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You've selected:
Till There Was You - Score Only
Sheetmusic to print
42 sheet music found
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26
Till There Was You (from The Music Man) (arr. Paris Rutherford)
Choral Accompaniment Only - Digital Download SKU: HX.1111820 Composed by Meredith W…
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Choral Accompaniment Only - Digital Download SKU: HX.1111820 Composed by Meredith Willson. Arranged by Paris Rutherford. Broadway,Jazz,Musical/Show,Pop. Octavo. Duration 199. Hal Leonard - Digital #847210. Published by Hal Leonard - Digital (HX.1111820).
$24.99
23.21 €
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Meredith Willson
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Till There Was You
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Hal Leonard - Digital
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SheetMusicPlus
Till There Was You
Melody line, (Lyrics) and Chords
By The Beatles. Jazz, Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal…
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By The Beatles. Jazz, Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.38402). - leadsheet (melody/chords only) - Jazz,Standards - Hal Leonard - Digital Sheet Music
$1.99
1.85 €
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Melody line, (Lyrics) and Chords
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The Beatles
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Till There Was You (from The Music Man)
Piano solo
By Peggy Lee, Rod Stewart. Musical/Show, Pop. PNOCHD. 2 pages. Published by Hal Leonard - …
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By Peggy Lee, Rod Stewart. Musical/Show, Pop. PNOCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.351100). - PNOCHD - Musical/Show,Pop - Hal Leonard - Digital Sheet Music
$1.99
1.85 €
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Piano solo
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Peggy Lee, Rod Stewart
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Till There Was You
Lyrics and Chords
By The Beatles, Meredith Willson, and The Music Man (Musical). For guitar (chords only). B…
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By The Beatles, Meredith Willson, and The Music Man (Musical). For guitar (chords only). Broadway; Love; Musical/Show; Pop; Wedding. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.85 €
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Lyrics and Chords
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The Beatles, Meredith Willson, and The Music Man
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Love
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
You Make It Feel Like Christmas
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178123 By Gwen Stefani. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178123 By Gwen Stefani. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dougherty. A Cappella,Barbershop,Christmas,Contemporary,Pop. Octavo. 8 pages. Jay Dougherty #778085. Published by Jay Dougherty (A0.1178123). This catchy song was written and performed by pop icons Blake Shelton and Gwen Stefani. Featured here for SATB voices in the a cappella (non-contestable) barbershop style, Jay Dougherty's arrangement is sure to bring the holiday spirit to rehearsals and performances. Learning tracks are available at www.jmdougherty.com. The TTBB voicing is also available on SheetMusicPlus!NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$1.99
1.85 €
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Choral SATB
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Gwen Stefani
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You Make It Feel Like Christmas
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Jay Dougherty
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SheetMusicPlus
Till There Was You
Piano, Vocal and Guitar
By The Beatles. For piano, voice and guitar (chords only). Love; Pop; Rock; Wedding. Piano…
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By The Beatles. For piano, voice and guitar (chords only). Love; Pop; Rock; Wedding. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.64 €
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Piano, Vocal and Guitar
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The Beatles
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Pop
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Till There Was You
Piano, Vocal and Guitar
By Meredith Willson and The Music Man (Musical). For piano, voice and guitar (chords only)…
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By Meredith Willson and The Music Man (Musical). For piano, voice and guitar (chords only). Broadway; Film/TV; Love; Musical/Show; Pop; Wedding. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.64 €
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Piano, Vocal and Guitar
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Meredith Willson and The Music Man
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Film/TV
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Till There Was You
Piano, Vocal and Guitar
By The Beatles. For piano, voice and guitar (chords only). Love; Pop. Piano/Vocal/Guitar. …
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By The Beatles. For piano, voice and guitar (chords only). Love; Pop. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.64 €
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Piano, Vocal and Guitar
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The Beatles
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Pop
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Till There Was You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
A Place for Dreaming
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Mede…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
$1.99
1.85 €
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Choral SATB
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.71 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Rest A While Longer
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.
$50.00
46.45 €
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Choral SSAA
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Alan Wagstaff
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Rest A While Longer
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Alan Wagstaff
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SheetMusicPlus
I Did Not See Temple Spires - an original hymn for SATB voices
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
1.85 €
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Choral SATB
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Kevin G
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I Did Not See Temple Spires - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
12.07 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Hamacando a las mellizas [clarinet quartet]
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.596611…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.596611 Composed by Juan MarÃa Solare. Blues,Children,Instructional,Jazz. 18 pages. Juan Maria Solare #6132589. Published by Juan Maria Solare (A0.596611). Juan MarÃa Solare: Hamacando a las mellizas (Swinging Twins or Swinging the twins) a children blues for piano This work was born -precisely- while rocking (swinging) my twins Laura and Alma, as an improvised melody that accompanied their activity (or rather mine). From there to write it down there was only one step. As a second theme, it seemed appropriate to invert the melody, since twinhood implies a certain specular symmetry. Hamacando a las mellizas has the traditional structure of the twelve-bar blues, and a merry, innocent and carefree character. Hamacando a las mellizas was composed in Bremen (Germany) between June 21 and 23, 2020. Shortly afterwards, adaptations for a variety of instrumental combinations were written, such as - alto saxophone, double bass and piano (*) - clarinet, double bass and piano - violin and piano - clarinet quartet The version for clarinet quartet was premiered within the framework of the IV International Festival of Clarinets of San MartÃn de los Andes (Argentina), which took place online from November 12 to 15, 2020. Performers (from right to left): - Gabriel Blasberg (Buenos Aires) - Lorena Portilla (Saladillo, province of Buenos Aires) - Amelia Saftich (San MartÃn de los Andes, province of Neuquén) - Ximena Hegen (Inu) (Bariloche, province of RÃo Negro). - Video editing: Bernabé Arrighi https://youtu.be/UkcAALkVn88 (*) find this version in Spotify, Apple Music etc. from 1 January 2021.
$5.00
4.64 €
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Clarinet Quartet: 4 clarinets
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Juan MarÃa Solare
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Hamacando a las mellizas [clarinet quartet]
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Juan Maria Solare
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SheetMusicPlus
The Star-Spangled Banner
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
1.85 €
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Choral SATB
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John Stafford Smith
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
This Angel
String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digita…
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String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
1.85 €
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
This Angel (backing track)
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Downloa…
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
1.85 €
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
Donde Esta Santa Claus
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1316385 Compose…
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1316385 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by Sarah Cellobat Chaffee. Christmas,Holiday,Multicultural,Pop,World. 7 pages. Sarah Cellobat Chaffee #905129. Published by Sarah Cellobat Chaffee (A0.1316385). Donde Esta Santa Claus? was released in 1958 by Puerto Rican singer Augie Rios, who was only 12 at the time. The fun melody, lovely orchestral and vocal backgrounds, and of course the adorable delivery by its young singer quickly made the song a huge hit, and it is still beloved to this day! It has since been covered by numerous other artists and made appearances in various movies and TV shows -- so you definitely can't go wrong having this one in your gig books. This Cellobat arrangement for violin and cello duet is the perfect addition to your Christmas gig binders; it's lots of fun to play and to listen to, and you're sure to get your audience singing along! Rated easy intermediate -- there are a few syncopated rhythms to pay attention to, but this will be playable for students and easily sightreadable for professionals. Sarah Cellobat Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their Deuces Are Wild residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee.
$9.99
9.28 €
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Violin, Cello (duet)
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Alvin Greiner, George Scheck, and Rod Gordon Parker
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Donde Esta Santa Claus
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Sarah Cellobat Chaffee
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SheetMusicPlus
Donde Esta Santa Claus
Violin, Viola (duet)
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1316942 Compose…
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1316942 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by Sarah Cellobat Chaffee. Christmas,Holiday,Multicultural,Pop,World. 6 pages. Sarah Cellobat Chaffee #905622. Published by Sarah Cellobat Chaffee (A0.1316942). *INSTRUMENTATION: VIOLIN & VIOLA DUET*Donde Esta Santa Claus? was released in 1958 by Puerto Rican singer Augie Rios, who was only 12 at the time. The fun melody, lovely orchestral and vocal backgrounds, and of course the adorable delivery by its young singer quickly made the song a huge hit, and it is still beloved to this day! It has since been covered by numerous other artists and made appearances in various movies and TV shows -- so you definitely can't go wrong having this one in your gig books. This Cellobat arrangement for violin and viola duet is the perfect addition to your Christmas gig binders; it's lots of fun to play and to listen to, and you're sure to get your audience singing along! Rated easy intermediate -- there are a few syncopated rhythms to pay attention to, but this will be playable for students and easily sightreadable for professionals. Sarah Cellobat Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their Deuces Are Wild residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee.
$9.99
9.28 €
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Violin, Viola (duet)
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Alvin Greiner, George Scheck, and Rod Gordon Parker
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Donde Esta Santa Claus
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Sarah Cellobat Chaffee
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SheetMusicPlus
Anthem of World United
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99
1.85 €
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Choral SATB
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Johnson Gao
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Anthem of World United
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Johnson Gao
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SheetMusicPlus
Ni De Ming Zi Wo De Xing Shi
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1039383 By Jacky Cheung Ho…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1039383 By Jacky Cheung Hok Yau. By Shih Shiong Lee and Wai Man Leung. Arranged by Alex Tam. Multicultural,Pop,Rock,Standards,Wedding,World. Octavo. 12 pages. CU Chorus Association Limited #644336. Published by CU Chorus Association Limited (A0.1039383). ä¸å¤§åˆå”±åœ˜å»£æ±æŒç³»åˆ— CU Chorus Cantopop Series CUCPS0001 香港天皇巨星張å¸å‹æ–¼1996å¹´2月çµå©šï¼Œè¨»å†Šå¾Œæ–¹å…¬å‘Šå¤©ä¸‹ï¼Œå…¶å¥½å‹æŽå²è˜èˆ‡æž—夕決定趕工創作新æŒä½œè³€ç¦®ã€‚åŒå¹´3月在香港管弦樂團音樂會首次演唱，那時æŒæ›²ç”šè‡³ä»æœªå‘½å。æŒæ›²æœ€å¾Œä»¥ã€Šä½ çš„åå—我的姓æ°ã€‹æ”¶éŒ„æ–¼è©²å ´éŸ³æ¨‚æœƒç¾å ´éŒ„音專輯《愛與交響曲》，推出後旋å³ç™»ä¸Šå„大æµè¡Œæ¦œï¼Œä¹Ÿæˆäº†1996年度å„å¤§éŸ³æ¨‚é ’çŽç¦®å¤§è´å®¶ã€‚èšå¤©æ¨‚的編曲大膽地將副æŒä»¥ç„¡ä¼´å¥æ¼”唱當æˆæ–°çš„引å，而原曲耳熟能詳的弦樂引å則é‡ç½®æˆç¨å¾Œçš„一段éŽé–€ï¼›è€Œç‚ºè‘—讓男女è²éƒ¨çš†æœ‰æ©Ÿæœƒæ¼”å”±æ—‹å¾‹ï¼Œç·¨æ›²ä¹Ÿå¢žåŠ äº†å¤šæ¬¡ç§»èª¿ã€‚åœ¨å¿ æ–¼åŽŸæ›²åŠæ·»åŠ æ–°æ„之間，èšå¤©æ¨‚的編曲示範了出色的平衡。 Hong Kong superstar singer Jacky Cheung got married in February 1996, which was only announced after their registration. His songwriter friend Shih Shiong Lee (Peter Lee) and lyricist Wai Man Leung (Lin Xi) rushed up a new song as a wedding present for him. This then-untitled song was first sung in Jacky Cheung's concert with the Hong Kong Philharmonic Orchestra in March that year. Only till the live concert album Love and Symphony was released a month after the concert, the song was given the title Your Name, My Surname, which popularity soon soared among Hong Kong pop music charts, and later winning many music awards of the year in 1996. In the choral arrangement by Alex Tam, the chorus section and the introduction for strings are exchanged here. There are also a few modulations so both male and female voices have moments to sing the melody. Alex Tam's arrangement demonstrates an ideal balance between originality and creativity. 本編曲由香港ä¸æ–‡å¤§å¸åˆå”±åœ˜ï¼ˆä¸å¤§åˆå”±åœ˜ï¼‰å§”約改編。ä¸æ–‡æŒè©žï¼Œç²µèªžï¼ˆå»£æ±è©±ï¼‰æ¼”唱。 This arrangement is commissioned by The Chinese University of Hong Kong Chorus (CU Chorus)。Lyrics in Chinese, sung in Cantonese .
$1.99
1.85 €
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Choral SATB
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Jacky Cheung Hok Yau
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Ni De Ming Zi Wo De Xing Shi
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CU Chorus Association Limited
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.49 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
The Complete Instrumentalist Book Two
Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring…
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Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.42 €
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DaCapo Primary Music
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The Complete Instrumentalist Book Two
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DaCapo Primary Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.58 €
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Guitar
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
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