| Walrus Audio : Ages Overdrive
(31 comments)
Pour guitare électrique- Overdrive polyvalent avec 5 modes sélectionnables- Chaque mode ...(+) Pour guitare électrique- Overdrive polyvalent avec 5 modes sélectionnables- Chaque mode fournit son propre son overdrive de base- Le réglage du gain interne et le style d'écrêtage (LED/silicone) varient en fonction du mode- Mode 1: Gain faible avec écrêtage doux par silicone (son doux compressé)- Mode 2: Gain faible avec écrêtage doux par LED (son ouvert et vivant)- Mode 3: Gain élevé avec écrêtage doux par silicone (son serré avec plus de saturation)- Mode 4: Gain élevé avec écrêtage doux par LED (son saturé, "punchy" et "big")- Mode 5: Gain élevé avec écrêtage dur par silicone (son gras compressé)- Contrôles Bass "Cut" ou "Boost" des fréquences graves avant le circuit overdrive- Le contrôle Treble atténue les fréquences aigues- Utilisable avec n'importe quelle configuration de micro grâce à un contrôle efficace des graves et des aigus- Contrôles: Vol, Dry, Gain, Bass, Treble- Le signal sec peut être mélangé proportionnellement via le contrôle "Dry"- Design True Bypass- Connexions vers le haut- "Empilable" avec d'autres pédales de saturation- Bloc d'alimentation 9 V DC optionnel non-fourni- Consommation de courant: 100 mA- Dimensions (L x l x H): 121 x 66 x 35 mm- Poids: 0,27 kg- Fabriquée aux USA |
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| Walrus Audio : 385 MKII - Overdrive Yellow
(1 comments)
Dynamic Overdrive with fast and sensitive tone response- MK2 version of the original 385 w...(+) Dynamic Overdrive with fast and sensitive tone response- MK2 version of the original 385 with additional 2nd channel and optional gain boost- Each channel with separate volume and gain controls - two possible Presets - Sound model is the vintage tube amplifier of a "Bell and Howell 385 Filmosound" projector- Active Sound Control with Cut/Boost for Bass and Treble for maximum tonal flexibility- Works internally with 18V to control the dynamics A/B Switch to switch the xx channels- A/B switch for switching the 2 channels- 385+ Switch adds another gain stage for a thicker, richer tone with extra sustain- Soft-Click Relay Foot switch with True Bypass- 1 MOhm input impedance- 10 kOhm output impedance- Controls: Volume A, Gain A, Treble, Bass, Volume B, Gain B- Footswitch: Bypass A/B- Top mounted input and output jacks- Input: 6.3 mm mono jack input- Output: 6.3 mm mono jack- Dimensions: 12.1 x 6.6 x 3.5 cm- Power supply: 9 V DC (100mA minimum), power supply unit with galvanically isolated outputs is recommended (not included in the scope of delivery)- Made in USA |
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| Walrus Audio : Melee
(5 comments)
Combinaison d'une distorsion à gain élevé et d'une réverbération- Générateur expér...(+) Combinaison d'une distorsion à gain élevé et d'une réverbération- Générateur expérimental de "Wall of Noise" au concept unique- Ordre d'effet commutable: Distorsion dans la réverbération ou réverbération dans la distorsion- Joystick de contrôle pour mélanger de manière créative les deux effets- 3 modes de réverbération: Ambient (grosse réverbération avec longue décroissance), Octave et Reverse Reverb avec rétroaction- Commutateur 3 positions Tone- Commutateur 3 positions Decay- Commutateur d'ordre d'effet- Sur un deuxième niveau fonctionnel, une modulation peut être ajoutée via le commutateur Decay- Commutateur au pied Bypass (On/Off)- Commutateur au pied Sustain- LED de statut pour Bypass- Contrôles: Vol, Mix/Dist (joystick)- Entrée/sortie sur Jack mono 6,3 mm- Fabriquée aux USA |
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| Walrus Audio : Fuzz FX
(11 comments)
Octave Fuzz et filtre passe bas- Fuzz et effet de filtre utilisables indépendamment ou en...(+) Octave Fuzz et filtre passe bas- Fuzz et effet de filtre utilisables indépendamment ou ensemble- Conçue pour les pistes de fuzz frappantes- 2 modes fuzz sélectionnables: Moderne (M) et Vintage (V)- Commutateur Mid-Scoop pour Fuzz- Filtre passe-bas pour Sweeps- Améliorations de fréquence et sons de filtres d'enveloppe- Paramètres de filtre: Sensibilité, résonance, fréquence, enveloppe- Enveloppe: Filtre déterminé par la vélocité (paramètre "Frequency"): Co-développé par Jared Scharff (guitariste "Saturday Night Live" et fanatique de fuzz)- Entrée pour pédale d'expression pour le contrôle externe de la fréquence du filtre (cut-off)- Artwork inspiré de l'Himalaya- Entrée/sortie sur Jack 6,3 mm- Design True Bypass- Aucune possibilité de fonctionnement avec pile- Bloc d'alimentation 9 V DC optionnel non-fourni- Consommation de courant: 100 mA- Dimensions (L x l x H): 121 x 66 x 35 mm- Poids: 0,27 kg- Fabriquée aux USA |
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| Walrus Audio : Iron Horse V3
(7 comments)
Pour guitare électrique- Distorsion à gain élevé- 2 styles de clipping mixables en con...(+) Pour guitare électrique- Distorsion à gain élevé- 2 styles de clipping mixables en continu: Silicone/LED- Spectre sonore diversifié grâce aux contrôles Blend & Distortion- True Bypass- Réponse très dynamique- Contrôles: Level, Tone, Distortion, SI/LED Blend- LED de statut: Effect On- Commutateur au pied: Effect Bypass- Entrée/sortie sur Jack 6,3 mm- Connexion pour alimentation secteur sur prise cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur- Aucune possibilité de fonctionnement avec pile- Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article 409939)- Consommation de courant: 10 mA- Dimensions (L x P x H): 66 x 121 x 52 mm- Poids: 270 g- Fabriquée aux USA |
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| Walrus Audio : Voyager
(15 comments)
Contrôles: volume, gain et tone- Commutateur de dérivation (True Bypass)- Alimentation v...(+) Contrôles: volume, gain et tone- Commutateur de dérivation (True Bypass)- Alimentation via pile 9V ou alimentation secteur 9V (non fournie, article n°: 409939)- Consommation: 20 mA- Dimensions: 121 x 74 x 58 mm |
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| Walrus Audio : Fundamental Overdrive
(9 comments)
Série Walrus Audio Fundamental- Overdrive polyvalent avec 3 modes sélectionnables- Modes...(+) Série Walrus Audio Fundamental- Overdrive polyvalent avec 3 modes sélectionnables- Modes: Smooth, Crunch, Bright- Design claire une utilisation simple avec un maximum de son- Lisibilité directe des réglages grâce aux curseurs- Contrôles: Gain, Tone, Volume- Sélecteur de mode- Commutateur au pied: On/Off- Entrée/sortie sur Jack mono 6,3 mm- Connexions sur le dessus- Aucune possibilité de fonctionnement avec pile- Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article 409939)- Consommation de courant min.: 100 mA- Dimensions (L x l x H): 111 x 60 x 60 mm- Poids: 200 g- Fabriquée aux USA |
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| Walrus Audio : Fundamental Fuzz
(2 comments)
Série Walrus Audio Fundamental- Fuzz avec trois modes différents- Fuzz agressive avec un...(+) Série Walrus Audio Fundamental- Fuzz avec trois modes différents- Fuzz agressive avec un large éventail de possibilités tonales- Modes: Gate, Classic, Mid+- Design claire une utilisation simple avec un maximum de son- Lisibilité directe des réglages grâce aux curseurs- Contrôles: Gain, Tone, Volume- Sélecteur de mode- Commutateur au pied: On/Off- Entrée/sortie sur Jack mono 6,3 mm- Connexions sur le dessus- Aucune possibilité de fonctionnement avec pile- Bloc d'alimentation 9 V DC adapté optionnel non-fourni (N° d'article 409939)- Consommation de courant min.: 100 mA- Dimensions (L x l x H): 111 x 60 x 60 mm- Poids: 200 g- Fabriquée aux USA |
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| Walrus Audio : Fundamental Tremolo
Walrus Audio Fundamental Series- Tremolo with three different modes- Analogue opto tremolo...(+) Walrus Audio Fundamental Series- Tremolo with three different modes- Analogue opto tremolo- Based on the legendary classic tremolo circuits- Selectable tremolo modes: Sine, Square, Random- Clear design for easiest operation with maximum sound- Direct readability of settings via sliders- Controls: Rate, Mix, Depth- Switch: Tremolo Mode- Foot switch: On/Off- Input and output: 6.3 mm jack (mono)- Connections on the top- Power supply via 9 V DC power supply unit (not included, suitable power supply unit art. 409939)- 9 V DC, min. 100 mA- Dimensions (L x W x H): 11.1 x 6 x 6 cm- Weight: 200 g- Made in the USA |
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| Walrus Audio : Lore BLK Soundscape Generator
Walrus Audio LORE Reverse Soundscape Generator; 5 special algorithms (programs); consistin...(+) Walrus Audio LORE Reverse Soundscape Generator; 5 special algorithms (programs); consisting of different combinations of Reverse Delay and Reverb effects; Program 1: Reverse Delay in Reverse Reverb; Program 2: Reverse Delay in Octave Up Reverb; Program 3: Reverse Delay in Octave Down Reverb; Program 4: Reverse Reverb in Forward Reverb; Program 5: Pitch Delay into Pitch Delay; 2 DSP chips connected in series; with individual, analog feedback paths; Both feedback paths build on each other and interact with each other; Both paths Individually adjustable via Feedback and Regen controls; Modulation can be added to each program additionally; Tap Tempo for setting the delay/reverb time; "Momentary" function - Dive/Rise, holding the Tap Tempo switch for pitch up/down effects; Natural decay of the effects after the pedal has been deactivated; Controls: Feedback, Regen, Mod, Mix, "X", Time, Tone, Program, Footswitch: bypass/tap; Top-mounted input and output; Black housing; 9-volt DC, center negative, 300mA minimum, matching optional power supply (409939) not included Designed and built in the USA |
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| Walrus Audio : Fundamental Ambient Reverb
Reverb- Ambient Series- With 3 atmospheric reverb modes - Deep, Lush and Haze- Deep: Dark,...(+) Reverb- Ambient Series- With 3 atmospheric reverb modes - Deep, Lush and Haze- Deep: Dark, spatial reverb with additional low octave- Lush: Airy, wide reverb with ultra-long sustain- Haze: textured lo-fi reverb with distortion, reduced sample rate and resonant bandpass- Tone fader for controlling a low-pass filter (Deep / Lush) or a resonant band-pass filter (Haze)- Adjustable trails mode- Designed for easy operation with maximum sound- Direct readability of the settings using sliders- Controls: Decay, Tone, Mix- Switch: Deep, Lush, Haze- Footswitch: On/Off- Input and output: 6.3 mm mono jack- Connections on the top- The use of an isolated power supply is recommended for all Walrus Audio pedals- Daisy-chain power supply not recommended- Power supply unit not included in the scope of delivery- Power supply: 9 V, 100 mA (centre negative)- Dimensions (L x W x H): 11.1 x 6 x 6 mm- Weight: 200 g- Made in USA |
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| EB-10 Preamp/EQ/Boost
Black. Walrus Pedals. General Merchandise. Hal Leonard #900-1049B. Published by Hal Leonar...(+) Black. Walrus Pedals. General Merchandise. Hal Leonard #900-1049B. Published by Hal Leonard (HL.323220).
Item Number: HL.323220
ISBN 1540070670. 4.25x5.5 inches.
A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of low, mid, and high frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch.
Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.
The EB-10 offers two operating modes, Live and Preset. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.
A portion of proceeds from each pedal sold will be donated to www.raicestexas.org.
SPECS:
The EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans.
The die-cast enclosure's exact size is 3.68″ x 4.67″ x 1.547″. Power requirements are 9VDC, center negative (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included. |
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| Walrus Audio : Polychrome
(16 comments)
Pour guitare électrique- Flanger analogique- Contrôles: Rate, Depth, Sweep, Feedback, D-...(+) Pour guitare électrique- Flanger analogique- Contrôles: Rate, Depth, Sweep, Feedback, D-F-V- Sélecteurs: Shape, Voice- 2 types de flanger/voix sélectionnables: Traditional / Complex & Notched- 3 formes d'onde LFO sélectionnables: Sinusoïdale, triangulaire ou aléatoire- Contrôle Dry-Flange-Vibrato (D-F-V): Contrôle le rapport de mixage de l'effet au signal sec, réglable du signal complètement sec au flanger classique en passant par le Pitch-Vibrato- Le contrôle Rate détermine la vitesse du LFO de 0,1 Hz super lent à 8 Hz- La LED Rate indique la vitesse du LFO- Le contrôle Depth détermine la force de la modulation- Le contrôle Sweep fait passer la plage de fréquences modulée de "Deep-Flange" à des sons plus traditionnels- Contrôle Feedback pour des effets flanger subtils à dramatiques- Fonction Momentary Bypass intelligente- True Bypass avec relais Soft-Switch- Consommation de courant: 100 mA (minimum)- Bloc d'alimentation 9 V DC optionnel non-fourni- Dimensions (P x L x H): 121 x 66 x 41 mm- Poids: 0,35 kg- Fabriquée aux USA |
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| Walrus Audio : Melee BLK
Walrus Audio Melee Black, Effect pedal for electric guitar, High-gain distortion and rever...(+) Walrus Audio Melee Black, Effect pedal for electric guitar, High-gain distortion and reverb combination, Experimental "Wall of Noise" generator with unique concept, Effect sequence switchable: distortion in reverb or reverb in distortion, Joystick control for creative mixing of the two effects, 3 reverb modes: Ambient, Octave, Reverse, Ambient Reverb: Big reverb with long decay, Octave reverb, Reverse reverb with feedback, Tone switch (3-way toggle), Decay switch (3-way toggle), In a second function level modulation can be added via the Decay switch, Bypass footswitch: on/off, Sustain footswitch, Status LED for bypass, Controls: Vol, Mix/Dist (joystick), Switches: Tone, Decay, D>R|R>D, Input: jack (mono), Output: Jack (mono), 3 bypass modes: DSP Bypass, DSP+ True Bypass, True Bypass, Power supply: 9-volt DC (centre negative), 200mA minimum (not included), Made in USA |
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| ARP-87 Multi-Function Delay and Fathom Reverb (Limited Edition)
Combo Guitar Pedal. Walrus Audio Custom Products. General Merchandise. Hal Leonard #ARP87F...(+) Combo Guitar Pedal. Walrus Audio Custom Products. General Merchandise. Hal Leonard #ARP87FATHOM. Published by Hal Leonard (HL.322809).
Item Number: HL.322809
6.75x10 inches.
Limited edition ARP-87 Delay and Fathom Reverb combo pedal with exclusive art work! Two of Walrus Audio\'s best-selling pedals combined into one unit.
The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin\' runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.
The long-awaited Fathom Multi-Function Reverb is ready to surface. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. Players will find the Fathom a very useful tool in a small footprint under $200. The Fathom features 4 different algorithms. Hall, Plate, Lo-fi and Sonar, wich gives a tip of the hat to its older brother, the Descent with a blendable shimmer/octave. Each algorithm can be modified with the X knob changing predelay, filter width, or mix low and high octaves, respectively. A three-way toggle also offers very tasteful amounts of modulation to your trails. |
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| Walrus 385 Overdrive Anodized Red Hal Leonard Limited Edition
Walrus Audio Custom Products. General Merchandise. Hal Leonard #900-1002HAL1. Published by...(+) Walrus Audio Custom Products. General Merchandise. Hal Leonard #900-1002HAL1. Published by Hal Leonard (HL.280353).
Item Number: HL.280353
3.5x5.5 inches.
Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Head up it sounds amazing. After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector's tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as its grandfather. The amp has this as well, but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in just like the amp. |
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| Walrus Audio : Monumental Tremolo |
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| EB-10 Preamp/EQ/Boost
Cream. Walrus Pedals. General Merchandise. Hal Leonard #900-1049C. Published by Hal Leonar...(+) Cream. Walrus Pedals. General Merchandise. Hal Leonard #900-1049C. Published by Hal Leonard (HL.323221).
Item Number: HL.323221
4.25x5.5 inches.
A tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar's sound, allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of low, mid, and high frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch.
Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had.
The EB-10 offers two operating modes, Live and Preset. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.
A portion of proceeds from each pedal sold will be donated to www.raicestexas.org.
SPECS:
The EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans.
The die-cast enclosure's exact size is 3.68″ x 4.67″ x 1.547″. Power requirements are 9VDC, center negative (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included. |
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Walrus-Audio
