no pedal markings Sheet Music to download and print

no pedal markings

Wexford Carol - Harp (lever or pedal) solo Harp

Harp - Level 2 - Digital Download SKU: A0.849941 Composed by Traditional Irish. Arr…(+)

Harp - Level 2 - Digital Download SKU: A0.849941 Composed by Traditional Irish. Arranged by Marilyn Rummel. Christian,Christmas,Classical,Sacred,World. Score. 3 pages. Demand Music #4265313. Published by Demand Music (A0.849941). Medieval carol from Ireland in a solo lever or pedal harp arrangement. First verse is suitable for advanced beginner, 2nd verse is intermediate level. Lever markings are easy to follow between staves; no pedal markings. Marilyn is known for her innovative arrangements for lever harps that help performers to smoothly play accidentals.
$3.99 3.72 € #Harp #Traditional Irish #no pedal markings #Wexford Carol - Harp #Demand Music #SheetMusicPlus

#no pedal markings

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.Â Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don'tÂ have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

Puttin' On The Ritz 1 Piano, 4 hands

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1309247 By Taco. By…(+)

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1309247 By Taco. By Irving Berlin. Arranged by Paul Taylor. Broadway,Film/TV,Jazz,Musical/Show,Ragtime,Singer/Songwriter. Score. 12 pages. Paul Taylor #898429. Published by Paul Taylor (A0.1309247). This piano duet is truly a fun arrangement of this jazz standard. Both parts have interesting parts and care has been taken toinsure that the hands do not bump into one another:)Â There are no pedal markings, but this is the challenge of primo/secondo playing, finding a pedallingthat works for both parts.
$4.99 4.66 € #1 Piano, 4 hands #Taco #Puttin' On The Ritz #Paul Taylor #SheetMusicPlus

Waltz in C# Minor, Op. 1 Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1253748 Composed by Alex Tierney. 1…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1253748 Composed by Alex Tierney. 19th Century,20th Century,21st Century,Contemporary,Romantic Period. Score. 5 pages. Alex Tierney #847360. Published by Alex Tierney (A0.1253748). My first piece I'm publishing! I'm really excited to have completed this piece, and I hope you all like it. As is of my playing style, take as much interpretation with this piece as you would like, add emotion, use rubato, do not just play come Ã¨ scritto. There are no pedal markings indicated, so you may play with as much or as little pedal as you want. Tempo for the first section should be around 80-100 BPM, but you can go faster if you would like, and the middle section should be about 50% faster. In the last section, take very heavy rubato. If you have any feedback, i would love to hear it, but please keep it to errors and ideas that could make it better, not just what you would have done or would like. Thank you, and I hope you enjoy this piece!This piece was notated using MuseScore 4 and the MP3 recording is from MuseScore. Please note that the recording DOES NOT have rubato and plays without emotion, so please use the recording to decide whether you would like to play this piece or not, not as a referene recording for an interpretation.To purchase this piece, please send me an Email.Email: alextierney3141@gmail.com.
$10.00 9.34 € #Piano solo #Alex Tierney #Waltz in C# Minor, Op. 1 #Alex Tierney #SheetMusicPlus

Of The Rose- solo harp Harp

Harp - Level 4 - Digital Download SKU: A0.753587 Composed by John Hoesly. 21st Cent…(+)

Harp - Level 4 - Digital Download SKU: A0.753587 Composed by John Hoesly. 21st Century,Classical,Contemporary. Score. 15 pages. PRS&B #2926329. Published by PRS&B (A0.753587). OF THE ROSE for solo harp- Of The Rose is a work in three movements for solo harp. Movement I begins in a pensive mood using stark, bare interconnecting melodic lines which occasionally coalesce to form a harmonic high points. Movement II starts out with a ground bass which states the melody, which then is transformed into several joyful variations. Movement III is a wistful setting of JOHNNY HAS GONE FOR A SOLDIER, a song from the revolutionary war era. The piece was written for harpist Elaine Christy of Princeton University. The Princeton area saw a decisive battle during the revolution, therefore the use of JOHNNY HAS GONE FOR A SOLDIER. Grade Level 6. There are no pedal markings so that the player can mark-up the part as they see fit.
$10.00 9.34 € #Harp #John Hoesly #Of The Rose- solo harp #PRS&B #SheetMusicPlus