 | Glinka, Mikhaïl Ivanovitch - "Cherubic Hymn" for Winds & Strings Vents & Orchestre Cordes |
VoirPDF : "The Cherubic Hymn" for Winds & Strings (12 pages - 184.02 Ko)27x⬇ VoirPDF : Basson (60.82 Ko) VoirPDF : Violoncelle (59.21 Ko) VoirPDF : English Cor (61.46 Ko) VoirPDF : Flûte (60.73 Ko) VoirPDF : Hautbois (60.71 Ko) VoirPDF : Alto (60.16 Ko) VoirPDF : Violon 1 (62.44 Ko) VoirPDF : Violon 2 (60.85 Ko) VoirPDF : Conducteur complet (108.79 Ko) MP3 : "The Cherubic Hymn" for Winds & Strings 7x⬇ 69x
Vidéo :
![]()
![]()
| Compositeur : | Glinka, Mikhaïl Ivanovitch (1804 - 1857) | ||
| Instrumentation : | Vents & Orchestre Cordes | ||
| Genre : | Classique | ||
| Tonalité : | Do majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 23 Déc 2022 Mikhail Ivanovich Glinka (1804 – 1857) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five, who produced a distinctive Russian style of music. He was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth nobleman, Wiktoryn Władysław Glinka of the Trzaska coat of arms who was given lands in the Smolensk Voivodeship. In 1655, Wiktoryn converted to Eastern Orthodoxy with the new name Yakov Yakovlevich (Jacob, son of Jacob), and remained the owner of his lands under the tsar. The coat of arms was originally received after the conversion from Lithuanian Paganism to Catholicism according to the Union of Horodło. linka was the beginning of a new direction in Russian music. Musical culture arrived in Russia from Europe, and for the first time specifically Russian music began to appear, in Glinka's operas. Historical events were often used as its basis, but for the first time they were presented realistically. The first to note this new direction was Alexander Serov. He was then joined by his friend Vladimir Stasov, who became the theorist of this cultural trend; it was developed further by composers of "The Five". Modern Russian music critic Viktor Korshikov wrote: "Russian musical culture would not have developed without...three operas—Ivan Soussanine, Ruslan and Ludmila, and the Stone Guest have created Mussorgsky, Rimsky-Korsakov and Borodin. Soussanine is an opera where the main character is the people; Ruslan is the mythical, deeply Russian intrigue; and in Guest, the drama dominates over the softness of the beauty of sound." Two of these operas—Ivan Soussanine and Ruslan and Ludmila—were Glinka's. Glinka composed three sacred musical works — a freely composed Cherubic Hymn in 1837, a Great Litany for male chorus, and an arrangement for trio and chorus of the Greek Chant setting of “Da ispravitsia molitva moya” [“Let my prayer arise”]. The first is written in the style of Pales-trinian counterpoint, but uses 19th-c. harmonic language; the other two works are written in the so-called “strict style” of harmony, which employs only consonant triads. Glinka's work, and that of the composers and other creative people he inspired, has been instrumental in the development of a distinctly Russian artistic style that occupies a prominent place in world culture. Source: Wikipedia (https://en.wikipedia.org/wiki/Mikhail_Glinka). Although originally composed for Chorus (SATTBB), I created this arrangement of "Cherubic Hymn" (Херувимl 9;кaя пeснь) for Winds (Flute, Oboe, English Horn & Bassoon) & Strings (2 Violins, Viola & Cello). | |||
