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Song of Death
Sheetmusic to print
1,589 sheet music found
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1576
Seven Songs of Death
Piano, Voice
Voice and piano - difficult - Digital Download SKU: S9.Q6916 For high voice and …
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Voice and piano - difficult - Digital Download SKU: S9.Q6916 For high voice and piano. Composed by Stefan Heucke. This edition: Sheet music. Downloadable. Duration 25 minutes. Schott Music - Digital #Q6916. Published by Schott Music - Digital (S9.Q6916). German.This song cycle was commissioned for this year's International Brahms Competition Pörtschach. Since editions are available in all three registers, 'Seven Songs of Death' is suitable not only for concert performances, but also for singing class lessons.
$29.99
27.73 €
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Piano, Voice
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Stefan Heucke
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Seven Songs of Death
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Schott Music - Digital
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SheetMusicPlus
Two Songs of Death for Mezzo Soprano, Piano, and Timpani
Mezzo-Soprano Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755184 Composed…
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Mezzo-Soprano Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755184 Composed by Sy Brandon. 20th Century,Contemporary. 13 pages. Sy Brandon #3410305. Published by Sy Brandon (A0.755184). These Vassar Miller poems present two views of death. The first, Momento Mori, is morbid and the setting is very dramatic. The second, Old Dog, is more optimistic. Both require a strong pitch sense of the singer as the intervals are angular. The piano part supports the singer at times and is more independent at others. The timpani part adds color and drama.
$7.99
7.39 €
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Sy Brandon
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Two Songs of Death for Mezzo Soprano, Piano, and Timpani
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Sy Brandon
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SheetMusicPlus
Where Is the Justice? (from Death Note: The Musical)
Piano, Vocal and Guitar
Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Death Note: The Musi…
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Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Death Note: The Musical, Frank Wildhorn, Jack Murphy. Arranged by Samuel Labrecque. Score. 6 pages. Published by Composer Lab Music
The first song of Frank Wildhorn's musical based on the manga and anime series Death Note, a strong and catchy opening number, is now available for purchase in its English version in a faithful piano-vocal-chords arrangement by Samuel Labrecque. This version of the song is that of the original Japanese stage version, only with the full English lyrics from the script. It is slightly different from the version released in the English concept album.
$4.99
4.61 €
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Piano, Vocal and Guitar
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Death Note: The Musical, Frank Wildhorn, Jack Murphy
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Where Is the Justice?
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Composer Lab Music
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SheetMusicPlus
Song of Death
Cello
Cello Solo - Digital Download SKU: A0.923294 Composed by Patrick Prejean. Contempor…
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Cello Solo - Digital Download SKU: A0.923294 Composed by Patrick Prejean. Contemporary. Individual part. 6 pages. Patrick Prejean #5210141. Published by Patrick Prejean (A0.923294). A piece for solo cello. This work is written in four movements and with strong inclinations of a being who is fated to wander in purgatory for the rest of their days.
$16.00
14.79 €
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Cello
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Patrick Prejean
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Song of Death
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Patrick Prejean
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Last Words of Washington. Song
Piano, Voice
Piano and voice - Digital Download SKU: LV.13089 Composed by J.R. Thomas. Portraits…
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Piano and voice - Digital Download SKU: LV.13089 Composed by J.R. Thomas. Portraits, George Washington, Deathbeds, Last words, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13089). The Last Words of Washington. Song. Washington's Farewell Address will be found on the last page of this Song. Written by Geo. P. Morris, Esq.; Composed by J.R. Thomas. Published 1862 by Thaddeus Firth, 547 Broadway, Successor to Firth, Son & Co. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, George Washington, Deathbeds, Last words, Patriotism. First line reads Upon the couch of death The champion of the free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voice
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J
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Composed by J
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The Last Words of Washington. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.69 €
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Piano, Vocal and Guitar
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Songs of Joy (SATB choral score)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.799669 Composed by D. M. G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.799669 Composed by D. M. Gardner. Contemporary. Octavo. 24 pages. D. M. Gardner Music #4324379. Published by D. M. Gardner Music (A0.799669). A beautiful new setting of William Henry Davies' poem Songs of Joy for divisi chorus, flute, oboe, horn, harp, organ, violin, and cello. The text centers on a theme of contentment with nature and one's current state of being, rather than focusing on what one does not possess. From the darkness of greed and death to the delicate flight of a songbird beneath a rainbow's arch, Songs of Joy is a meaningful and dynamic work that will encourage reflection and introspection from performers and audience members alike. The piano reduction and choral scores may be performed as SATB and Piano alone. MAY BE PERFORMED WITH INCLUDED PIANO REDUCTION AS SATB/PIANO, but is also the choral score for the full orchestration.***THE FULL SCORE AND PARTS ARE SOLD SEPARATELY*** CHORAL SCORE: http://www.sheetmusicplus.com/title/21172244 (this page)PARTS: http://www.sheetmusicplus.com/title/21172245FULL SCORE: http://www.sheetmusicplus.com/title/21172246You can find more music by D. M. Gardner at: https://www.dmgardner.com
$2.50
2.31 €
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Choral SATB
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D
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Songs of Joy
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D. M. Gardner Music
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SheetMusicPlus
Songs of Joy (FULL SCORE)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799671 Composed by D. M.…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799671 Composed by D. M. Gardner. Contemporary. Octavo. 24 pages. D. M. Gardner Music #4324383. Published by D. M. Gardner Music (A0.799671). A beautiful new setting of William Henry Davies' poem Songs of Joy for divisi chorus, flute, oboe, horn, harp, organ, violin, and cello. The text centers on a theme of contentment with nature and one's current state of being, rather than focusing on what one does not possess. From the darkness of greed and death to the delicate flight of a songbird beneath a rainbow's arch, Songs of Joy is a meaningful and dynamic work that will encourage reflection and introspection from performers and audience members alike. The piano reduction and choral scores may be performed as SATB and Piano alone. THIS PURCHASE IS FOR THE FULL SCORE ONLY (formatted in 11x17, but printable on 8.5x11).***THE CHORAL SCORE AND PARTS ARE SOLD SEPARATELY*** CHORAL SCORE: http://www.sheetmusicplus.com/title/21172244PARTS: http://www.sheetmusicplus.com/title/21172245FULL SCORE: http://www.sheetmusicplus.com/title/21172246 (this page)LISTEN TO THE PREMIERE ON YOUTUBE!You can find more music by D. M. Gardner at: https://www.dmgardner.com
$20.00
18.49 €
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D
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(this
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Songs of Joy
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D. M. Gardner Music
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SheetMusicPlus
Songs of Joy (INSTRUMENTAL PARTS ONLY)
Large Ensemble Cello,Flute,Harp,Horn,Oboe,Organ,Violin - Level 4 - Digital Download SKU…
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Large Ensemble Cello,Flute,Harp,Horn,Oboe,Organ,Violin - Level 4 - Digital Download SKU: A0.799670 Composed by D. M. Gardner. Contemporary. Score and parts. 12 pages. D. M. Gardner Music #4324381. Published by D. M. Gardner Music (A0.799670). A beautiful new setting of William Henry Davies' poem Songs of Joy for divisi chorus, flute, oboe, horn, harp, organ, violin, and cello. The text centers on a theme of contentment with nature and one's current state of being, rather than focusing on what one does not possess. From the darkness of greed and death to the delicate flight of a songbird beneath a rainbow's arch, Songs of Joy is a meaningful and dynamic work that will encourage reflection and introspection from performers and audience members alike. The piano reduction and choral scores may be performed as SATB and Piano alone. THIS PURCHASE IS FOR THE INSTRUMENTAL PARTS ONLY for the full orchestration. Included:FluteOboeHornHarpOrganViolin Cello***THE FULL SCORE AND CHORAL SCORES ARE SOLD SEPARATELY*** CHORAL SCORE: http://www.sheetmusicplus.com/title/21172244PARTS: http://www.sheetmusicplus.com/title/21172245 (this page)FULL SCORE: http://www.sheetmusicplus.com/title/21172246You can find more music by D. M. Gardner at: https://www.dmgardner.com
$14.99
13.86 €
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D
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Songs of Joy
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D. M. Gardner Music
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 9 (Songs 217-243)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753026. Published by Socrates Arvanitakis (A0.1152788). This is the ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 9 (Songs 217-243)Crystal Spring (The)Cuckoo (the)Cumha MhicCupid’s GardenCutting Down the PinesDabbling in the DewDance to your DaddyDarby KellyDashing Away With the Smoothing IronDashing White Sergeant (the) continue hereDavy LowstonDean CadalanDeath and the LadyDeath of Admiral Benbow (the)Death of Queen Jane (the)Derby Ram (the)DerwentwaterDerwentwater’s FarewellDeserter (the) version ADeserter (the) version BDevil and the Farmer’s Wife (the)Dewy Dells of Yarrow (the)DiademDialogue between Jacob and Esau (A)Dicky of Tauton DeneDidn’t My Lord Deliver DanielDigger’s Song (the).
$25.00
23.12 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 9
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Socrates Arvanitakis
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SheetMusicPlus
Carson Cooman - Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano
Tuba and Piano
Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Comp…
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Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Composed by Cason Cooman. Contemporary,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2034873. Published by Musik Fabrik Music Publishing (A0.775974). Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano was commissioned by and is dedicated to Kevin and Susan Wass. As the title implies, it is music that possesses a certain dark energy. It evokes not so much a night of tranquility, but rather one of great intensity. The titles of the movements are poetic, not programmatic-each intends to give a sense of the mood that pervades the music. The Bearer of Bad News begins obsessively with re-iterations of a unison pitch. The movement unfolds lyrically outwards from this texture, finally reaching a climax in an intense return of the re-iterations, before a coda brings the energy back down. A Desperate Peace draws from the spirit of fierce lament. It evokes a line from Tecumseh of the Shawnee American Indian tribe: When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home. In Towards Morning an obsessive rhythmic pulse pushes the music forwards towards the coming day. The night’s dark energy, however, is not soon forgotten. The set includes a piano score and parts for Bb clarinet and tuba.
$25.95
23.99 €
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Tuba and Piano
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Cason Cooman
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Carson Cooman - Shadowbook
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Past We Can Never Recall. Song and Chorus. Response to "When You & I Were Young, Maggie.
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3993 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3993 Composed by J.P. Webster. Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3993). Songs of the Present Time. Melodies of Beauty, Ideas of Progress, Words of Sense. The Past We Can Never Recall. Song and Chorus. Response to When You & I Were Young, Maggie. By J.P. Webster. Words by Luke Collin. Published 1868 by Root & Cady, 67 Washington Street in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. First line reads The past we can never recall, Jamie, it fled with our youth long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Choral SATB
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J
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J
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The Past We Can Never Recall. Song and Chorus. Response to "When You & I Were Young, Maggie.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Little Maud. Song and Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.19488 Composed by…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.19488 Composed by J.P. Webster. Poets, Children, Death, Literature, Fictitious characters. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19488). Songs of the Land of Sunset. Little Maud. Song and Chorus. Music by J.P. Webster. Words b Thomas B. Aldrich. Published 1865 by J.L. Peters, No. 200, Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poets, Children, Death, Literature, Fictitious characters. First line reads O where is our dainty, our darling, The daintiest darling of all.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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J
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Little Maud. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Jessie Green. Song and Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4302 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4302 Composed by Violetta. Portraits, Cemeteries, Death, Graves, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4302). Favorite Songs of E.H. Clayton. No. 2. Jessie Green. Song and Chorus. Words by Edith Moore. Music by Violetta. Published 1874 by John F. Perry & Co., Opp. Boston Theatre in Bostn. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Cemetaries, Death, Graves, Grief. First line reads Open the window, mother, and let me breathe again.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Violetta
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Jessie Green. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Canary Bird. A New Song With Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.22462 Composed by Will. S. Hays. Civil w…
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Piano and voice - Digital Download SKU: LV.22462 Composed by Will. S. Hays. Civil war--Confederate, Sadness, Symbols, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22462). Canary Bird. A New Song With Chorus. Written & Composed by Will. S. Hays. Published 1865 by Louis Tripp in Louisville, KY. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil war--Confederate, Sadness, Symbols, Death. First line reads Poor little bird, with its sweet songs of gladness.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voice
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Will
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Canary Bird. A New Song With Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #761608. Published by Socrates Arvanitakis (A0.1161269). This is the twenty-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment.The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 24 (Songs 622-648)Mummers’ Carol Must I thenMy Bonnie, Bonnie BoyMy Bonny CuckooMy Boy BillyMy Dearie She Sits Ower Late upMy Grandfather’s ClockMy JohnnyMy Johnny was a ShoemakerMy Love’s an ArbutusMy mother did so before meMy Own Pretty BoyMylecharane (Isle of Man) [Vylecharane]Myrtle Tree (the)Nae Bonnie Laddie tae Tak’ Me Awa’Nature CarolNelson’s DeathNever Marry an Old ManNew Year SongNewcastle FairThe New-Fashioned FarmerNight Visit SongNoble Foxhunting (the)Nos Galan (winter)Nottinghamshire Poacher (the)Ny Kirree Fo-SnaighteyO ’Twas in the Broad Atlantic
$25.00
23.12 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 24
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Socrates Arvanitakis
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SheetMusicPlus
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU:…
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
11.1 €
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Gwyneth W
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The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Three Songs of Love and Death for soprano voice and piano
Voice solo
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.958509 Composed by Joseph Dil…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.958509 Composed by Joseph Dillon Ford. 20th Century,Contemporary. 8 pages. David Warin Solomons2 #3859753. Published by David Warin Solomons2 (A0.958509). A deeply moving collection of three songs for solo voice (soprano, e' - b'') combining folk and art-song idioms.
$8.00
7.4 €
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Voice solo
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Joseph Dillon Ford
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Three Songs of Love and Death for soprano voice and piano
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David Warin Solomons2
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
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5.54 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Lyons Music Services
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SheetMusicPlus
Death Song of "The Titanic"
Piano, Voice
Piano and voice - Digital Download SKU: LV.12016 Composed by L.F. Malkemus. Shipwre…
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Piano and voice - Digital Download SKU: LV.12016 Composed by L.F. Malkemus. Shipwrecks, Death, Rescues, Heroes, Courage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12016). Death Song of The Titanic. Words by Mrs. C.W. Hea. Music by L.F. Malkemus. Published 1912 by Kellog Music Publishers, 1431 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Shipwrecks, Death, Rescues, Heroes, Courage. First line reads Whence comes that vail of sorrow, echoing ev'rywhere?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voice
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L
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Death Song of "The Titanic"
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Songs of My Aims - for soprano and piano
Voice solo
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.886113 Composed by Jason McCh…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.886113 Composed by Jason McChristian. Arranged by Text by Walt Whitman. Concert,Contemporary,Folk,Patriotic. 26 pages. Jason Gary McChristian #238175. Published by Jason Gary McChristian (A0.886113). I. Germs - Referencing the idea of small details making up larger formations, as expressed in the Whitman poem, I created a brief gesture made of cascading pitches. This gesture progresses throughout the work and varies texturally and harmonically. ​ ​II. Voices - This song features flourishes of arpeggios and flowing triplets signifying the joy expressed by the poem’s narrator. ​ ​III. When I Heard the Learn’d Astronomer - The narrator of this poem was not swayed by the lecturer’s sterile and purely academic approach to astronomy, but instead found wonder in the stars by simply gazing upward. This song begins with alternating couplings of fourths and fifths in the highest register of the piano, depicting the uninspiring calculations of the lecturer. Bell-like gestures mark a return to a more awe-inspiring and sincere fascination of the stars. ​ ​IV. Thoughts - This final song conveys a musical sense of finality expressed in tits text. Utilizing quartal and quintal sonorities, this song takes on a patient and passive quality. As the narrator of the poem alludes to mortality, then finally states Death, the music becomes more chromatic, creating tense agitation. The passive quality returns quickly, however, and the work gently comes to a close.
$14.99
13.86 €
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Voice solo
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Jason McChristian
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Songs of My Aims - for soprano and piano
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Jason Gary McChristian
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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