 | Brahms, Johannes - Waltz in A Minor for Piano Opus 39 No. 3 Piano seul |
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| Compositeur : | Brahms, Johannes (1833 - 1897) | ||||
| Instrumentation : | Piano seul15 autres versions | ||||
| Genre : | Romantique | ||||
| Tonalité : | La mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Janv 2024 Johannes Brahms (1833 – 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. He composed for symphony orchestra, chamber ensembles, piano, organ, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Embedded within those structures are deeply Romantic motifs. While some contemporaries found his music to be overly academic, his contribution and craftsmanship were admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The detailed construction of Brahms's works was a starting point and an inspiration for a generation of composers. Sixteen Waltzes (German; Sechzehn Walzer), Op. 39, is a set of 16 short waltzes for piano written by Johannes Brahms. They were composed in 1865, and published in 1866, dedicated to the music critic Eduard Hanslick. These waltzes were written for piano four hands, and were also arranged for piano solo by the composer, in two different versions – difficult and simplified. The three versions were published at the same time, and sold well, contrary to the composer's expectations. The waltzes were written while the composer lived in Vienna, a city where he would permanently settle in 1872. They were intended as a tribute to the waltz dance form which had become especially fashionable in his adopted city. In the solo versions, some of the keys were altered from the original duet version (the last four in the difficult version and No. 6 in the easy version). Waltz Number 15 in A major (or A?) has acquired a life of its own, as likely the most popular piece in the collection. An arrangement of five of the waltzes (Nos. 1, 2, 11, 14, and 15) for two pianos, four hands was published after the composer's death. Almost all of the waltzes are in a recapitulating binary form. For each waltz, the first half moves to the dominant, the relative major, or a substitute key. Then, the second half begins with a developmental passage that leads back to the main theme and the tonic. Source: Wikipedia (https://en.wikipedia.org/wiki/Sixteen_Waltzes,_Op._39_ (Brahms)). Although originally written for Piano 4-Hands, I created this Arrangement of the Waltz in G? Minor from Sixteen Waltzes (Opus 39 No. 3) simplified and transposed to A Minor for Solo Piano. Partition centrale : | Sixteen Waltzes for piano, four hands (65 partitions) | | |||
