 | Scarlatti, Domenico - Magnificat in C Major for Woodwind Quartet Flûte, Hautbois, Cor et Basson |
VoirPDF : Magnificat in C Major for Woodwind Quartet (27 pages - 410.18 Ko)48x⬇ VoirPDF : Basson (90.58 Ko) VoirPDF : Flûte (99.96 Ko) VoirPDF : French Cor (99.29 Ko) VoirPDF : Hautbois (97.98 Ko) VoirPDF : Conducteur complet (228.35 Ko) MP3 : Magnificat in C Major for Woodwind Quartet 10x⬇ 134x
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| Compositeur : | Scarlatti, Domenico (1685 - 1757) | ||
| Instrumentation : | Flûte, Hautbois, Cor et Basson | ||
| Genre : | Baroque | ||
| Tonalité : | Do majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 19 Mar 2023 Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (1685 – 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. He was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. Muzio Clementi brought Scarlatti's sonatas into the classical style by editing what is known to be their first publication. Only a small number of Scarlatti's compositions were published during his lifetime. Scarlatti himself seems to have overseen the publication in 1738 of the most famous collection, his 30 Essercizi (Exercises). They were well received throughout Europe and were championed by the foremost English writer on music of the eighteenth century, Charles Burney. The many sonatas unpublished during Scarlatti's lifetime have appeared in print irregularly in the past two and a half centuries. He has attracted notable admirers, including Béla Bartók, Arturo Benedetti Michelangeli, Pieter-Jan Belder, Johann Sebastian Bach, Muzio Clementi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Czerny, Franz Liszt, Johannes Brahms, Frédéric Chopin, Claude Debussy, Emil Gilels, Francis Poulenc, Olivier Messiaen, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Ivo Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich. Scarlatti's 555 keyboard sonatas are single movements, mostly in binary form, and some in early sonata form, and mostly written for harpsichord or the earliest pianofortes. (There are four for the organ, and a few for the small instrumental groups). Some display harmonic audacity in their use of discords, and unconventional modulations to remote keys. Source: Wikipedia (https://en.wikipedia.org/wiki/Domenico_Scarlatti). Although originally composed for Chorus (SATB), I created this interpretation of The Magnificat in C Major for Woodwind Quartet (Flute, Oboe, French Horn & Bassoon). | |||
