 | Franck, Cesar - "Dextera Domini" for Winds, Strings & Pipe Organ FWV 65 Orgue et Orchestre |
VoirPDF : "Dextera Domini" (FWV 65) for Winds, Strings & Pipe Organ (36 pages - 1.43 Mo)12x⬇ VoirPDF : Violoncelle (70.51 Ko) VoirPDF : Pipe Organ (166.22 Ko) VoirPDF : Basson (76.86 Ko) VoirPDF : Flûte (73.44 Ko) VoirPDF : Hautbois (77.96 Ko) VoirPDF : Alto (78.6 Ko) VoirPDF : Violon 1 (76.04 Ko) VoirPDF : Violon 2 (79.73 Ko) VoirPDF : Conducteur complet (1.15 Mo) MP3 : "Dextera Domini" (FWV 65) for Winds, Strings & Pipe Organ 4x⬇ 53x
Dextera Domini for Winds, Strings & Pipe Organ
MP3 (6.37 Mo) : (par MAGATAGAN, MICHAEL)5x⬇ 8x
Vidéo :
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| Compositeur : | Franck, Cesar (1822 - 1890) | ||||
| Instrumentation : | Orgue et Orchestre | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 01 Sep 2023 César-Auguste-Jean-Guillaume-Hubert Franck (1822 – 1890) was a French Romantic composer, pianist, organist, and music teacher born in present-day Belgium. He was born in Liège (which at the time of his birth was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception of an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable musical improviser, and travelled widely within France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1858, he became organist at the Basilica of St. Clotilde, Paris, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. After acquiring the professorship, Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works for pipe organ and piano. As a teacher and composer he had a vast following of composers and other musicians. His pupils included Ernest Chausson, Vincent d'Indy, Henri Duparc, Guillaume Lekeu, Albert Renaud, Charles Tournemire and Louis Vierne. The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm, or ending about the wrist, is used to indicate the intervention in or approval of affairs on Earth by God, and sometimes as a subject in itself. It is an artistic metaphor that is generally not intended to indicate that a hand was physically present or seen at any subject depicted. In music, "Dextera Domini" shows how the Power of God is stronger than that of the Devil, and how Our Lord delivers us from evil and death. The chant also seems to be a prayer from Our Lord Jesus Christ directed to God the Father, showing how God the Father exalts Him Who is at His Right Hand. Though Our Lord – fully human and fully God – will die on the Cross, He will overcome death on the Third Day as He promised. Source: Wikipedia (https://en.wikipedia.org/wiki/C%C3%A9sar_Franck). Although originally composed for Voices (STB) and Orchestra (or Organ & double bass), I created this Interpretation of "Dextera Domini" (FWV 65) for Winds, Strings (2 Violins, Viola & Cello) & Pipe Organ (2 Manuals w/Pedals). Partition centrale : | Dextera Domini (3 partitions) | | |||
