 | Stainer, John - "How Beautiful Upon the Mountains" for Winds & Strings Vents & Orchestre Cordes |
VoirPDF : "How Beautiful Upon the Mountains" for Winds & Strings (11 pages - 173.33 Ko)62x⬇ VoirPDF : Violoncelle (56.52 Ko) VoirPDF : Basson (55.79 Ko) VoirPDF : Flûte (57.16 Ko) VoirPDF : French Cor (56.3 Ko) VoirPDF : Hautbois (57.02 Ko) VoirPDF : Alto (56.79 Ko) VoirPDF : Violon 1 (57.03 Ko) VoirPDF : Violon 2 (56.96 Ko) VoirPDF : Conducteur complet (113.79 Ko) MP3 : "How Beautiful Upon the Mountains" for Winds & Strings 13x⬇ 166x
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| Compositeur : | Stainer, John (1840 - 1901) | ||||
| Instrumentation : | Vents & Orchestre Cordes | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 24 Mar 2023 Sir John Stainer (1840 – 1901) was an English composer and organist whose music, though seldom performed today (with the exception of The Crucifixion, still heard at Passiontide in some churches of the Anglican Communion), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at Oxford. He was born in Southwark, London, in 1840, the son of a schoolmaster. He became a chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university. He died unexpectedly while on holiday in Italy in 1901. Stainer's output of sacred music was extensive, including the Passion cantata or oratorio The Crucifixion (1887), the Sevenfold Amen (this latter piece was especially admired by the lexicographer Sir George Grove), and numerous hymn tunes, including "Cross of Jesus", "All for Jesus" (both from The Crucifixion), and "Love Divine". His settings for the Gloria and Sanctus were sung at the coronation of Edward VII in 1902. His work as a composer was much esteemed during his lifetime but is not well known today - and Stainer himself was dismissive of his own work, telling Edmund Fellowes that "he regretted ever having published most of his compositions". The Crucifixion is one of the few major works of his that is still regularly performed. It is often given in Anglican churches during Holy Week and forms part of the repertoire of numerous choirs. He also made a lasting contribution to the music of Christmas in his Christmas Carols New and Old (1871), produced in collaboration with the Revd. H. R. Bramley, which marked an important stage in the revival of the Christmas carol. The book includes Stainer's arrangements of what were to become the standard versions of "What Child Is This", "God Rest Ye Merry Gentlemen", "Good King Wenceslas", "The First Nowell", and "I Saw Three Ships", among others. He was a skilled musician and accompanist and Walter Galpin Alcock, who was taught composition by Arthur Sullivan at the National Training School for Music, recalls Sullivan saying "I was at St Paul's yesterday, listening to Dr Stainer extemporising. My dear young friends, he is a genius, and I hope you will miss no chance of hearing him." John Stainer was also a close friend of Edmund Hart Turpin, the later Hon. Secr. of the Royal College of Organists for more than fifty years. Source: Wikipedia (https://en.wikipedia.org/wiki/John_Stainer). Although originally composed for Chorus (SATB) & Organ, I created this interpretation of "How Beautiful Upon the Mountains" for Winds (Flute, Oboe, French Horn & Bassoon) and Strings (2 Violins, Viola & Cello). Partition centrale : | How beautiful upon the Mountains (2 partitions) | | |||
