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For Behold, Darkness shall Cover the Earth for English Horn & Harp
MP3 (3.47 Mo) : 
(by Magatagan, Michael)172x⬇ 145x
For Behold, Darkness shall Cover the Earth for English Horn & Harp
MP3 (3.58 Mo) : (by Magatagan, Michael)176x⬇ 131xVidéo :
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| Composer : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | English Horn & Harp | ||||
| Style : | Baroque | ||||
| Arranger : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Publisher : | MAGATAGAN, MICHAEL | ||||
| Date : | 1741 | ||||
| Copyright : | Public Domain | ||||
| Added by magataganm, 29 Mar 2013 The "Messiah" (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Psalms included with the Book of Common Prayer (which are worded slightly differently from their King James counterparts). It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1713, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s, in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of conventional opera, it is not in dramatic form; there are no impersonations of characters and very little direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah, moving from the prophetic phrases of Isaiah and others, through the Incarnation, Passion and Resurrection of Christ to his ultimate glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards authenticity; most contemporary performances show a greater fidelity towards Handel's original intentions, although "big Messiah" productions continue to be mounted. The three-part structure of the work approximates to that of Handel's three-act operas, with the "parts" subdivided by Jennens into "scenes". Each scene is a collection of individual numbers or "movements" which take the form of recitatives, arias and choruses. There are two instrumental numbers, the opening Sinfony in the style of a French overture, and the pastoral Pifa, often called the "pastoral symphony", at the mid-point of Part I. The Bass solo "For Behold, Darkness shall Cover the Earth" illustrates the people that walked in darkness have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined (from Isaiah 9:2). In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Although originally written for Bass Solo & Continuo, I created this arrangement for English Horn and Concert (Pedal) Harp. Sheet central : | Messiah (191 sheet music) | | |||
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