 | Haendel, Georg Friedrich - Concerto in Bb Major for Wind & String Ensemble HWV 306 Op. 7 No. 1 Vents & Orchestre Cordes |
VoirPDF : Concerto in Bb Major (HWV 306 Op. 7 No. 1) for Wind & String Ensemble (40 pages - 698.17 Ko)112x⬇ MP3 : Concerto in Bb Major (HWV 306 Op. 7 No. 1) for Wind & String Ensemble 25x⬇ 287x
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Vents & Orchestre Cordes | ||||
| Genre : | Baroque | ||||
| Tonalité : | Si♭ majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 30 Mar 2018 Georg Friedrich Händel (1685 – 1759) was a German, later British, baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Handel was born in 1685, the same year as Bach and four years after Telemann. His organ concertos Op 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original material, including some of his most popular and inspired movements. Sir John Hawkins wrote, “A fine and delicate touch, a volant finger, and a ready delivery of passages the most difficult, are the praise of inferior artists: they were not noticed in Handel, whose excellencies were of a far superior kind; and his amazing command of the instrument, the fullness of his harmony, the grandeur and dignity of his style, the copiousness of his imagination, and the fertility of his invention were qualities that absorbed every inferior attainment. When he gave a concerto, his method in general was to introduce it with a voluntary movement on the diapasons, which stole on the ear in a slow and solemn progression; the harmony close wrought, and as full as could possibly be expressed; the passages concatenated with stupendous art, the whole at the same time being perfectly intelligible, and carrying the appearance of great simplicity. This kind of prelude was succeeded by the concerto itself, which he executed with a degree of spirit and firmness that no one ever pretended to equal). Source: Wikipedia (https://en.wikipedia.org/wiki/Organ_concertos,_Op._7_( Handel)). Although originally written for Organ & Baroque Orchestra, I created this Interpretation of the Concerto in Bb Major (HWV 306 Op. 7 No. 1) for Flute, Oboe, Classical Guitar & Strings (2 Violins, Viola & Cello). Partition centrale : | Organ Concerto in B flat major, Op 7 No 1 (2 partitions) | | |||
