 | Graun, Carl Heinrich - Gigue in Bb Minor for Harp Harpe |
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| Compositeur : | Graun, Carl Heinrich (1704 - 1759) | ||
| Instrumentation : | Harpe | ||
| Genre : | Baroque | ||
| Tonalité : | Si♭ mineur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 21 Jun 2020 Carl Heinrich Graun (1704 – 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. He was born in Wahrenbrück in the Margraviate of Brandenburg. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera Lo specchio della fedeltà for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was Kapellmeister to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen years later in Berlin. Graun memorial in Wahrenbrück Graun wrote a number of operas. His opera Cesare e Cleopatra inaugurated the opening of the Berlin State Opera (Königliche Hofoper) in 1742. Montezuma (1755) was written to a libretto by King Frederick. His works are rarely played today, though his passion cantata Der Tod Jesu (The Death of Jesus, 1755) was frequently performed in Germany for many years after his death. His other works include concertos and trio sonatas. He was known for particularly good text-setting, probably due to his background as a vocalist. He married twice and had a daughter, who became a singer, from his first marriage and four sons from his second. His great-great-great-great-grandson, Vladimir Nabokov, became an eminent 20th-century novelist. The gigue or giga is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th century and usually appears at the end of a suite. The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues. An early Italian dance called the giga probably derives its name from a small accompanying stringed instrument called the giga. Historians, such as Charles Read Baskerville, claim that use of the word in relation to dancing took place in England prior to such usage on the Continent. Giga probably has a separate etymology. Source: Wikipedia (https://en.wikipedia.org/wiki/Carl_Heinrich_Graun). Although originally composed for Keyboard, I created this interpretation of the Gigue in Bb Minor for Concert (Pedal) Harp. | |||
