound message of friendship, support, and unwavering companionship echoed in the lyrics, You can count on me like 1, 2, 3, I'll be there.As the song progresses, Amphibia Cultural Legacy skillfully balances Connie's tender vocals with the soaring crescendos of the orchestra, creating moments of both intimate reflection and exhilarating grandeur. This contrast amplifies the emotions conveyed, captivating listeners and allowing them to truly connect with the uplifting and empowering message of the song.In this remarkable rendition of Count On Me, Amphibia Cultural Legacy brilliantly marries Connie Talbot's unique style with the timeless elegance of an orchestra and other additional instruments, resulting in a truly captivating musical experience.
$70.00
62.93 €
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Bruno Mars
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Count On Me
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Amphibia Cultural Legacy
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SheetMusicPlus
An Evening in Salzburg: Piano Accompaniment
Piano Accompaniment
String Orchestra - Digital Download SKU: AX.00-PC-0014266_K Piano Accompaniment
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String Orchestra - Digital Download SKU: AX.00-PC-0014266_K Piano Accompaniment. Composed by Edmund J. Siennicki. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014266_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014266_K). UPC: 038081197760.Pack your suitcase and get ready to spend An Evening in Salzburg. Not technically demanding, this piece is a great choice for your first string concert. Correlated with Strictly Strings, Book 1, page 29.
$5.99
5.38 €
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Piano Accompaniment
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Edmund J
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An Evening in Salzburg: Piano Accompaniment
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Advent of Hope, the Birth of Peace - Orchestration
Orchestra
Full Orchestra - Digital Download SKU: LX.30-1687L A Christmas Cantata for Choir…
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Full Orchestra - Digital Download SKU: LX.30-1687L A Christmas Cantata for Choir/Cong Worship Leader. Composed by Robert Lau. Choral Cantatas. Christmas. Score and parts. 56 pages. Lorenz Publishing - Digital Sheet Music #e30/1687L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-1687L). UPC: 000308057782.Christmas is that wonderful time of the year when we sing, come, thou long-expected Jesus even though we know he has already come, and 'joy to the world' even though we know the world is not yet completely joyful. ôThese are the opening words of this thoughtful and expressive cantata-a beautiful combination of the meditative, as well as the joyful, feelings that remembering the events of Christmas brings. The congregation is asked to join in the singing of familiar carols, and the choir is given the opportunity to sing beautifully crafted, but never difficult, new music for the season. Performance time: 25-30 minutes. Flute 1 and 2, B-flat Clarinet, Horn in F, Trumpet 1, 2 and 3, Trombone 1, 2 and 3, Timpani, Percussion, Opt. Harp, Violin 1 and 2, Viola, Cello, Contrabass.
$349.95
314.59 €
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Orchestra
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Robert Lau
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The Advent of Hope, the Birth of Peace - Orchestration
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Ready To Be Loved from Edges - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Ready to Be Loved Digital Sheetmusic plus an interactive, downloadable digital sheet music…
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Ready to Be Loved Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice 1;Voice 2;Piano; 11 pages -- Show/Broadway~~Musical
$9.95
8.94 €
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Piano, Voice
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
À vos guitares, prêts, jouez! Vol. 4
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List: 1. Songe d'une nuit de printemps 2. Nostalgie 3. Tres guitarras 4. Jeu froid (étude rock) 5. Le dernier souffle 6. Manhattan 7. Baile de la passion 8. Corsaires 9. Cerisier Japonais
$9.95
8.94 €
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À vos guitares, prêts, jouez! Vol. 4
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.33 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Ave Maria
Vl. 1, Vl. 2, Va., Vc., Kb. voice and strings (string quartet with double bass ad libitum …
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Vl. 1, Vl. 2, Va., Vc., Kb. voice and strings (string quartet with double bass ad libitum or string orchestra) - easy to intermediate - Digital Download SKU: S9.Q22578 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: score. Downloadable, Score. Schott Music - Digital #Q22578. Published by Schott Music - Digital (S9.Q22578). Latin.The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$6.99
6.28 €
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinet and Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
44.9 €
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Clarinet and Piano
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David Bowie
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David Bowie: Life On Mars for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Incantations for Percussion
Percussion Ensemble Bass Marimba,Cymbals,Glockenspiel,Tubular Bells,Vibraphone,Xylophone -…
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Percussion Ensemble Bass Marimba,Cymbals,Glockenspiel,Tubular Bells,Vibraphone,Xylophone - Digital Download SKU: A0.1388694 By Dave Gwilliam. By Dave Gwilliam. Arranged by Dave Gwilliam. 21st Century,Classical. 32 pages. Dave Gwilliam #972199. Published by Dave Gwilliam (A0.1388694). Scored for a percussion ensemble of ten players, Dave Gwilliam’s Incantations for Percussion is a marimba-centric ostinato with multiple other themes superimposed over the top.  Incantations requires two marimbas with eight hands along with other standard mallet instruments and a single ride cymbal.Completed in Centerville, Utah on April 28, 2019, Incantations is ready for performance by any percussion ensemble eager to take on the challenge.Instrumentation1.    Concert Marimba (at least 4 1/3 Octaves) – 2 Players2.    Concert Marimba (at least 4 1/3 Octaves) – 2 Players3.    Bass Marimba (or Acoustic Bass)4.    Xylophone5.    Vibraphone6.    Glockenspiel7.    Tubular Bells8.    Ride CymbalPerformance Notes If not careful, this could begin to sound computerized – really give it a go with phrasing. Marimbas and Xylophone roll half note or greater. Letter D and letter F the marimba line is a soaring melody that needs to cut through.
$31.99
28.76 €
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Dave Gwilliam
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Incantations for Percussion
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Dave Gwilliam
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SheetMusicPlus
Ave Maria
Vl. 1, Vl. 2, Va., Vc., Kb. violin 1 - easy to intermediate - Digital Download SKU: S9.…
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Vl. 1, Vl. 2, Va., Vc., Kb. violin 1 - easy to intermediate - Digital Download SKU: S9.Q22579 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22579. Published by Schott Music - Digital (S9.Q22579). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
2.69 €
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Ave Maria
Violin (band part)
Vl. 1, Vl. 2, Va., Vc., Kb. violin 2 - easy to intermediate - Digital Download SKU: S9.…
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Vl. 1, Vl. 2, Va., Vc., Kb. violin 2 - easy to intermediate - Digital Download SKU: S9.Q22580 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22580. Published by Schott Music - Digital (S9.Q22580). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
2.69 €
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Violin (band part)
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
As Aguas da Mola
Jazz Band - Grade 1 - Digital Download SKU: LX.60-1274H The Waters of Spring…
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Jazz Band - Grade 1 - Digital Download SKU: LX.60-1274H The Waters of Spring. Composed by Peter Blair. Jazz Basics Series. Jazz Band. 16 pages. Heritage Music Press #e60/1274H. Published by Heritage Music Press (LX.60-1274H). UPC: 000308104653.Here is a great way to introduce the Brazilian bossa nova to even your youngest players. Lots of tutti ensemble rhythms with limited syncopation and well-crafted rhythm section parts will help you get this piece performance ready quickly. There is an eight-measure solo written for any saxophone, but since the changes only require soloists to know one pentatonic scale, you might want to feature some other players as well. The music in this series may be performed with one alto saxophone, one tenor saxophone (optional alto 2), one trumpet, one trombone, piano, bass and drums. Each set includes parts for 2 alto saxophones, 2 alto sax 2 (optional substitute for tenor saxophone), 2 tenor saxophones, 1 baritone saxophone, 4 trumpets, 4 trombones, 2 flutes, 2 clarinets, 1 horn, guitar, piano, bass and drums.
$40.00
35.96 €
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Peter Blair
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As Aguas da Mola
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Heritage Music Press
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SheetMusicPlus
Ave Maria
Vl. 1, Vl. 2, Va., Vc., Kb. cello - easy to intermediate - Digital Download SKU: S9.Q22…
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Vl. 1, Vl. 2, Va., Vc., Kb. cello - easy to intermediate - Digital Download SKU: S9.Q22582 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22582. Published by Schott Music - Digital (S9.Q22582). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
2.69 €
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Ave Maria
Vl. 1, Vl. 2, Va., Vc., Kb. Double Bass - easy to intermediate - Digital Download SKU: …
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Vl. 1, Vl. 2, Va., Vc., Kb. Double Bass - easy to intermediate - Digital Download SKU: S9.Q22583 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22583. Published by Schott Music - Digital (S9.Q22583). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
2.69 €
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Ave Maria
Viola (band part)
Vl. 1, Vl. 2, Va., Vc., Kb. viola - easy to intermediate - Digital Download SKU: S9.Q22…
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Vl. 1, Vl. 2, Va., Vc., Kb. viola - easy to intermediate - Digital Download SKU: S9.Q22581 Composed by Peter Cornelius. Arranged by Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q22581. Published by Schott Music - Digital (S9.Q22581). The composer Peter Cornelius (1824–1874) from Mainz often called himself a 'poet-composer': All his life, he busied himself with composing and writing alike. No wonder that he had devoted himself particularly to the composition of songs, already in his student days in Berlin in the late 1840s. The newly edited 'Ave Maria' was found among the composer's unpublished works. Although bearing the dedication 'Fräulein von Hillebrandt zum 13. September 1862', it was probably created earlier. It is a simple, chordally accompanied song which is quite suitable for liturgical purposes. The arrangement for strings, which can perform soloistically or in groups, expands the possibilities of use especially for this area.
$2.99
2.69 €
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Viola (band part)
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Peter Cornelius
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Wesendonck-Lieder
Chamber Orchestra
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 ·…
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
41.34 €
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Chamber Orchestra
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Hans Werner Henze and Richard Wagner
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
The Craft of Musical Composition
Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. …
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Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.
$22.99
20.67 €
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The Craft of Musical Composition
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Schott Music - Digital
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SheetMusicPlus
Sonata en Re
Guitar - Digital Download SKU: ZY.DO-1558 Composed by Gloria Villanueva. Score. 16 …
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Guitar - Digital Download SKU: ZY.DO-1558 Composed by Gloria Villanueva. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1558. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1558). The Sonata in Re is the result of a commission made by guitarist Fix Nicolet, who already counts in his repertoire with many of my works for guitar.It is a sonata that follows quite faithfully the structure of this musical form, with an introduction and four movements: Allegro Moderato, Largo, Tempo di Minuetto and Rondó. - The latter with a somewhat extemporaneous license as to include in it a swing-rhythm.Moreover, it is a work of retro air and neo-Romantic character, with soft harmonies and pleasant and relaxed hearing.La Sonate en Ré est le résultat d'une commande du guitariste Fix Nicolet, qui compte déjà dans son répertoire plusieurs de mes œuvres pour guitare.C'est une sonate qui suit assez fidèlement la structure de cette forme musicale, avec une introduction et quatre mouvements : Allegro Moderato, Largo, Tempo di Minuetto et Rondó. - Ce dernier avec une licence quelque peu improvisée au point d'y inclure un rythme swing.De plus, c'est une œuvre d'air rétro et de caractère néo-romantique, avec des harmonies douces et une écoute agréable et détendue.1. Introduccion y Allegro2. Largo3. Tempo di Minuetto4. Rondó.
$12.95
11.64 €
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Gloria Villanueva
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Sonata en Re
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Les Editions Doberman-Yppan
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SheetMusicPlus
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