 | Brahms, Johannes - "Nachtwache I" from 'Fünf Gesänge' for Wind Sextet Op.104 No. 1 Sextuor à vent. |
VoirPDF : "Nachtwache I" (Op.104 No. 1) for Wind Sextet (8 pages - 170.63 Ko)12x⬇ VoirPDF : Basson (58.91 Ko) VoirPDF : English Cor (61.53 Ko) VoirPDF : Flûte (61.27 Ko) VoirPDF : French Cor (60.59 Ko) VoirPDF : Hautbois (61.13 Ko) VoirPDF : Conducteur complet (109.42 Ko) VoirPDF : Bb Clarinette (61.14 Ko) MP3 : "Nachtwache I" (Op.104 No. 1) for Wind Sextet 0x⬇ 23x
Nachtwache I from Fünf Gesänge for Wind Sextet
MP3 (1.85 Mo) : (par MAGATAGAN, MICHAEL)4x⬇ 5x
Vidéo :
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| Compositeur : | Brahms, Johannes (1833 - 1897) | ||||
| Instrumentation : | Sextuor à vent.4 autres versions | ||||
| Genre : | Romantique | ||||
| Tonalité : | Si mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 16 Janv 2024 Johannes Brahms (1833 – 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. He composed for symphony orchestra, chamber ensembles, piano, organ, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Embedded within those structures are deeply Romantic motifs. While some contemporaries found his music to be overly academic, his contribution and craftsmanship were admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The detailed construction of Brahms's works was a starting point and an inspiration for a generation of composers. Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's mortality. While the score and the parts themselves are not that difficult for the singers, the sombre nature of the texts coupled with intense soaring melodies and complex harmonies make it quite a demanding work for any choir. Nachtwache I (Night Watch I) was composed by Brahms in B Minor for chorus (SAATBB). This, the opening piece, sets the atmosphere for the pieces to come with its haunting first bars only. The musical writing reflects the frail beatings of a heart awakened by the breath of love the text speaks about. The dynamics alter swiftly from the soft to the very strong, sounding like the actual breathing of the narrator who seeks an answer to his love. Source: Wikipedia: (https://en.wikipedia.org/wiki/F%C3%BCnf_Ges%C3%A4nge,_ Op._104_(Brahms)). Although originally written for Chorus (SAATBB), I created this arrangement of the "Nachtwache I" from 'Fünf Gesänge' (Op.104 No. 1) for Wind Sextet (Flute, Oboe, Bb Clarinet, English Horn, French Horn & Bassoon). Partition centrale : | Fünf Gesänge (Five Songs) (6 partitions) | | |||
